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*Poem of the day thread

Two from me today. Firstly, I noticed the leaves on the newly copiced tre have started to grow again. So I stopped to stare

Leisure by WIlliam Henry Davies


What is this life if, full of care,
We have no time to stand and stare.

No time to stand beneath the boughs
And stare as long as sheep or cows.

No time to see, when woods we pass,
Where squirrels hide their nuts in grass.

No time to see, in broad daylight,
Streams full of stars, like skies at night.

No time to turn at Beauty's glance,
And watch her feet, how they can dance.

No time to wait till her mouth can
Enrich that smile her eyes began.

A poor life this is if, full of care,
We have no time to stand and stare.


And I know it's long but it's excellent and I've had 'each man kills the thing he loves' rebounding in my mind of late.

The Ballad of Reading Gaol
Oscar Wilde

http://www.poets.org/poetsorg/poem/ballad-reading-gaol

It's so long that I thought I'd just put in the link
 
For Mayday

lines from The Mask of Anarchy by Percy Shelley

Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another;

What is Freedom? Ye can tell
That which Slavery is too well,
For its very name has grown
To an echo of your own

Let a vast assembly be,
And with great solemnity
Declare with measured words, that ye
Are, as God has made ye, free!

The old laws of England—they
Whose reverend heads with age are grey,
Children of a wiser day;
And whose solemn voice must be
Thine own echo—Liberty!

Rise like Lions after slumber
In unvanquishable number,
Shake your chains to earth like dew
Which in sleep had fallen on you-
Ye are many — they are few"
 
I saw my first ever girlfriend on the train to work this morning. We haven't seen each other for well ten years. It was a fortuitous. You never stop loving some people. I hope I see more of her. She has coloured my day.

For Jane. A poem for a decade. This one describes something almost perfectly.

December at Yase by Gary Snyder.

You said, that October,
In the tall dry grass by the orchard
When you chose to be free,
"Again someday, maybe ten years."

After college I saw you
One time. You were strange.
And I was obsessed with a plan.

Now ten years and more have
Gone by: I've always known
where you were—
I might have gone to you
Hoping to win your love back.
You still are single.

I didn't.
I thought I must make it alone. I
Have done that.

Only in dream, like this dawn,
Does the grave, awed intensity
Of our young love
Return to my mind, to my flesh.

We had what the others
All crave and seek for;
We left it behind at nineteen.

I feel ancient, as though I had
Lived many lives.

And may never now know
If I am a fool
Or have done what my
karma demands.
 
A Poet's Shame

I set out to write this poem and I had a simple plan.
I'd avoid all things prosaic and I'd do the best I can
To optimize the content and the grammar and the rhyme
And of course I'd tell a story that would echo for all time

I thought about the subject and the role the hero played
But when I penned the verses then I saw the hero fade
I read my lines and wondered if all poets had the same
Misunderstanding with the words and felt a poet's shame

I struggled with my concept and the form the poem took
Yet I doubt that you will ever see this poem in a book
For only I can understand the effort and the time
And a parent's love responsible for each and every line

And so like children poems cause you happiness and pride
Or conversely they cause torment as you quiver deep inside
And yet I do still write them and some I think are fine
But some are just so terrible I wish they weren't mine.

Richard Lackman
 
Lines from Queen Mab by Percy Shelley

Nature rejects the monarch, not the man;
The subject, not the citizen; for kings
And subjects, mutual foes, forever play
A losing game into each other's hands,
Whose stakes are vice and misery. The man
Of virtuous soul commands not, nor obeys.
Power, like a desolating pestilence,
Pollutes whate'er it touches; and obedience,
Bane of all genius, virtue, freedom, truth,
Makes slaves of men, and of the human frame
A mechanized automaton.
 
Aubade

By Philip Larkin

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.

The mind blanks at the glare. Not in remorse
—The good not done, the love not given, time
Torn off unused—nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear—no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.

And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
 
I've had lines from this going through my head intermittently lately then this evening I wandering in my local rose garden, as you do, and more of it crystallised in my mind. I remembered it at bedtime, causing me to look it up.
Glad I did.
I particularly like the last two stanzas. I like the imagery, the anthropomorphism, the rhythm and repetition and teh part where teh flowers anticipate her arrival saying she is this and that and she is in fact all things (well, like, no shit: she is the sun right...) it kind of sums up how you feel about somebody you love doesn't it? I love writing which incoporates the ambiguities of absence.
Oh, and how his heart would blossom under her feet resonates with something I'm (supposed to be) writing so it's just the perfect poem tonight :)

Come into the garden Maud
by Alfred, Lord Tennyson

Come into the garden, Maud,
For the black bat, night, has flown,
Come into the garden, Maud,
I am here at the gate alone ;
And the woodbine spices are wafted abroad,
And the musk of the rose is blown.

For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.

All night have the roses heard
The flute, violin, bassoon ;
All night has the casement jessamine stirred
To the dancers dancing in tune ;
Till a silence fell with the waking bird,
And a hush with the setting moon.

I said to the lily, ‘There is but one
With whom she has heart to be gay.
When will the dancers leave her alone ?
She is weary of dance and play.’
Now half to the setting moon are gone,
And half to the rising day ;
Low on the sand and loud on the stone
The last wheel echoes away.

I said to the rose, ‘The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those,
For one that will never be thine ?
But mine, but mine,’ so I sware to the rose,
‘For ever and ever, mine.’

And the soul of the rose went into my blood,
As the music clashed in the hall ;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all ;

From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.

The slender acacia would not shake
One long milk-bloom on the tree ;
The white lake-blossom fell into the lake
As the pimpernel dozed on the lea ;
But the rose was awake all night for your sake,
Knowing your promise to me ;
The lilies and roses were all awake,
They sighed for the dawn and thee.

Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one ;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.

There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear ;
She is coming, my life, my fate ;
The red rose cries, ‘She is near, she is near ;’
And the white rose weeps, ‘She is late ;’
The larkspur listens, ‘I hear, I hear ;’
And the lily whispers, ‘I wait.’

She is coming, my own, my sweet,
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed ;
My dust would hear her and beat,
Had I lain for a century dead ;
Would start and tremble under her feet,
And blossom in purple and red.
 
Hello all...I'm new here and can't find a thread where to formally say hello...apologies for that and apologies if the poem I post is already on here.... it is a great favourite of mine...:)

Dreams

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

Langston Hughes
 
THE GREEN MAN

Like antlers, like veins of the brain the birches
Mark patterns of mind on the red winter sky;
"I am thought of all plants," says the Green Man,
"I am thought of all plants," says he.

The hungry birds harry the last berries of rowan
But white is her bark in the darkness of rain,
"I rise with the sap," says the Green Man,
"I rise with the sap," says he.

The ashes are clashing their boughs like sword-dancers,
Their black buds are tracing wild faces in the clouds;
"I come with the wind," says the Green Man,
"I come with the wind," says he.

The alders are rattling as though ready for battle
Guarding the grove where she waits for her lover;
"I burn with desire," says the Green Man,
"I burn with desire," says he.

In and out of the yellowing wands of the willow
The pollen-bright bees are plundering the catkins;
"I am honey of love," says the Green Man,
"I am honey of love," says he.

The hedges of quick are thick with may blossom
As the dancers advance on the leaf-covered King:
"It's off with my head," says the Green Man,
"It's off with my head," says he.

Green Man becomes grown man in flames of the oak
As its crown forms his mask and its leafage his feature;
"I speak through the oak," says the Green Man,
"I speak through the oak," says he.

The holly is flowering as hayfields are rolling
Their gleaming long grasses like waves of the sea;
"I shine with the sun," says the Green Man,
"I shine with the sun," says he.

The globes of the grapes are robing with bloom
Like the hazes of autumn, like the Milky Way's stardust;
"I am crushed for your drink," says the Green Man,
"I am crushed for your drink," says he.

The aspen drops silver of leaves on earth's salver
And the poplars shed gold on the young ivy flowerheads;
"I have paid for your pleasure," says the Green Man,
"I have paid for your pleasure," says he.

The reedbeds are flanking in silence the islands
Where meditates wisdom as she waits and waits;
"I have kept her secret," says the Green Man,
"I have kept her secret," says he.

The bark of the elder makes whistles for children
To call to the deer as they rove over the snow;
"I am born in the dark," says the Green Man,
"I am born in the dark," says he.

William Anderson
 
This could have been written with me in mind
:D


Just In Case

"I'm going to the sea for a weekend,
in a couple of days I'll be back,
so I'll just take my little brown suit and a blouse
and a beret and carry my mac.

But what if the house is a cold one,
the house where I'm going to stay,
no fires after April, no hot drinks at night
and the windows wide open all day?
I'd better take one - no, two cardys
and my long tartan scarf for my head,
and my chaste new pyjamas in case they decide
to bring me my breakfast in bed,
and what about church on Sunday?
I could wear my beret and suit,
but if it were sunny, it would be a chance
to wear my straw hat with the fruit.
I can't wear my little brown suit, though
not with the straw and the fruit,
so I'll just take a silk dress to go with the straw
and a silk scarf to go with the suit.
I'll just take my jeans and that jumper
in case we go out in the car,
and my Guernsey in case we go out in a boat
and d'you know where my swimming things are?

D'you think I should take that black velvet
in case they've booked seats for a play?
And is it still usual to take your own towel
when you go somewhere to stay?
I had thought of just taking slippers,
but they do look disgustingly old,
I'd better take best shoes and sandals and boots
for the church and the heat and the cold.

I daren't go without my umbrella
in case I'm dressed and it rains;
I'm bound to need socks and my wellies
for walking down long muddy lanes.

I'd rather not take my old dressing gown,
its such a business to pack,
but s'pose they have breakfast before they get dressed
I'd have to have mine in my old mac.

I'm going to the sea for the weekend,
in a couple of days I'll be back,
so I'll just take my little brown suit and a blouse,
two cardys, my long tartan scarf,
my chaste new pyjamas
my straw hat with the fruit,
my silk dress, my silk scarf,
my jeans, that jumper,
my Guernsey, my swimming things,
my black velvet, my towel,
my slippers (no one need see them)
my sandals, my boots, my umbrella
my socks, my wellies
my dressing gown, no, not my dressing gown,
Ok my dressing gown,
and a beret and carry my mac.

Charlotte Mitchell
 
Mindful by Mary Oliver

Everyday
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It was what I was born for —
to look, to listen,

to lose myself
inside this soft world —
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant —
but of the ordinary,
the common, the very drab,

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these —
the untrimmable light

of the world,
the ocean’s shine,
the prayers that are made
out of grass?
 
The Journey by Mary Oliver

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice-
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations, though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen branches and stones.
but little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do-
determined to save
the only life you could save.
 
Love After Love by Derek Walcott

The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other's welcome
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you have ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
 
I wouldn't mind betting this one is already on here...:)

A Subaltern’s Love Song


Miss J. Hunter Dunn, Miss J. Hunter Dunn,
Furnish’d and burnish’d by Aldershot sun,
What strenuous singles we played after tea,
We in the tournament – you against me!

Love-thirty, love-forty, oh! weakness of joy,
The speed of a swallow, the grace of a boy,
With carefullest carelessness, gaily you won,
I am weak from your loveliness, Joan Hunter Dunn.

Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
How mad I am, sad I am, glad that you won,
The warm-handled racket is back in its press,
But my shock-headed victor, she loves me no less.

Her father’s euonymus shines as we walk,
And swing past the summer-house, buried in talk,
And cool the verandah that welcomes us in
To the six-o’clock news and a lime-juice and gin.

The scent of the conifers, sound of the bath,
The view from my bedroom of moss-dappled path,
As I struggle with double-end evening tie,
For we dance at the Golf Club, my victor and I.

On the floor of her bedroom lie blazer and shorts,
And the cream-coloured walls are be-trophied with sports,
And westering, questioning settles the sun,
On your low-leaded window, Miss Joan Hunter Dunn.

The Hillman is waiting, the light’s in the hall,
The pictures of Egypt are bright on the wall,
My sweet, I am standing beside the oak stair
And there on the landing’s the light on your hair.

By roads “not adopted”, by woodlanded ways,
She drove to the club in the late summer haze,
Into nine-o’clock Camberley, heavy with bells
And mushroomy, pine-woody, evergreen smells.

Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
I can hear from the car park the dance has begun,
Oh! Surrey twilight! importunate band!
Oh! strongly adorable tennis-girl’s hand!

Around us are Rovers and Austins afar,
Above us the intimate roof of the car,
And here on my right is the girl of my choice,
With the tilt of her nose and the chime of her voice.

And the scent of her wrap, and the words never said,
And the ominous, ominous dancing ahead.
We sat in the car park till twenty to one
And now I’m engaged to Miss Joan Hunter Dunn.

John Betjeman

:)
 
A shorter one from Mr Betjeman

In a Bath Teashop

“Let us not speak, for the love we bear one another —

Let us hold hands and look.”

She such a very ordinary little woman;

He such a thumping crook;

But both, for a moment, little lower than the angels

In the teashop’s ingle-nook.

John Betjeman
 
I wouldn't mind betting this one is already on here...:) <snip>
:)
If you look at the top right hand corner or each page there's the search box. If you click on that, one of the options which appears is "search this thread only" :)
 
Spring

Just as we lose hope
she ambles in,
a late guest
dragging her hem
of wildflowers,
her torn
veil of mist,
of light rain,
blowing
her dandelion
breath
in our ears;
and we forgive her,
turning from
chilly winter
ways,
we throw off
our faithful
sweaters
and open
our arms.

Linda Pastan
 
Bread

Someone else cut off my head
In a golden field.
Now I am re-created
By her fingers. This
Moulding is more delicate
Than a first kiss,
More deliberate than her own
Rising up
And lying down.
Even at my weakest, I am
Finer than anything
In this legendary garden.
Yet I am nothing till
She runs her fingers through me
And shapes me with her skill.

Brendan Kennelly
 
Today

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.

Billy Collins
 
A Jar of Honey

You hold it like a lit bulb,
a pound of light,
and swivel the stunned glow
around the fat glass sides:
it's the sun, all flesh and no bones
but for the floating knuckle
of honeycomb
attesting to the nature of the struggle.

Jacob Polley
 
From Tanka Diary

The botanical garden is just as I remember,
although it is certain that everything
has changed since my last visit.

How many hilarious questions these fuzzy
fiddleheads are inquiring of spring
will be answered as green ferns unfurl?

Walking the path, I stop to pick up
bleached bark from a tree, curled into
a scroll of ancient wisdom I am unable to read.

Even in my dreams I’m hiking
these mountain trails expecting to find a rock
that nature has shaped to remind me of a heart.

Harryette Mullen
 
I particularly like the Jar of Honey,Greebo.:)

The Night Has A Thousand Eyes

The night has a thousand eyes,
And the day but one;
Yet the light of the bright world dies
With the dying of the sun.

The mind has a thousand eyes,
And the heart but one;
Yet the light of a whole life dies
When love is done.

Francis William Bourdillon
 
An Irish Airman Foresees His Death -- WB Yeats



I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
 
Moss-Gathering
by Theodore Roethke

To loosen with all ten fingers held wide and limber
And lift up a patch, dark-green, the kind for lining cemetery baskets,
Thick and cushiony, like an old-fashioned doormat,
The crumbling small hollow sticks on the underside mixed with roots,
And wintergreen berries and leaves still stuck to the top, --
That was moss-gathering.
But something always went out of me when I dug loose those carpets
Of green, or plunged to my elbows in the spongy yellowish moss of the marshes:
And afterwards I always felt mean, jogging back over the logging road,
As if I had broken the natural order of things in that swampland;
Disturbed some rhythm, old and of vast importance,
By pulling off flesh from the living planet;
As if I had commited, against the whole scheme of life, a desecration.
 
The Lovers

See how in their veins all becomes spirit:
into each other they mature and grow.
Like axles, their forms tremblingly orbit,
round which it whirls, bewitching and aglow.
Thirsters, and they receive drink,
watchers, and see: they receive sight.
Let them into one another sink
so as to endure each other outright.

Rainer Maria Rilke
 
Money Is an Energy

Everybody is already
someone else
An existential tag line

Money is current

I would like to not live
paycheck to paycheck

You could make a pun on currency
but not quite

Money is an energy nonetheless

Dark space Dark water

A long silent drive

Dark matter(s)

Driving is my personality

The methods of one wor(l)d revealing
the hidden harmonies of another

Prayer card Lotto ticket You occupy
my pocket

My payment has not arrived

Justin Marks
 
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