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*Poem of the day thread

Cradle Song

SLEEP, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.

Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.

As thy softest limbs I feel
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart doth rest.

O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.

William Blake
 
Dorian Peterson Potter


"My Sweet Love - Triplets"



You take my breath completely away
You mean the world to me, my love and
Only I have to gaze softly into your eyes

I rememb'r all the smiles upon your face
And when I'm sad I replay them in my mind
My heart savorin' every time I can't replace

Sometimes it seems I'm living just a dream
From which I don't want ever to wake up from
And when you're far 'way I just want to scream

'Cause life without you can never be the same
Love runs wild thru my veins like a roarin' fire
And my skin burns recurring just your name.
 
Tammy J. Winslett




"WHEN I MET YOU"

There was a day that I met you
Oh! Your smile so beautiful too;
We started to talk more each day
Even though I didn't have much to say.

All of the words my heart told,
It was that moment love started to grow.
More and more as the days went by
I knew it was only a matter of time.

Feeling my heart as it skipped a beat,
My love for you was getting deep.
There was a chance I had to take
My love was real it wasn't fake.

As days passed, I couldn't take anymore
I said, I love you; it opened the door.
I took a few steps closer to you
And I heard the words; I love you too.

There was a darkness that filled my life
But you came along and shined it bright.
I love you now and forever more
Remember this, it's you I adore.
 
Elegy Composed in the New York Botanical Garden

Catmint—tubular, lavender, an ointment
to blur the scar, bloom the skin. My mouth has begun
the hunt for words that heal.

In the garden, I am startled by a cluster
of sun-colored petals marked, Radiation.
Piles of radiation. Orange radiation, huddled together

like families bound by a hospital-bright morning.
And behind them: a force of yuccas
called Golden Swords. A bush or mound

of sheath-like leaves sprouting from a proud center.
And isn’t that the plot?
First the radiation, then the golden sword.

I remember, incurably,
your mother. The laughter that flowered
from her lips. I’m sorry I have no good words

to honor her war. It crumbled me to watch you
overwhelmed by her face
in the daffodils outside your childhood home.

Eugenia Leigh
 
It's Finally Friday

It’s finally Friday - I’m so glad.
It’s been a crazy week.
I got chewed out on Monday,
and since then it’s all been bleak.
I lost my lunch on Tuesday,
and a parent went insane,
which shocked me so completely
that I almost popped a vein.
I poked my eye on Wednesday,
and the nurse gave me a shot.
She sent me to the doctor
when I fainted on the spot.
On Thursday I was tardy
’cause I kinda overslept.
And the snack that I was craving
came up missing in a theft.
And so it’s finally Friday.
No more pencils, no more books.
No more sitting in detention,
no more teachers’ dirty looks.
By Friday I’m exhausted,
out of energy and breath.
But that’s the day you’ll hear me shout,
“Rejoice, TGIF!”
And twice a month on Friday,
I remember why I stay:
You see, I am the principal -
that’s when I get my pay.

Paul Orshoski
 
While Writing

Someone inside says, “Get busy.”
But I’ve got appointments to keep,
I have an abstemious love of equations calculated quickly
While the tepid day melts into design.

And the high cheekbones of the beautiful life
Bear the loose look of a calendar by lamplight.
I search for patterns in everything.
I am tied in knots of comprehension.

I think, how useful it might be
To pierce all the hands of the earth
With an oath of pins encircling snarling planets
But talent and shallowness sewn together

Is nothing but a kerchief tied around a survivalist’s head,
And it helps to know the feet wriggling through a hole
In the universe will land for an instant
Upon the cushions of the dark,

And that after marching one doozy of a kilometer after another,
We each come upon the same poem scribbled in invisible ink
Taped to the door of a room
In which an austere justice is burning for us.

Noelle Kocot
 
That time of year thou mayst in me behold (Sonnet 73)

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou see’st the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire,
That on the ashes of his youth doth lie,
As the deathbed whereon it must expire,
Consumed with that which it was nourished by.
This thou perceiv’st, which makes thy love more strong,
To love that well which thou must leave ere long.

William Shakespeare
 
Bedtime Story

I’ll come to thee by moonlight, though hell should
bar the way!’ — Alfred Noyes ‘The Highwayman’


I was reading him ‘The Highwayman’
As he lay tucked up in his bed,
My fingers drumming the horses hooves
On the back of the book as I read
I read by a ribbon of moonlight
As he turned to me to say:
‘I hope that he dodges the soldiers!
Though hell should bar his way!’
But I lost myself in that wild ride
Of a man in a velvet coat —
And when I looked he was fast asleep
With a bunch of sheet at his throat.

Felix Dennis
 
As I Began to Love Myself – A Poem on Self Love by Charlie Chaplin

As I began to love myself I found that anguish and emotional suffering
are only warning signs that I was living against my own truth.
Today, I know, this is “AUTHENTICITY”.

As I began to love myself I understood how much it can offend somebody
As I try to force my desires on this person, even though I knew the time
was not right and the person was not ready for it, and even though this
person was me. Today I call it “RESPECT”.

As I began to love myself I stopped craving for a different life,
and I could see that everything that surrounded me was inviting me to grow. Today I call it “MATURITY”.

As I began to love myself I understood that at any circumstance,
I am in the right place at the right time, and everything happens
at the exactly right moment. So I could be calm.
Today I call it “SELF-CONFIDENCE”.

As I began to love myself I quit steeling my own time,
and I stopped designing huge projects for the future.
Today, I only do what brings me joy and happiness, things I love to do
and that make my heart cheer, and I do them in my own way and in
my own rhythm. Today I call it “SIMPLICITY”.

As I began to love myself I freed myself of anything that is no good for
my health – food, people, things, situations, and everything that drew
me down and away from myself. At first I called this attitude
a healthy egoism. Today I know it is “LOVE OF ONESELF”.

As I began to love myself I quit trying to always be right, and ever since
I was wrong less of the time. Today I discovered that is “MODESTY”.

As I began to love myself I refused to go on living in the past and worry
about the future. Now, I only live for the moment, where EVERYTHING
is happening. Today I live each day, day by day, and I call it “FULFILLMENT”.

As I began to love myself I recognized that my mind can disturb me
and it can make me sick. But As I connected it to my heart, my
mind became a valuable ally. Today I call this
connection “WISDOM OF THE HEART”.

We no longer need to fear arguments, confrontations or any kind of problems with ourselves or others. Even stars collide, and out of their crashing new worlds are born. Today I know THAT IS “LIFE”!
 
New Year’s Morning*

Only a night from old to new!
Only a night, and so much wrought!
The Old Year’s heart all weary grew,
But said: “The New Year rest has brought.”
The Old Year’s hopes its heart laid down,
As in a grave; but, trusting, said:
“The blossoms of the New Year’s crown
Bloom from the ashes of the dead.”
The Old Year’s heart was full of greed;
With selfishness it longed and ached,
And cried: “I have not half I need.
My thirst is bitter and unslaked.
But to the New Year’s generous hand
All gifts in plenty shall return;
True love it shall understand;
By all my failures it shall learn.
I have been reckless; it shall be
Quiet and calm and pure of life.
I was a slave; it shall go free,
And find sweet peace where I leave strife.”
Only a night from old to new!
Never a night such changes brought.
The Old Year had its work to do;
No New Year miracles are wrought.

Always a night from old to new!
Night and the healing balm of sleep!
Each morn is New Year’s morn come true,
Morn of a festival to keep.
All nights are sacred nights to make
Confession and resolve and prayer;
All days are sacred days to wake
New gladness in the sunny air.
Only a night from old to new;
Only a sleep from night to morn.
The new is but the old come true;
Each sunrise sees a new year born.

Helen Hunt Jackson

*By rights, this would have been better posted yesterday.
 
I saw this and thought of social media.

I’m Nobody! Who are you? (260)

I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us!
Don’t tell! they’d advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!

Emily Dickinson
 
Luminary

My luminary,
my morning and evening
star. My light at noon
when there is no sun
and the sky lowers. My balance
of joy in a world
that has gone off joy's
standard. Yours the face
that young I recognised
as though I had known you
of old. Come, my eyes
said, out into the morning
of a world whose dew
waits for your footprint.
Before a green altar
with the thrush for priest
I took those gossamer
vows that neither the Church
could stale nor the Machine
tarnish, that with the years
have grown hard as flint,
lighter than platinum
on our ringless fingers.

R S Thomas
 
Poppies on the Wheat

Along Ancona’s hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.

The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn’s gain,
But I, - I smile to think that days remain
Perhaps to me in which, though bread be sweet
No more, and red wine warm my blood in vain,
I shall be glad remembering how the fleet,
Lithe poppies ran like torchmen with the wheat.

Helen Hunt Jackson
 
Poppies

The gay day is ablaze… And in the languid grass
The poppies’ patches burn like impotent desire…
Like lips that can allure or deathly poison us,
Or wings of butterfly, wide spread and red like fire.

The gay day is ablaze… But old and empty stands
This garden, long ago lost of the feasts and pleasure,
And poppies,weathered, like old women’s heads,
Are warmly overspread by heaven chalice, azure.

Innokenty Annensky
translated by Yevgeny Bonver
 
Poppies

The poppies send up their
orange flares; swaying
in the wind, their congregations
are a levitation

of bright dust, of thin
and lacy leaves.
There isn’t a place
in this world that doesn’t

sooner or later drown
in the indigos of darkness,
but now, for a while,
the roughage

shines like a miracle
as it floats above everything
with its yellow hair.
Of course nothing stops the cold,

black, curved blade
from hooking forward—
of course
loss is the great lesson.

But I also say this: that light
is an invitation
to happiness,
and that happiness,

when it’s done right,
is a kind of holiness,
palpable and redemptive.
Inside the bright fields,

touched by their rough and spongy gold,
I am washed and washed
in the river
of earthly delight—

and what are you going to do—
what can you do
about it—
deep, blue night?

Mary Oliver
 
Wild Poppies

And how do you survive? Your long throat,
your red-rag-to-a-bull head?

You rise heavy in the night, stars drinking
from your poppy neck.

Your henna silks serenade me
under the breadth of the Pyrenees.

You move like an opera,
open like sea anemones.

You are earth’s first blood.
How the birds love you,

I envy your lipstick dress.
You are urgent as airmail, animal red,

Ash Wednesday crosses tattooed on your head.
Your butterfly breath

releases your scents, your secrets,
bees blackening your mouth

as your dirty red laundry
all hangs out.

Marion McCready
 
For those who had had their fill of poppies, in France they wear a cornflower (bleuet) to as a token of rememberance for the war dead (it's also to remember and show solidarity with those wounded in war, people with PTSD, war widows & orphans)

Cornflower

there:
a rising nearness, a beacon
its blueness a raggy topknot mix
of indigo, azure and violet
that humbles you to silence
as you stumble across its sudden fulness
signalling from wheat-field trespass

Consider its other names:

Hurtsickle from its tough stems -
that angelicaed haze of greyey-green
blunting the reaper’s scythe

Cyanus, memento of the garland
his namesake garnered as a lad
to frame his love for Flora

Centaurea, after Chiron the centaur
who swathed Hercules’ poisoned arrow-wounds
in braids of sky-blue petal-heads
and was healed

Remember these
and recall this flower
the single bloom to grow in Nagasaki’s aftermath
Hiroshima’s wreath

Cornflower,
talisman of hurt, of youth, of hope

Roger elkin
 
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On the Idle Hill of Summer

On the idle hill of summer,
Sleepy with the flow of streams,
Far I hear the steady drummer
Drumming like a noise in dreams.

Far and near and low and louder
On the roads of earth go by,
Dear to friends and food for powder,
Soldiers marching, all to die.

East and west on fields forgotten
Bleach the bones of comrades slain,
Lovely lads and dead and rotten;
None that go return again.

Far the calling bugles hollo,
High the screaming fife replies,
Gay the files of scarlet follow:
Woman bore me, I will rise.

A.E.Housman
 
For The Fallen

With proud thanksgiving, a mother for her children,
England mourns for her dead across the sea.
Flesh of her flesh they were, spirit of her spirit,
Fallen in the cause of the free.

Solemn the drums thrill; Death august and royal
Sings sorrow up into immortal spheres,
There is music in the midst of desolation
And a glory that shines upon our tears.

They went with songs to the battle, they were young,
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted;
They fell with their faces to the foe.

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.


They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England's foam.

But where our desires are and our hopes profound,
Felt as a well-spring that is hidden from sight,
To the innermost heart of their own land they are known
As the stars are known to the Night;

As the stars that shall be bright when we are dust,
Moving in marches upon the heavenly plain;
As the stars that are starry in the time of our darkness,
To the end, to the end, they remain.

Robert Laurence Binyon
 
Page 22 / oh lucky me

oh lucky me
I am of some use
I am of some inspiration
to the two men
across the lunchcounter
I remind them of the
last Chinese restaurant
they took their family to
did you know that
Chinese food was delicious?

Frances Chung
 
The Years

I have invited the years to join me
in this hut in the woods,
and the years have told me
I should love what happens -
this is the only world I can live in.
Nothing has been wasted, they say,
Every featherweight of grief is precious.
The years have told me to be happy:
they say I should dance with joy
for my ordinary life.
 
Our Never

Is the never of childhood, deeper
than the never of adolescence,
which has a whining, stammering
quality, which is a stamped foot
followed by huffing steps, and wholly
unlike the never of adulthood,
has none of the bright spider
cracks of reason multiplying
along its roof, threading its dark
dome with fine lines of light.
Didn’t you think, with such a
cavernous never in mind,
you might have consulted me?
Even a 3 AM phone call would’ve
been justified. On the line
in the dark, you could have shared
a little childhood mythology,
told me about some night when
you didn’t sleep, couldn’t hear
your parents, and morning seemed
further away than “far away,”
seemed consigned to a distinct
and inimitable never. You could’ve
evoked for me the particular textures
of that never, explained that
you were mulling them again now,
assaying them for a contemporary
application. Sure, I’d have been
startled. What would you expect—
hearing how your childhood bed
sank into a hollow in the earth,
or how nighttime had, snickering,
closed you in its trench coat, and
how the residue of the experience,
the resin it left, you were brewing
into something for us. I’d have
wanted to see you right away
and would have been myself
forced to wait till next morning.
So, I, too, would’ve spent
an evening in an underground
hollow, or bundled up inside
night’s coat, wading through
one never on the off chance
that I could forestall another.

Benjamin S. Grossberg
 
We ran along the railway,
arriving in some place called ‘the City’
where we trade in our youth, and our muscle.
Finally we have nothing to trade, only a cough
and a skeleton nobody cares about.
‘Sleepless’

Midnight. Everyone is sleeping soundly,
We keep our pair of young wounds open.
These black eyes, can you really lead us to the light?
‘Night Shift’

http://www.washingtonpost.com/blogs...chinese-factory-worker-who-committed-suicide/

https://libcom.org/blog/xulizhi-foxconn-suicide-poetry
 
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I Fall Asleep, Just Standing Like That

The paper before my eyes fades yellow
With a steel pen I chisel on it uneven black
Full of working words
Workshop, assembly line, machine, work card, overtime, wages...
They've trained me to become docile
Don't know how to shout or rebel
How to complain or denounce
Only how to silently suffer exhaustion
When I first set foot in this place
I hoped only for that grey pay slip on the tenth of each month
To grant me some belated solace
For this I had to grind away my corners, grind away my words
Refuse to skip work, refuse sick leave, refuse leave for private reasons
Refuse to be late, refuse to leave early
By the assembly line I stood straight like iron, hands like flight,
How many days, how many nights
Did I - just like that - standing fall asleep?
 
The Last Graveyard

Even the machine is nodding off
Sealed workshops store diseased iron
Wages concealed behind curtains
Like the love that young workers bury at the bottom of their hearts
With no time for expression, emotion crumbles into dust
They have stomachs forged of iron
Full of thick acid, sulfuric and nitric
Industry captures their tears before they have the chance to fall
Time flows by, their heads lost in fog
Output weighs down their age, pain works overtime day and night
In their lives, dizziness before their time is latent
The jig forces the skin to peel
And while it's at it, plates on a layer of aluminum alloy
Some still endure, while others are taken by illness
I am dozing between them, guarding
The last graveyard of our youth.
 
I swallowed a moon made of iron
They refer to it as a nail
I swallowed this industrial sewage, these unemployment documents
Youth stooped at machines die before their time
I swallowed the hustle and the destitution
Swallowed pedestrian bridges, life covered in rust
I can't swallow any more
All that I've swallowed is now gushing out of my throat
Unfurling on the land of my ancestors
Into a disgraceful poem.
 
Combustion

If a human body has two-hundred-and-six bones
and thirty trillion cells, and each cell
has one hundred trillion atoms, if the spine
has thirty-three vertebrae—
if each atom
has a shadow—then the lilacs across the yard
are nebulae beginning to star.
If the fruit flies that settle on the orange
on the table rise
like the photons
from a bomb fire miles away,
my thoughts at the moment of explosion
are nails suspended
in a jar of honey.
I peel the orange
for you, spread the honey on your toast.
When our skin touches
our atoms touch, their shadows
merging into a shadow galaxy.
And if echoes are shadows
of sounds, if each hexagonal cell in the body
is a dark pool of jelly,
if within each cell
drones another cell—
The moment the bomb explodes
the man’s spine bends like its shadow
across the road.
The moment he loses his hearing
I think you are calling me
from across the house
because my ears start to ring.
From the kitchen window
I see the lilacs crackling like static
as if erasing, teleporting,
thousands of bees rising from the blossoms:
tiny flames in the sun.
I lick the knife
and the honey pierces my tongue:
a nail made of light.
My body is wrapped in honey. When I step outside
I become fire.

Sara Eliza Johnson
 
House of strays

Suddenly, a hole opens in the year and we slip into it, the riptide
pull of strange, lonely dogs and broken phone lines.
You forgive me if I mistake hunted for haunted,
but I do like to rearrange things in my body every few years.
Take a can of gasoline to the frayed and ghosted.
Lights out. All hands on deck.
Still you wonder why I keep losing my shoes in the road
and coaxing cats in the alley with cans of tunafish and a flashlight.
Why my contentment is beautiful, but highly improbable, sort of like
four leaf clovers or an ice cream truck in the middle of the night.
This tiny thing breathing between us that aches something awful.
By summer, I am slipping all the complimentary mints in my coat pockets
while you pay the check. Gripping the railings on bridges to keep
diving over. Some dark dog in my throat when I say hello.

Kristy Bowen
 
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