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*Poem of the day thread

Snow White and the Seven Dwarfs

No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.

Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred -
something like the weather forecast -
a mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison.

Suddenly one day the mirror replied,
Queen, you are full fair, ‘tis true,
but Snow White is fairer than you.
Until that moment Snow White
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar’s heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.

Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.

The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping virgin. They were wise
and wattled like small czars.
Yes. It’s a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up. She told them
about the mirror and the killer-queen
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.

Looking glass upon the wall . . .
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.

Looking glass upon the wall. . .
Once more the mirror told
and once more the queen dressed in rags
and once more Snow White opened the door.
This time she bought a poison comb,
a curved eight-inch scorpion,
and put it in her hair and swooned again.
The dwarfs returned and took out the comb
and she revived miraculously.
She opened her eyes as wide as Orphan Annie.
Beware, beware, they said,
but the mirror told,
the queen came,
Snow White, the dumb bunny,
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.

The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow White--
its doll’s eyes shut forever--
to keep in his far-off castle.
As the prince’s men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.

And thus Snow White became the prince’s bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.

Anne Sexton
 
Pursuit

What do I care
that the stream is trampled,
the sand on the stream-bank
still holds the print of your foot:
the heel is cut deep.
I see another mark
on the grass ridge of the bank -
it points toward the wood-path.
I have lost the third
in the packed earth.

But here
a wild-hyacinth stalk is snapped:
the purple buds - half ripe -
show deep purple
where your heel pressed.

A patch of flowering grass,
low, trailing -
you brushed this:
the green stems show yellow-green
where you lifted - turned the earth-side
to the light:
this and a dead leaf-spine,
split across,
show where you passed.

You were swift, swift!
here the forest ledge slopes -
rain has furrowed the roots.
Your hand caught at this;
the root snapped under your weight.

I can almost follow the note
where it touched this slender tree
and the next answered -
and the next.

And you climbed yet further!
you stopped by the dwarf-cornel -
whirled on your heels,
doubled on your track.

This is clear -
you fell on the downward slope,
you dragged a bruised thigh - you limped -
you clutched this larch.

Did your head, bent back,
search further -
clear through the green leaf-moss
of the larch branches?

Did you clutch,
stammer with short breath and gasp:
wood-daemons grant life -
give life—I am almost lost.

For some wood-daemon
has lightened your steps.
I can find no trace of you
in the larch-cones and the underbrush.

H. D.
 
I know the rule is one a day, but just this once...

Wine and Water

OLD Noah he had an ostrich farm and fowls on the largest scale,
He ate his egg with a ladle in a egg-cup big as a pail.
And the soup he took was Elephant Soup and the fish he took was Whale.
But they all were small to the cellar he took when he set out to sail,
And Noah he often said to his wife when he sat down to dine,
'I don't care where the water goes if it doesn't get into the wine.'

The cataract of the cliff of heaven fell blinding off the brink
As if it would wash the stars away as suds go down a sink,
The seven heavens came roaring down for the throats of hell to drink,
And Noah he cocked his eye and said, 'It looks like rain, I think.
The water has drowned the Matterhorn as deep as a Mendip mine,
But I don't care where the water goes if it doesn't get into the wine.'

But Noah he sinned, and we have sinned; on tipsy feet we trod.
Till a great big black teetotaller was sent to us for a rod,
And you can't get wine at a P.S.A., or chapel, or Eisteddfod,
For the Curse of Water has come again because of the wrath of God,
And water is on the Bishop's board and the Higher Thinker's shrine,
But I don't care where the water goes if it doesn't get into the wine.

G. K. Chesterton
 
Mad Girl’s Love Song

I shut my eyes and all the world drops dead,

I lift my lids and all is born again.
(I think I made you up inside my head)
The stars go waltzing out in blue and red,

And arbitrary darkness gallops in.
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed

And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head).
God topples from the sky, hell’s fires fade:

Exit seraphim and enter Satan’s men:
I shut my eyes and all the world drops dead.
I fancied you’d return the way you said.

But I grow old and I forget your name.
(I think I made you up inside my head).
I should have loved a thunderbird instead;

At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head).
 
operation: get down

It is very
Common
To have

A cave within us
To hide

Away in when it all
Seems hopeless. To cry

Tears of mostly blood.

To feed on the day-
Dream in which

Side mirrors shear off
Of your car

As the walled road
Narrows.

To swerve might make...

There is a saint for the down
& out. A rock is a rock

Is a rock & redwood
Trees grow out
Of our chests.

It is horrible & right,
Here in this place. Dum

Spiro, spero.* We’re all in
This shit together.

Alex Lemon

*While I breathe, I hope
 
I dreamed I stood upon a hill, and, lo!
The godly multitudes walked to and fro
Beneath, in Sabbath garments fitly clad,
With pious mien, appropriately sad,
While all the church bells made a solemn din --
A fire-alarm to those who lived in sin.
Then saw I gazing thoughtfully below,
With tranquil face, upon that holy show
A tall, spare figure in a robe of white,
Whose eyes diffused a melancholy light.
'God keep you, stranger,' I exclaimed. 'You are
No doubt (your habit shows it) from afar;
And yet I entertain the hope that you,
Like these good people, are a Christian too.'
He raised his eyes and with a look so stern
It made me with a thousand blushes burn
Replied -- his manner with disdain was spiced:
'What! I a Christian? No, indeed! I'm Christ.'

--Ambrose Bierce
 
This Magic Moment

Poetry does make things happen. A friend says, “I wanted
to let you know that my stepfather is chattering like
a schoolboy about a poem of yours on my Facebook page.
This may not seem like much to you, but this guy has been
giving me a hard time since I was two. You built a bridge
between people who never understood each other before.”
How’d that happen? Magic, that’s how. I know the poem

she means; it took me years to write it. Songwriter
Doc Pomus was crippled by polio, and he wrote once
about this dream he had again and again: “I used to believe
in magic and flying and that one morning I would wake up
and all the bad things were bad dreams. . . . And I would
get out of the wheelchair and walk and not with braces
and not with crutches,” though when the light came through

the window in the morning, there he was, encased
in steel and leather from hip to ankle, unable to move.
Again and again he has the dream, and then one day
he writes “This Magic Moment,” where the guy meets
the girl, and suddenly he has everything he wants. How?
Magic! Wouldn’t you love to have saved pale Keats
with his blood-speck’d lips? And Fanny, her skin like cream,

listening through the wall. He dies with his lungs on fire,
she mourns, marries, gives birth, and, after her husband dies,
gives Keats’ letters to her children—she had kept them all
that time. We have them, and we have his poems. And his
tool kit, too: look what he does in the “Ode to a Nightingale.”
Nobody bolts music and lyrics together the way Keats does,
no one pays more attention to detail. There’s a Jack Gilbert

poem that begins with a real incident from World War II,
when the Polish cavalry rode out against the Germans
with their swords glittering, only the Germans had tanks.
But that’s not bravery, says Gilbert. Bravery is doing
the same thing every day when you don’t want to.
Not the marvelous but the familiar, over and over again.
Do that, and the magic will come. My dad was frail

and distracted in his last hours. My mother said he asked,
Do we have enough money? and when she said yes, he said,
Then let's just get in the Buick and go. He was looking
at car trips, thirty-cent gas, roadside picnics, these new things
they called motels. My brother, me, the little house
we lived in, fifty years of marriage, a long and happy life as
a Chaucer scholar: all that was in the sunny days to come

David Kirby
 
The Abnormal Is Not Courage

The Poles rode out from Warsaw against the German
Tanks on horses. Rode knowing, in sunlight, with sabers,
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
The bravery. Say it's not courage. Call it a passion.
Would say courage isn't that. Not at its best.
It was impossible, and with form. They rode in sunlight,
Were mangled. But I say courage is not the abnormal.
Not the marvelous act. Not Macbeth with fine speeches.
The worthless can manage in public, or for the moment.
It is too near the whore's heart: the bounty of impulse,
And the failure to sustain even small kindness.
Not the marvelous act, but the evident conclusion of being.
Not strangeness, but a leap forward of the same quality.
Accomplishment. The even loyalty. But fresh.
Not the Prodigal Son, nor Faustus. But Penelope.
The thing steady and clear. Then the crescendo.
The real form. The culmination. And the exceeding.
Not the surprise. The amazed understanding. The marriage,
Not the month's rapture. Not the exception. The beauty
That is of many days. Steady and clear.
It is the normal excellence, of long accomplishment.

Jack Gilbert
 
We Dogs of a Thursday Off

The wine of uncharted days,
Their unsteady stance against the working world,

The intense intoxication of nothing to be done,
A day off,

The dance of the big-hearted dog
In us, freed into a sudden green, an immense field:

Off we go, more run than care, more dance—
If a polka could be done not in a room but straight

Ahead, into the beautiful distance, the booming
Sound of the phonograph weakening, but our legs

Getting stronger with their bounding practice:
This day, that feeling, drunkenness

Born of indecision, lack of focus, but everything
Forgiven: Today is a day exposed for what it is,

A workday suddenly turned over on its back,
Hoping to be rubbed.

Alberto Ríos
 
Happy awakwening Will, here's one from a comrade of yours:

I must conjure from my past

I must conjure from my past
the dim and unavowed
spectre of a slave,
of a bound woman,
whose bound figure
pleads silently
and whose blood I must acknowledge in my own

faniciful wraith? Imagining?
Yet how else can I reaconcile my rebel blood and protest
but by acknowledgement
of that spectre's mute rebellious blood.

Dennis Brutus
 
The End

Not every man knows what he shall sing at the end,
Watching the pier as the ship sails away, or what it will seem like
When he’s held by the sea’s roar, motionless, there at the end,
Or what he shall hope for once it is clear that he’ll never go back.

When the time has passed to prune the rose or caress the cat,
When the sunset torching the lawn and the full moon icing it down
No longer appear, not every man knows what he’ll discover instead.
When the weight of the past leans against nothing, and the sky

Is no more than remembered light, and the stories of cirrus
And cumulus come to a close, and all the birds are suspended in flight,
Not every man knows what is waiting for him, or what he shall sing
When the ship he is on slips into darkness, there at the end.

Mark Strand
 
“Spring and Fall” (1880)
Gerard Manley Hopkins


To a young child

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep know why.
Now no matter, child, the name:
Sorrow’s springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.



Quoted not just for the time of year as it passes and moves to its end ...but because I came across my aunt's favourite poems in a folder ...

And I love it so much...
 
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for ShiftyBagLady under the mistletoe

Noble in the sound which
marks the pale ease
of their dreams, they ride
the bel canto of our time: the patient en-
circlement of Narcissus &
as he pines I too
am wan with fever,
have fears which set
the vanished child above
reproach. Cry as you
will, take what you
need, the night is young
and limitless our greed.
 
Consider the Space Between Stars

Consider the white space
between words on a page, not just
the margins around them.

Or the space between thoughts:
instants when the mind is inventing
exactly what it thinks

and the mouth waits
to be filled with language.
Consider the space

between lovers after a quarrel,
the white sheet a cold metaphor
between them.

Now picture the brief space
before death enters, hat in hand:
vanishing years, filled with light.

Linda Pastan
 
Dreamheart

They took the old heart out of your chest
all blue and spoiled like a sick grapefruit

the way you removed your first wife from your life,
and put a strong young blonde one in her place.

What happened to the old heart is unrecorded
but the wife comes back sometimes in your dreams,

vengeful and berating, with a hairdo orange as flame,
like a mother who has forgotten that she loved you

more than anything. How impossible it is to tell
bravery from selfishness down here,

a leap of faith from a doomed attempt at flight.
What happened to the old heart is the scary part:

thrown into the trash, and never seen again,
but it persists. Now it's like a ghost,

with its bloated purple face,
moving through a world of ghosts,

that's all of us;
dreaming we're alive, that we're in love.

Tony Hoagland
 
For Dillinger4 because nothing says I heart you like a display of mackerel

A Display of Mackerel

BY MARK DOTY

They lie in parallel rows,
on ice, head to tail,
each a foot of luminosity

barred with black bands,
which divide the scales’
radiant sections

like seams of lead
in a Tiffany window.
Iridescent, watery

prismatics: think abalone,
the wildly rainbowed
mirror of a soapbubble sphere,

think sun on gasoline.
Splendor, and splendor,
and not a one in any way

distinguished from the other
—nothing about them
of individuality. Instead

they’re all exact expressions
of the one soul,
each a perfect fulfilment

of heaven’s template,
mackerel essence. As if,
after a lifetime arriving

at this enameling, the jeweler’s
made uncountable examples,
each as intricate

in its oily fabulation
as the one before
Suppose we could iridesce,

like these, and lose ourselves
entirely in the universe
of shimmer—would you want

to be yourself only,
unduplicatable, doomed
to be lost? They’d prefer,

plainly, to be flashing participants,
multitudinous. Even now
they seem to be bolting

forward, heedless of stasis.
They don’t care they’re dead
and nearly frozen,

just as, presumably,
they didn’t care that they were living:
all, all for all,

the rainbowed school
and its acres of brilliant classrooms,
in which no verb is singular,

or every one is. How happy they seem,
even on ice, to be together, selfless,
which is the price of gleaming.
 
Self-portrait

I lived between my heart and my head,
like a married couple who can't get along.

I lived between my left arm, which is swift
and sinister, and my right, which is righteous.

I lived between a laugh and a scowl,
and voted against myself, a two-party system.

My left leg dawdled or danced along,
my right cleaved to the straight and narrow.

My left shoulder was like a stripper on vacation,
my right stood upright as a Roman soldier.

Let's just say that my left side was the organ
donor and leave my private parts alone,

but as for my eyes, which are two shades
of brown, well, Dionysus, meet Apollo.

Look at Eve raising her left eyebrow
while Adam puts his right foot down.

No one expected it to survive,
but divorce seemed out of the question.

I suppose my left hand and my right hand
will be clasped over my chest in the coffin

and I'll be reconciled at last,
I'll be whole again.

Edward Hirsch
 
Saint’s Day Triolet: Saint Anthony

When no one else would listen, Saint Anthony
preached seaward, his words fishnet for the lost
souls of the heretics. Caught up in despair, we plea
to the one who will listen: Saint Anthony,
please return Tía’s teeth or the misplaced key
to our bolted hopes. Patron retriever of all we’ve tossed
when no one else would. Listen, Saint Anthony,
teach us to steward this world, all our netted loss.

Deborah Paredez
 
pj harvey but her lyrics are poesy so

Colour of the Earth


Louis was my dearest friend
Fighting in the ANZAC trench
Louis ran forward from the line
I never saw him again
Later in the dark
I thought I heard Louis' voice
Calling for his mother, then me
But I couldn't get to him
He's still up on that hill
20 years on that hill
Nothing more than a pile of bones
But I think of him still
If I was asked I'd tell
The colour of the earth that day
It was dull and browny red
The colour of blood, I'd say
 
Dusk of Horses

Right under their noses, the green
Of the field is paling away
Because of something fallen from the sky.

They see this, and put down
Their long heads deeper in grass
That only just escapes reflecting them

As the dream of a millpond would.
The color green flees over the grass
Like an insect, following the red sun over

The next hill. The grass is white.
There is no cloud so dark and white at once;
There is no pool at dawn that deepens

Their faces and thirsts as this does.
Now they are feeding on solid
Cloud, and, one by one,

With nails as silent as stars among the wood
Hewed down years ago and now rotten,
The stalls are put up around them.

Now if they lean, they come
On wood on any side. Not touching it, they sleep.
No beast ever lived who understood

What happened among the sun’s fields,
Or cared why the color of grass
Fled over the hill while he stumbled,

Led by the halter to sleep
On his four taxed, worthy legs.
Each thinks he awakens where

The sun is black on the rooftop,
That the green is dancing in the next pasture,
And that the way to sleep

In a cloud, or in a risen lake,
Is to walk as though he were still
in the drained field standing, head down,

To pretend to sleep when led,
And thus to go under the ancient white
Of the meadow, as green goes

And whiteness comes up through his face
Holding stars and rotten rafters,
Quiet, fragrant, and relieved.
 
The Holly and the Ivy, when they are both full grown
Of all the trees that are in the wood, the Holly bears the crown.
Oh, the rising of the Sun and the running of the deer
The playing of the merry organ, sweet singing in the choir.

The Holly bears a blossom as white as any flower
And when the Sun is newly born, 'tis at the darkest hour.

The Holly bears a berry and blood-red is its hue
And when the Sun is newly born, it maketh all things new.

The Holly bears a leaf that is forever green
And when the Sun is newly born, let love and joy be seen.

The Holly and the Ivy the Mistletoe entwine
And when the Sun is newly born, be joy to thee and thine.

Oh the rising of the Sun and the running of the deer
The playing of the merry organ, sweet singing in the choir.
 
The Unknown by Donald Rumsfeld

As we know,
There are known knowns.
There are things we know we know.
We also know
There are known unknowns.
That is to say
We know there are some things
We do not know.
But there are also unknown unknowns,
The ones we don't know
We don't know.
 
The Situation by Donald Rumsfeld

Things will not be necessarily continuous.
The fact that they are something other than perfectly continuous
Ought not to be characterized as a pause.
There will be some things that people will see.
There will be some things that people won't see.
And life goes on.
 
The Shortest Day

So the shortest day came, and the year died,
And everywhere down the centuries of the snow-white world
Came people singing, dancing,
To drive the dark away.
They lighted candles in the winter trees;
They hung their homes with evergreen;
They burned beseeching fires all night long
To keep the year alive,
And when the new year's sunshine blazed awake
They shouted, reveling.
Through all the frosty ages you can hear them
Echoing behind us - Listen!!
All the long echoes sing the same delight,
This shortest day,
As promise wakens in the sleeping land:
They carol, fest, give thanks,
And dearly love their friends,
And hope for peace.
And so do we, here, now,
This year and every year.
Welcome Yule!!

Susan Cooper
 
Childhood Christmas
by Patrick Kavanagh (1905-67)

One side of the potato-pits was white with frost-
How wonderful that was, how wonderful
And when we put our ears to the paling-post
The music that came out was magical
The light between the ricks of hay and straw
Was a hole in Heaven's gable. An apple tree
With its December-glinting fruit we saw-
O you, Eve, were the world that tempted me
To eat the knowledge that grew in clay
And death the germ within it! Now and then
I can remember something of the gay
Garden that was childhoods. Again
The tracks of Cattle to a drinking-place,
A green stone lying sideways in a ditch
Or any common sight the transfigured face
Of a beauty that the world did not touch.

My father played the melodeon
Outside at our gate
There were stars in the morning east
And they danced to his music.
Across the wild bogs his melodeon called
To Lennons and Callans.
As I pulled on my trousers in a hurry
I knew some strange thing had happened.
Outside in the cow-house my mother
Made the music of milking;
The light of her stable-lamp was a star
And the frost of Bethlehem made it twinkle.
A water-hen screeched in the bog,
Mass-going feet
Crunched the wafer-ice on the pot-holes,
Somebody wistfully twisted the bellows wheel.
My child poet picked out the letters
On the grey stone,
In silver the wonder of a Christmas townland,
The winking glitter of a frosty dawn.
Cassiopeia was over
Cassidy's hanging hill,
I looked and three whin bushes rode across
The horizon-the Three Wise Kings.
An old man passing said:
'Can't he make it talk' -
The melodeon. I hid in the doorway
And tightened the belt of my box-pleated coat.
I nicked six nicks on the door-post
With my penknife's big blade-

There was a little one for cutting tobacco.
And I was six Christmases of age.
My father played the melodeon,
My mother milked the cows,
And I had a prayer like a white rose pinned
On the Virgin Mary's blouse.
 
Underground Xmas

Out of the packed train comes a horizontal tree, pine
needles poking through tight

plastic wrap. She’s wearing
a raincoat and a frown, the blue spruce

hugged in her strong arms like a Roman battering ram.
Commuters step aside, all sighs and clucks.

This woman loves someone enough
to bring them Christmas on the subway, wrestle

a tree twice her height through tongue-
sucking rush-hour crowds.

The sharp holiday
scent of pine enlivens the last car of the C train,

trails her to the 50th Street escalator,
where she juggles the pungent

tree on her hip, ascending.

Jackie Sheeler
 
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