Urban75 Home About Offline BrixtonBuzz Contact

*Poem of the day thread

This by Maitreyabandhu

There’s no law against my listening
to this thrush behind the barn,
the song so loud it echoes like a bell,
then it’s further off beyond the lawn.
Whatever else there is, there’s this as well.

There’s no law against this singing –
nesting I suppose – up in the silver birch,
even though we build a common hell,
have done, and will make it worse.
Whatever else there is, there’s this as well.
 
The Woodpigeon's Instruction by Maitreyabandhu

She’s been there so long,
a patch of ash grey on the bending branch,
head tucked in against the wind
as she rises and falls with it.

She steadies herself
as the smaller branches flick.

She says: This is the time of disappointment.

All the willows bow at once.
Rain pelts quietly into the soaking grass
 
I know it's supposed to be one a day but this one really needs to go up right now:

This Earth, My Brother

The dawn crack of sounds known
rending our air
shattering our temples toppling
raising earthwards our cathedrals of hope,
in demand of lives offered on those altars
for the cleansing that was done long ago.
Within the airwaves we carry
our hutted entrails; and we pray;
shrieks abandoned by lonely road-sides
as the gunmens boots tramp.
I lift up the chalice of hyssop and tears
to touch the lips of the thirsty
sky-wailing in a million spires
of hate and death; we pray
bearing the single hope to shine
burnishing in the destiny of my race
that glinting sword of salvation.
In time my orchestra plays my music
from potted herbs of anemone and nim
pour upon the festering wounds of my race,
to wash forever my absorbent radiance
as we search our granary for new corn.
There was that miracle we hoped for
that salvation we longed for
for which we said many prayers
offered many offerings.

In the seasons of burning feet
of bad harvest and disastrous marriages
there burns upon the glint edge of that sword
the replica of the paschal knife.
The sounds rounded our lonely skies
among the nims the dancers gather their cloths
stretching their new-shorn hides off offered cows
to build themselves new drums.
Sky-wailing from afar the distant tramp
of those feet in rhythm
miming underneath them violence.
Along the roads lined with mimosas
the mangled and manacled are dragged
to the cheers of us all.
We strew flowers at the feet of the conquerors
beg for remission of our sins…

…He will come out of the grave
His clothes thrown around him;
worms shall not have done their work.
His face shall beam the radiance of many suns.
His gait the bearing of a victor,
On his forehead shall shine a thousand stars
he will kneel after the revelation
and die on this same earth.

And I pray
That my hills shall be exalted
And he who washes me,
breathes me
shall die.
They led them across the vastness
As they walked they tottered
and rose again. They walked
across the grassland to the edge of the mound
and knelt down in silent prayer;
they rose again led to the mound,
they crouched
like worshipers of Muhammad.
Suddenly they rose again
stretching their hands to the crowd
in wasteful gestures of identity
Boos and shrieks greeted them
as they smiled and waved
as those on a big boat journey.
A sudden silence fell
as the crowd pushed and yelled
into the bright sharp morning of a shooting.

They led them unto the mound
In a game of blindman’s bluff
they tottered to lean on the sandbags
Their backs to the ocean
that will bear them away.
The crackling report of brens
and the falling down;
a shout greeted them
tossing them into the darkness.

and my mountains reel and roll
to the world’s end.

Kofi Awoonor (murdered in the Nairobi massacre).
 
Here's one from good old church-robbing priest-killing François Villon:

The Ballad Of The Proverbs

So rough the goat will scratch, it cannot sleep.
So often goes the pot to the well that it breaks.
So long you heat iron, it will glow;
so heavily you hammer it, it shatters.
So good is the man as his praise;
so far he will go, and he's forgotten;
so bad he behaves, and he's despised.
So loud you cry Christmas, it comes.

So glib you talk, you end up in contradictions.
So good is your credit as the favors you got.
So much you promise that you will back out.
So doggedly you beg that your wish is granted;
so high climbs the price when you want a thing;
so much you want it that you pay the price;
so familiar it gets to you, you want it no more.
So loud you cry Christmas, it comes.

So, you love a dog. Then feed it!
So long a song will run that people learn it.
So long you keep the fruit, it will rot.
So hot the struggle for a spot that it is won;
so cool you keep your act that your spirit freezes;
so hurriedly you act that you run into bad luck;
so tight you embrace that your catch slips away.
So loud you cry Christmas, it comes.

So you scoff and laugh, and the fun is gone.
So you crave and spend, and lose your shirt.
So candid you are, no blow can be too low.
So good as a gift should a promise be.
So, if you love God, you obey the Church.
So, when you give much, you borrow much.
So, shifting winds turn to storm.
So loud you cry Christmas, it comes.

Prince, so long as a fool persists, he grows wiser;
so, round the world he goes, but return he will,
so humbled and beaten back into servility.
So loud you cry Christmas, it is here.
 
Act of Union by Seamus Heaney
I
To-night, a first movement, a pulse,
As if the rain in bogland gathered head
To slip and flood: a bog-burst,
A gash breaking open the ferny bed.
Your back is a firm line of eastern coast
And arms and legs are thrown
Beyond your gradual hills. I caress
The heaving province where our past has grown.
I am the tall kingdom over your shoulder
That you would neither cajole nor ignore.
Conquest is a lie. I grow older
Conceding your half-independant shore
Within whose borders now my legacy
Culminates inexorably.

II
And I am still imperially
Male, leaving you with pain,
The rending process in the colony,
The battering ram, the boom burst from within.
The act sprouted an obsinate fifth column
Whose stance is growing unilateral.
His heart beneath your heart is a wardrum
Mustering force. His parasitical
And ignorant little fists already
Beat at your borders and I know they're cocked
At me across the water. No treaty
I foresee will salve completely your tracked
And stretchmarked body, the big pain
That leaves you raw, like opened ground, again
 
“Had Death Not Had Me in Tears” by Kofi Awoonor

Had death not had me in tears
I would have seen the barges
on life’s stream sail.
I would have heard sorrow songs
in groves where the road was lost
long
where men foot prints mix with other men foot prints
By the road I wait
‘death is better, death is better’
came the song
I am by the roadside
looking for the road
death is better, death is much better
Had death not had me in tears
I would have seen the barges
I would have found the road
and heard the sorrow songs.
The land wreathes in rhythm
with your soul, caressed by history
and cruel geography
landscape ineffable yet screaming
eloquent resonance like the drums
of after harvests.
We pile rocks on terracing love
Carry the pithy cloth
to cover the hearths of our mother.

Come now you lucky ones
come to the festival of corn and lamb
to the finest feast of this land
come, now,
your lovers have unfurled
their clothes
their thighs glistening like golden knives
ready for the plunging
for the plentiful loving time
To whom shall I turn
to what shall I tell my woes?
My kinsman, the desert tree
denied us sustenance
long before the drought.
To whom shall I turn
to whom shall I tell my woes?
Some say tell the mother goat
she too is kinswoman
elemental sister of your clan
But I cannot tell the mother goat
for she is not here
 
Bankers Are Just Like Anybody Else, Except Richer
by Ogden Nash



This is a song to celebrate banks,
Because they are full of money and you go into them and all
you hear is clinks and clanks,
Or maybe a sound like the wind in the trees on the hills,
Which is the rustling of the thousand dollar bills.
Most bankers dwell in marble halls,
Which they get to dwell in because they encourage deposits
and discourage withdrawals,
And particularly because they all observe one rule which woe
betides the banker who fails to heed it,
Which is you must never lend any money to anybody unless
they don't need it.
I know you, you cautious conservative banks!
If people are worried about their rent it is your duty to deny
them the loan of one nickel, yes, even one copper engraving
of the martyred son of the late Nancy Hanks;
Yes, if they request fifty dollars to pay for a baby you must
look at them like Tarzan looking at an uppity ape in the
jungle,
And tell them what do they think a bank is, anyhow, they had
better go get the money from their wife's aunt or ungle.
But suppose people come in and they have a million and they
want another million to pile on top of it,
Why, you brim with the milk of human kindness and you
urge them to accept every drop of it,
And you lend them the million so then they have two million
and this gives them the idea that they would be better off
with four,
So they already have two million as security so you have no
hesitation in lending them two more,
And all the vice-presidents nod their heads in rhythm,
And the only question asked is do the borrowers want the
money sent or do they want to take it withm.
Because I think they deserve our appreciation and thanks,
the jackasses who go around saying that health and happi-
ness are everything and money isn't essential,
Because as soon as they have to borrow some unimportant
money to maintain their health and happiness they starve
to death so they can't go around any more sneering at good
old money, which is nothing short of providential.
 
Some More Light Verse
Wendy Cope

You have to try. You see the shrink.
You learn a lot. You read. You think.
You struggle to improve your looks.
You meet some men. You write some books.
You eat good food. You give up junk.
You do not smoke. You don’t get drunk.
You take up yoga, walk and swim.
And nothing works. The outlook’s grim.
You don’t know what to do. You cry.
You’re running out of things to try.

You blow your nose. You see the shrink.
You walk. You give up food and drink.
You fall in love. You make a plan.
You struggle to improve your man.
And nothing works. The outlooks grim.
You go to yoga, cry and swim.
You eat and drink. You give up looks.
You struggle to improve your books.
You cannot see the point. You sigh.
You do not smoke. You have to try.
 
October by Jean Sprackland

Skies, big skies, careening over in the wind
great shoals of cloud pitching and jostling
in their rush to be anywhere other than here

You hesitate on your doorstep, glance up
and something tugs in your chest, rips free like a leaf
and is sucked up and away. Everything’s

finished here: raw-boned sycamores,
fields scalped and sodden. The houses are shut
and dustbins roll in their own filth in the street

So you would take your chances, risk it all…
You stand for a moment with the keys in your hand
Feeling the hard pull of the sky and the moment passing
 
Song-Day in Autumn
by D.H. Lawrence


When the autumn roses
Are heavy with dew,
Before the mist discloses
The leaf's brown hue,
You would, among the laughing hills
Of yesterday
Walk innocent in the daffodils,
Coiffing up your auburn hair
In a puritan fillet, a chaste white snare
To catch and keep me with you there
So far away.

When from the autumn roses
Trickles the dew,
When the blue mist uncloses
And the sun looks through,
You from those startled hills
Come away,
Out of the withering daffodils;
Thoughtful, and half afraid,
Plaiting a heavy, auburn braid
And coiling it round the wise brows of a maid
Who was scared in her play.

When in the autumn roses
Creeps a bee,
And a trembling flower encloses
His ecstasy,
You from your lonely walk
Turn away,
And leaning to me like a flower on its stalk,
Wait among the beeches
For your late bee who beseeches
To creep through your loosened hair till he reaches,
Your heart of dismay.
 
Today is St Crispins day. The battle of Agincourt was fought 598 years ago today.

From Henry V by William Shakespeare:

This day is call’d the feast of Crispian.
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is nam’d,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say “To-morrow is Saint Crispian.”
Then will he strip his sleeve and show his scars,
And say “These wounds I had on Crispian’s day.”
Old men forget; yet all shall be forgot,
But he’ll remember, with advantages,
What feats he did that day. Then shall our names,
Familiar in his mouth as household words-
Harry the King, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester-
Be in their flowing cups freshly rememb’red.
This story shall the good man teach his son;
And Crispin Crispian shall ne’er go by,
From this day to the ending of the world,
But we in it shall be remembered-
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne’er so vile,
This day shall gentle his condition;
And gentlemen in England now-a-bed
Shall think themselves accurs’d they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin’s day.
 
Who, if I cried, would hear me among the angelic
orders? And even if one of them suddenly
pressed me against his heart, I should fade in the
strength of his stronger existence. For beauty's nothing
but the beginning of terror we're still just able to bear
and why we adore it so is because it serenely
disdains to destroy us. Every angel is terrible.
 
'What I Believe' by J.G. Ballard

I believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen.

I believe in my own obsessions, in the beauty of the car crash, in the peace of the submerged forest, in the excitements of the deserted holiday beach, in the elegance of automobile graveyards, in the mystery of multi-storey car parks, in the poetry of abandoned hotels.

I believe in the forgotten runways of Wake Island, pointing towards the Pacifics of our imaginations.

I believe in the mysterious beauty of Margaret Thatcher, in the arch of her nostrils and the sheen on her lower lip; in the melancholy of wounded Argentine conscripts; in the haunted smiles of filling station personnel; in my dream of Margaret Thatcher caressed by that young Argentine soldier in a forgotten motel watched by a tubercular filling station attendant.

I believe in the beauty of all women, in the treachery of their imaginations, so close to my heart; in the junction of their disenchanted bodies with the enchanted chromium rails of supermarket counters; in their warm tolerance of my perversions.

I believe in the death of tomorrow, in the exhaustion of time, in our search for a new time within the smiles of auto-route waitresses and the tired eyes of air-traffic controllers at out-of-season airports.

I believe in the genital organs of great men and women, in the body postures of Ronald Reagan, Margaret Thatcher and Princess Di, in the sweet odors emanating from their lips as they regard the cameras of the entire world.

I believe in madness, in the truth of the inexplicable, in the common sense of stones, in the lunacy of flowers, in the disease stored up for the human race by the Apollo astronauts.

I believe in nothing.

I believe in Max Ernst, Delvaux, Dali, Titian, Goya, Leonardo, Vermeer, Chirico, Magritte, Redon, Duerer, Tanguy, the Facteur Cheval, the Watts Towers, Boecklin, Francis Bacon, and all the invisible artists within the psychiatric institutions of the planet.

I believe in the impossibility of existence, in the humour of mountains, in the absurdity of electromagnetism, in the farce of geometry, in the cruelty of arithmetic, in the murderous intent of logic.

I believe in adolescent women, in their corruption by their own leg stances, in the purity of their disheveled bodies, in the traces of their pudenda left in the bathrooms of shabby motels.

I believe in flight, in the beauty of the wing, and in the beauty of everything that has ever flown, in the stone thrown by a small child that carries with it the wisdom of statesmen and midwives.

I believe in the gentleness of the surgeon's knife, in the limitless geometry of the cinema screen, in the hidden universe within supermarkets, in the loneliness of the sun, in the garrulousness of planets, in the repetitiveness or ourselves, in the inexistence of the universe and the boredom of the atom.

I believe in the light cast by video-recorders in department store windows, in the messianic insights of the radiator grilles of showroom automobiles, in the elegance of the oil stains on the engine nacelles of 747s parked on airport tarmacs.

I believe in the non-existence of the past, in the death of the future, and the infinite possibilities of the present.

I believe in the derangement of the senses: in Rimbaud, William Burroughs, Huysmans, Genet, Celine, Swift, Defoe, Carroll, Coleridge, Kafka.

I believe in the designers of the Pyramids, the Empire State Building, the Berlin Fuehrerbunker, the Wake Island runways.

I believe in the body odors of Princess Di.

I believe in the next five minutes.

I believe in the history of my feet.

I believe in migraines, the boredom of afternoons, the fear of calendars, the treachery of clocks.

I believe in anxiety, psychosis and despair.

I believe in the perversions, in the infatuations with trees, princesses, prime ministers, derelict filling stations (more beautiful than the Taj Mahal), clouds and birds.

I believe in the death of the emotions and the triumph of the imagination.

I believe in Tokyo, Benidorm, La Grande Motte, Wake Island, Eniwetok, Dealey Plaza.

I believe in alcoholism, venereal disease, fever and exhaustion.

I believe in pain.

I believe in despair.

I believe in all children.

I believe in maps, diagrams, codes, chess-games, puzzles, airline timetables, airport indicator signs.

I believe all excuses.

I believe all reasons.

I believe all hallucinations.

I believe all anger.

I believe all mythologies, memories, lies, fantasies, evasions.

I believe in the mystery and melancholy of a hand, in the kindness of trees, in the wisdom of light.
 
I just wrote a letter to Nadezhda Tolokonnikova. I included this poem by Rabindranath Tagore:

Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake

If anybody wants to write to her the address and a generic letter can be found here
 
Coming of Wisdom with Time. WB Yeats.

Though leaves are many, the root is one;
Through all the lying days of my youth
I swayed my leaves and flowers in the sun;
Now I may wither into the truth
 
Some More Light Verse
Wendy Cope

You struggle to improve your man.
And nothing works. The outlooks grim.
You go to yoga, cry and swim.
You eat and drink. You give up looks.
You struggle to improve your books.

You cannot see the point. You sigh.
You do not smoke. You have to try.
ha ha :D I think I'm at the bit in bold stage with less of a book
 
Having it Out with Melancholy
by Jane Kenyon


"If many remedies are prescribed
for an illness, you may be certain
that the illness has no cure."

-- A. P. Chekhov, The Cherry Orchard


1 FROM THE NURSERY


When I was born, you waited
behind a pile of linen in the nursery,
and when we were alone, you lay down
on top of me, pressing
the bile of desolation into every pore.


And from that day on
everything under the sun and moon
made me sad -- even the yellow
wooden beads that slid and spun
along a spindle on my crib.


You taught me to exist without gratitude.
You ruined my manners toward God:
"We're here simply to wait for death;
the pleasures of earth are overrated."


I only appeared to belong to my mother,
to live among blocks and cotton undershirts
with snaps; among red tin lunch boxes
and report cards in ugly brown slipcases.
I was already yours -- the anti-urge,
the mutilator of souls.

2 BOTTLES


Elavil, Ludiomil, Doxepin,
Norpramin, Prozac, Lithium, Xanax,
Wellbutrin, Parnate, Nardil, Zoloft.
The coated ones smell sweet or have
no smell; the powdery ones smell
like the chemistry lab at school
that made me hold my breath.

3 SUGGESTION FROM A FRIEND


You wouldn't be so depressed
if you really believed in God.

4 OFTEN


Often I go to bed as soon after dinner
as seems adult
(I mean I try to wait for dark)
in order to push away
from the massive pain in sleep's
frail wicker coracle.

5 ONCE THERE WAS LIGHT


Once, in my early thirties, I saw
that I was a speck of light in the great
river of light that undulates through time.


I was floating with the whole
human family. We were all colors -- those
who are living now, those who have died,
those who are not yet born. For a few


moments I floated, completely calm,
and I no longer hated having to exist.


Like a crow who smells hot blood
you came flying to pull me out
of the glowing stream.
"I'll hold you up. I never let my dear
ones drown!" After that, I wept for days.

6 IN AND OUT


The dog searches until he finds me
upstairs, lies down with a clatter
of elbows, puts his head on my foot.

Sometimes the sound of his breathing
saves my life -- in and out, in
and out; a pause, a long sigh. . . .

7 PARDON


A piece of burned meat
wears my clothes, speaks
in my voice, dispatches obligations
haltingly, or not at all.
It is tired of trying
to be stouthearted, tired
beyond measure.


We move on to the monoamine
oxidase inhibitors. Day and night
I feel as if I had drunk six cups
of coffee, but the pain stops
abruptly. With the wonder
and bitterness of someone pardoned
for a crime she did not commit
I come back to marriage and friends,
to pink fringed hollyhocks; come back
to my desk, books, and chair.

8 CREDO


Pharmaceutical wonders are at work
but I believe only in this moment
of well-being. Unholy ghost,
you are certain to come again.


Coarse, mean, you'll put your feet
on the coffee table, lean back,
and turn me into someone who can't
take the trouble to speak; someone
who can't sleep, or who does nothing
but sleep; can't read, or call
for an appointment for help.


There is nothing I can do
against your coming.
When I awake, I am still with thee.

9 WOOD THRUSH


High on Nardil and June light
I wake at four,
waiting greedily for the first
note of the wood thrush. Easeful air
presses through the screen
with the wild, complex song
of the bird, and I am overcome


by ordinary contentment.
What hurt me so terribly
all my life until this moment?
How I love the small, swiftly
beating heart of the bird
singing in the great maples;
its bright, unequivocal eye.
 
I speak of love that comes to mind:
The moon is faithful, although blind;
She moves in thought she cannot speak.
Perfect care has made her bleak.

I never dreamed the sea so deep,
The earth so dark; so long my sleep,
I have become another child.
I wake to see the world go wild.
 
The world and I are not friends, today :(


As It Was Written by Anne Sexton
Earth, earth,
riding your merry-go-round
toward extinction,
right to the roots,
thickening the oceans like gravy,
festering in your caves,
you are becoming a latrine.
Your trees are twisted chairs.
Your flowers moan at their mirrors,
and cry for a sun that doesn't wear a mask.

Your clouds wear white,
trying to become nuns
and say novenas to the sky.
The sky is yellow with its jaundice,
and its veins spill into the rivers
where the fish kneel down
to swallow hair and goat's eyes.

All in all, I'd say,
the world is strangling.
And I, in my bed each night,
listen to my twenty shoes
converse about it.
And the moon,
under its dark hood,
falls out of the sky each night,
with its hungry red mouth
to suck at my scars.
 
Flying
by Richard Wilbur


Treetops are not so high
Nor I so low
That I don't instinctively know
How it would be to fly

Through gaps that the wind makes, when
The leaves arouse
And there is a lifting of boughs
That settle and lift again.

Whatever my kind may be,
It is not absurd
To confuse myself with a bird
For the space of a reverie:

My species never flew,
But I somehow know
It is something that long ago
I almost adapted to.
 
this is a quote from Ghost Milk by Iain Sinclair. I rewrote it into this form.

The secret of
Roberto Bolano’s
great literary project,
beyond his
physical disappearance
at the optimum moment,
and the spectral
record of his movement,
Chile through
Mexico City
to Spain,
was this:

poetry is conspiracy.
Poetry is a virus. Poets,
sick with pride,
chosen and cursed,
habitués of the worst bars,
the grimmest cafes,
night-birds,
defacers of notebooks,
feed on the glamour of truth.

Immortality postponed.
They are owl heads,
hawkers of mis-remembered
quotations.
Solitaries
jealous of their hard
won obscurity.
 
This is a quote from The Acid Diaries by Christopher Gray, again rewritten into this form by me

I stood back to
watch the crowds,
and as I looked,
I felt sick to the gut.

These weren't
the shabby middle
aged people I
had assumed.

They were all
young men and women,
in what should have been
the prime of their youth -

falling in love,
wanting to hitch
around South America,
afire with new ideas -

and here they were,
shuffling along like
tired old people,
with the last bit of fight
long kicked out of them.

Had they really known
that all of them,
every single one,
was going to die,
they would have woken
up as though sluiced
with a bucket of cold water.

They would have
told their bosses
to shove their
stupid jobs.
They would have
started to talk
to each other from
their hearts,

because nothing
could be worse
than to go on living like this.
 
Same as above.

During those brief
periods when ordinary
people seize power,
the ego is the first
thing out of the window.

Not a demonstration,
not a riot, not an occupation
that does not testify
to the end of
"isolating, self enclosing activity."

Boundaries dissolve
between people and
their world. Read any
eyewitness account of
historic revolutions,
and the first vast
surge of collective
energy is always
characterized by
the appearance of
a radically different
ontology.

Expressing it
verbally may
be difficult,
but you can
sense it
immediately
in the streets.

There's exuberance,
magic in the air.
Time dilates.
People give things away.
Friends and lovers meet.
You do things for the hell of it...
 
Please read the boards
for a while
before posting. Use
the search function
to see
if your topic has already been discussed
to save repeating
questions/threads that already exist.
Please note that these
are discussion boards
and not
a free resource for
journalists/students/market researchers.
 
Please read
the boards
for a while
before posting.

Use the search
function to see
if your topic
has already
been discussed
to save repeating
questions/threads
that already exist.

Please note
that these
are discussion
boards and not
a free resource
for
journalists
students
market
researchers.
 
Back
Top Bottom