*Poem of the day thread

[Ceej]

Also reposted, but bears repeating - we seem to surrounded by loss and sadness sometimes, so good advice here.

When Death Comes by Mary Oliver
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it's over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it's over, I don't want to wonder
if I have made of my life something particular, and real.

I don't want to find myself sighing and frightened,
or full of argument.

I don't want to end up simply having visited this world

 

[Greebo]

Vantage

From where I watch, there are no highest leaves,
no leaves that don’t have over them more leaves
impeding what they open up and out for,

darkening downward as they feed on green
diminishments, as if dark, if it still
can darken, could be itself the light

the darker leaves beneath are hungry for.
From where I watch even the shade hungers
And is hungered after—all along the chain

past bark, root, leaf, ghost speck of leaf,
microbial scrapings, and beyond them, flakes
chipped off of flakes off of a now-

no-longer anything sucked dry, unsifted
and unsiftable into so fine a green
even the dark shines through. What’s hunger but

a hole to fill, gravity of a self-
consuming self-proliferating blind
and densely tangled maze of this from that,

from this, somewhere inside of which a cry
for mercy isn’t heard, or is, and the jaws shut,
and the very dirt becomes the dirt of it.

Alan Shapiro

 

[Ceej]

Happy birthday, Will!


A woman's face with nature's own hand painted,
Hast thou, the master mistress of my passion;
A woman's gentle heart, but not acquainted
With shifting change, as is false women's fashion:
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue all hues in his controlling,
Which steals men's eyes and women's souls amazeth.
And for a woman wert thou first created;
Till Nature, as she wrought thee, fell a-doting,
And by addition me of thee defeated,
By adding one thing to my purpose nothing.
But since she prick'd thee out for women's pleasure,
Mine be thy love and thy love's use their treasure.

 

[Dillinger4]

To Althea, from Prison by Richard Lovelace

WHEN Love with unconfinèd wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair
And fetter'd to her eye,
The birds that wanton in the air
Know no such liberty.

When flowing cups run swiftly round
With no allaying Thames, 10
Our careless heads with roses bound,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free—
Fishes that tipple in the deep
Know no such liberty.

When, like committed linnets, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my King;
When I shall voice aloud how good
He is, how great should be,
Enlargèd winds, that curl the flood,
Know no such liberty.

Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage;
If I have freedom in my love
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.

 

[Dillinger4]

Not a poem. But for some reason I woke up thinking about the Diggers and the English Civil War

A World Turned Upside Down.

In 1649 to St. George's Hill
A ragged band they called the Diggers came to show the people's will
They defied the landlords, they defied the laws
They were the dispossessed reclaiming what was theirs.

We come in peace, they said, to dig and sow
We come to work the lands in common and make the waste ground grow
This earth divided we will make whole
So it may be a common treasury for all

The sin of property we do disdain
No man has any right to buy or sell the earth for private gain
By theft and murder they took the land
Now everywhere the walls spring up at their command

They make the laws to chain us well
The clergy dazzle us with heaven, or they damn us into hell
We will not worship the God they serve,
a God of greed who feeds the rich while poor folk starve

We work and eat together, we need no swords
We will not bow to masters, nor pay rent to the lords
Still we are free, though we are poor
Ye Diggers all, stand up for glory, stand up now!

From the men of property the orders came
They sent the hired men and troopers to wipe out the Diggers' claim
Tear down their cottages, destroy their corn
They were dispersed - only the vision lingers on

Ye poor take courage, ye rich take care
This earth was made a common treasury for everyone to share
All things in common, all people one
They came in peace - the order came to cut them down

 

[sojourner]

It'll be your proximity to Wigan, that

 

[Dillinger4]

Sometimes, With One I Love by Walt Whitman

Sometimes with one I love I fill myself with rage for fear I effuse
unreturn'd love,
But now I think there is no unreturn'd love, the pay is certain
one way or another,
(I loved a certain person ardently and my love was not return'd,
Yet out of that I have written these songs.)

 

[Dillinger4]

To You by Walt Whitman

Whoever you are, I fear you are walking the walks of
dreams,
I fear these supposed realities are to melt from under your
feet and hands,
Even now your features, joys, speech, house, trade, manners,
troubles, follies, costume, crimes, dissipate away from you,
Your true soul and body appear before me,
They stand forth out of affairs, out of commerce, shops,
work, farms, clothes, the house, buying, selling, eating,
drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you
be my poem,
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better
than you.

O I have been dilatory and dumb,
I should have made my way straight to you long ago,
I should have blabb'd nothing but you, I should have chanted
nothing but you.

I will leave all and come and make the hymns of you,
None has understood you, but I understand you,
None has done justice to you, you have not done justice to
yourself,
None but has found you imperfect, I only find no
imperfection in you,
None but would subordinate you, I only am he who will
never consent to subordinate you,
I only am he who places over you no master, owner, better,
God, beyond what waits intrinsically in yourself.

Painters have painted their swarming groups and the centre-
figure of all,
From the head of the centre-figure spreading a nimbus of
gold-color'd light,
But I paint myriads of heads, but paint no head without its
nimbus of gold-color'd light,
From my hand from the brain of every man and woman it
streams, effulgently flowing forever.

O I could sing such grandeurs and glories about you!
You have not known what you are, you have slumber'd upon
yourself all your life,
Your eyelids have been the same as closed most of the time,
What you have done returns already in mockeries,
(Your thrift, knowledge, prayers, if they do not return in
mockeries, what is their return?)

The mockeries are not you,
Underneath them and within them I see you lurk,
I pursue you where none else has pursued you,
Silence, the desk, the flippant expression, the night, the
accustom'd routine, if these conceal you from others or
from yourself, they do not conceal you from me,
The shaved face, the unsteady eye, the impure complexion, if
these balk others they do not balk me,
The pert apparel, the deform'd attitude, drunkenness, greed,
premature death, all these I part aside.

There is no endowment in man or woman that is not tallied
in you,
There is no virtue, no beauty in man or woman, but as good
is in you,
No pluck, no endurance in others, but as good is in you,
No pleasure waiting for others, but an equal pleasure waits
for you.

As for me, I give nothing to any one except I give the like
carefully to you,
I sing the songs of the glory of none, not God, sooner than
I sing the songs of the glory of you.

Whoever you are! claim your own at an hazard!
These shows of the East and West are tame compared to you,
These immense meadows, these interminable rivers, you are
immense and interminable as they,
These furies, elements, storms, motions of Nature, throes of
apparent dissolution, you are he or she who is master or
mistress over them,
Master or mistress in your own right over Nature, elements,
pain, passion, dissolution.

The hopples fall from your ankles, you find an unfailing
sufficiency,
Old or young, male or female, rude, low, rejected by the rest,
whatever you are promulges itself,
Through birth, life, death, burial, the means are provided,
nothing is scanted,
Through angers, losses, ambition, ignorance, ennui, what
you are picks its way.
- See more at: http://www.poets.org/viewmedia.php/prmMID/16082#sthash.hvS6DzFm.dpuf

 

[Dillinger4]

To F.M. by Maya Deren

I waited for you in the fields of afternoon’
Eyes closed, I lay upon the grass
Listening for the sound of steps in the swaying of the trees;
Waiting for my lips to feel lips where the soft breeze had been;
Body tense to feel the warmth of hands where warmth of sun had shone.

You did not come. I went inside
Complaining that the suns go down
And that the wind is far too chill
And that trees make so much noise
A person’d better take her nap indoors.

 

[Dillinger4]

In the Smoke by Eugenio Montale

How often I have waited for you
at the station in the cold and fog,
trolled up and down, cought, buying papers
not even worth the name,
smoking Giuba, later banned by the minister
of tobacco, what a fool!
Perhaps a wrong train, or an extra section,
or one that was simply cancelled.
I'd peer at the trolleys of porters
to see if your luggage was there,
and you coming behind it.
And there you were at last!
One memory among this many.
It pursues me in my dreams.

 

[Dillinger4]

And Suddenly It's Evening by Salvatore Quasimodo

Each of us is alone on the heart of the earth
pierced by a ray of sun:
and suddenly it's evening.

 

[Dillinger4]

Things I Didn't Know I Loved by Nazim Hikmet

it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
and will trouble those after me
I know all this has been said a thousand times before
and will be said after me

I didn't know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief
to a pine bough for luck

I never knew I loved roads
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea
Koktebele
formerly "Goktepé ili" in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
when I was eighteen
apart from my life I didn't have anything in the wagon they could take
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand
his grandfather has on a fez and is wearing the fur coat
with a sable collar over his robe
and there's a lantern in the servant's hand
and I can't contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars
I love them too
whether I'm floored watching them from below
or whether I'm flying at their side

I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't
be upset comrades but nonfigurative shall we say or abstract
well some of them looked just like such paintings which is to
say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren't about to paint it that way
I didn't know I loved the sea
except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my
heart leaves me tangled up in a net or trapped inside a drop
and takes off for uncharted countries I didn't know I loved
rain but why did I suddenly discover all these passions sitting
by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty
to find it out sitting by the window on the Prague-Berlin train
watching the world disappear as if on a journey of no return

 

[Dillinger4]

Old Grief by Leonardo Sinisgalli

Grief comes easily to old people.
At midday
sitting in the corner of an empty house
they burst into tears.
Infinite despair
catches them by surprise.
They lift a withered slice of pear
to their lips, or the pulp of a fig
baked on the roof tiles.
Even a sip of water
or a visit by a snail
helps to ease a crisis.

 

[Dillinger4]

The Meaning of Simplicity by Yannis Ritsos

I hide behind the simple things so you'll find me;
if you don't find me, you'll find the things,
you'll touch what my hand has touched,
our hand prints will merge.

The August moon glitters in the kitchen
like a tin-plated pot (it gets that way because of what I am saying to you),
It lights up the empty house and the houses kneeling silence -
always the silence remains kneeling.

Every word is a doorway
to a meeting, one often cancelled,
And that's when a word is true: when it insists on the meeting

 

[Dillinger4]

A Song on the End of the World by Czeslaw Milosz

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels' trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he's much too busy,
Repeats while he binds his tomatoes:
No other end of the world will there be,
No other end of the world will there be.

 

[Dillinger4]

A Gift by Czeslaw Milosz

A day so happy
Fog lifted early, I worked in the garden
Hummingbirds were stopping over honeysuckle flowers.
There was no thing on earth I wanted to posses.
I knew no one worth my envying him.
Whatever evil I had suffered, I forgot.
To think that once I was the same man did not embarrass me.
In my body I felt no pain.
When straightening up, I saw the blue sea and sails.

 

[Dillinger4]

I Take Back Everything I've Said by Nicanor Parra

Before I go
I'm supposed to get a last wish:
Generous reader
burn this book
It's not at all what I wanted to say
Though it was written in blood
It's not what I wanted to say.

No lot could be sadder than mine
I was defeated by my own shadow:
My words took vengeance on me.

Forgive me, reader, good reader
If I cannot leave you
With a warm embrace. I leave you
With a forced and sad smile.

Maybe that's all I am
But listen to my last word:
I take back everything I've said.
With the greatest bitterness in the world
I take back everything I've said.

 

[Dillinger4]

Thoughts by Nicanor Parra

What
Pascal asked himself
is man:
A number raised to the zero power.
Nothing
compared to the whole
The whole
compared to nothing:
Birth plus death:
Noise multiplied by silence:
The arithmetical mean between all and nothing.

 

[Dillinger4]

Who is a Poet by Tadeusz Rozewicz

a poet is one who writes verses
and one who does not write verses

a poet is one who throws off fetters
and one who puts fetters on himself

a poet is one who believes
and one who cannot bring himself to believe

a poet is one who has told lies
and one who has been told lies

one who has been inclined to fall
and one who raises himself

a poet is one who tries to leave
and one who cannot leave

 

[Dillinger4]

A Sketch for Modern Love Poem

And yet white
is best described by gray
bird by stone
sunflowers
in December

love poems of old
were descriptions of the flesh
described this and that
for instance eyelashes
and yet red
should be described
by gray the sun by rain
poppies in November
lips by night

the most tangible
description of bread
is a description of hunger
in it is
the damp porous core
the warm interior
sunflowers at night
the breasts belly thighs of Cybele

a spring-clear
transparent description
of water
is a description of thirst
ashes
desert
it produces a mirage
clouds and trees move into
the mirror
Lack hunger
absence

of flesh
is a description of love
is a modern love poem

 

[Dillinger4]

The Fly by Miroslav Holub

She sat on a willow-trunk
watching
part of the battle of Crecy,
the shouts,
the gasps,
the groans,
the tramping and the tumbling.

During the fourteenth charge
of the French cavalry
she mated
with a brown-eyed male fly
from Vadincourt.

She rubbed her legs together
as she sat on a disembowelled horse
meditating
on the immortality of flies.

With relief she alighted
on the blue tongue
of the Duke of Clervaux.

When silence settled
and only the whisper of decay
softly circled the bodies

and only
a few arms and legs
still twitched jerkily under the trees,

she began to lay her eggs
on the single eye
of Johann Uhr,
the Royal Armourer.

And thus it was
that she was eaten by a swift
fleeing
from the fires of Estrees.

 

[Greebo]

Lit Instructor

Day after day up there beating my wings
with all the softness truth requires
I feel them shrug whenever I pause:
they class my voice among tentative things,

And they credit fact, force, battering.
I dance my way toward the family of knowing,
embracing stray error as a long-lost boy
and bringing him home with my fluttering.

Every quick feather asserts a just claim;
it bites like a saw into white pine.
I communicate right; but explain to the dean--
well, Right has a long and intricate name.

And the saying of it is a lonely thing.

William Stafford

 

[Greebo]

The Life That I Have

The life that I have
Is all that I have
And the life that I have
Is yours

The love that I have
Of the life that I have
Is yours and yours and yours.

A sleep I shall have
A rest I shall have
Yet death will be but a pause
For the peace of my years
In the long green grass
Will be yours and yours and yours.

Leo Marks

 

[Greebo]

Grief Puppet

In the nearby plaza, musicians would often gather.
The eternal flame was fueled by propane tank.
An old man sold chive dumplings from a rolling cart,
while another grilled skewers of paprika beef.
Male turtledoves would puff their breasts, woo-ing,
and for a few coins, we each bought an hour with
the grief puppet. It had two eyes, enough teeth,
a black tangle of something like hair or fur,
a flexible spine that ran the length of your arm.
Flick your wrist, and at the end of long rods
it raised its hands as if conducting the weather.
Tilt the other wrist, and it nodded. No effort
was ever lost on its waiting face. It never
needed a nap or was too hungry to think straight.
You could have your conversation over and over,
past dusk when old men doused their charcoal,
into rising day when they warmed their skillets.
The puppet only asked what we could answer.
Some towns had their wall, others their well;
we never gave the stupid thing a name, nor
asked the name of the woman who took our coins.
But later, we could all remember that dank felt,
and how the last of grief’s flock lifted from our chests.

Sandra Beasley

 

[ShiftyBagLady]

When Death Comes by Mary Oliver

I love that. Thank you

 

[ShiftyBagLady]

I'm realising what an enormous Mary Oliver fan I am

Breakage
BY MARY OLIVER
I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred—
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It's like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
full of moonlight.

Then you begin, slowly, to read the whole story.

 

[Dillinger4]

On my mind this morning:

The Second Coming by W.B. Yeats

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

 

[ShiftyBagLady]

On my mind this morning:

The Second Coming by W.B. Yeats

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

This poem was tormenting me at 4:30 this morning *essay panic*

 

[Greebo]

May Day

I’ve decided to waste my life again,
Like I used to: get drunk on
The light in the leaves, find a wall
Against which something can happen,

Whatever may have happened
Long ago - let a bullet hole echoing
The will of an executioner, a crevice
In which a love note was hidden,

Be a cell where a struggling tendril
Utters a few spare syllables at dawn.
I’ve decided to waste my life
In a new way, to forget whoever

Touched a hair on my head, because
It doesn’t matter what came to pass,
Only that it passed, because we repeat
Ourselves, we repeat ourselves.

I’ve decided to walk a long way
Out of the way, to allow something
Dreaded to waken for no good reason,
Let it go without saying,

Let it go as it will to the place
It will go without saying: a wall
Against which a body was pressed
For no good reason, other than this.

Phillis Levin

 

[Ceej]

I'm realising what an enormous Mary Oliver fan I am

Me too - magnificent.