*Poem of the day thread

[ShiftyBagLady]

Ah yes, those sunny moments


Silent Noon, D G Rossetti

Your hands lie open in the long fresh grass,—
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-searched growths the dragon-fiy
Hangs like a blue thread loosened from the sky:—
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

 

[butchersapron]

Meant to post this yesterday on the anniversary of his murder by fascists:

City That Does Not Sleep

In the sky there is nobody asleep. Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the
street corner
the unbelievable alligator quiet beneath the tender protest of the
stars.

Nobody is asleep on earth. Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse
who has moaned for three years
because of a dry countryside on his knee;
and that boy they buried this morning cried so much
it was necessary to call out the dogs to keep him quiet.

Life is not a dream. Careful! Careful! Careful!
We fall down the stairs in order to eat the moist earth
or we climb to the knife edge of the snow with the voices of the dead
dahlias.
But forgetfulness does not exist, dreams do not exist;
flesh exists. Kisses tie our mouths
in a thicket of new veins,
and whoever his pain pains will feel that pain forever
and whoever is afraid of death will carry it on his shoulders.

One day
the horses will live in the saloons
and the enraged ants
will throw themselves on the yellow skies that take refuge in the
eyes of cows.

Another day
we will watch the preserved butterflies rise from the dead
and still walking through a country of gray sponges and silent boats
we will watch our ring flash and roses spring from our tongue.
Careful! Be careful! Be careful!
The men who still have marks of the claw and the thunderstorm,
and that boy who cries because he has never heard of the invention
of the bridge,
or that dead man who possesses now only his head and a shoe,
we must carry them to the wall where the iguanas and the snakes
are waiting,
where the bear's teeth are waiting,
where the mummified hand of the boy is waiting,
and the hair of the camel stands on end with a violent blue shudder.

Nobody is sleeping in the sky. Nobody, nobody.
Nobody is sleeping.
If someone does close his eyes,
a whip, boys, a whip!
Let there be a landscape of open eyes
and bitter wounds on fire.
No one is sleeping in this world. No one, no one.
I have said it before.

No one is sleeping.
But if someone grows too much moss on his temples during the
night,
open the stage trapdoors so he can see in the moonlight
the lying goblets, and the poison, and the skull of the theaters.

Federico García Lorca

 

[butchersapron]

How about one from cragface for the Czech fighters:

August 1968

The Ogre does what ogres can,
Deeds quite impossible for Man,
But one prize is beyond his reach:
The Ogre cannot master Speech.

About a subjugated plain,
Among its desperate and slain,
The Ogre stalks with hands on hips,
While drivel gushes from his lips.

Auden.

 

[Idris2002]

To the man in the street, whom I'm sorry to say,

Is a keen observer of life,

The word 'intellectual' suggests right away,

A man who's untrue to his wife.

Auden.

 

[albionism]

Lol @ Guardian journalists,
Who think words like,
"Blud" "Wicked" and "Babylon"
Are new.
I was using them,
In my early teens,
Now I'm 42.

 

[Greebo]

Uncertainty - Adam Mickiewicz, translated by Zarek Zawadzki
Away from thee I never weep nor sigh,
And lose I not my mind when thou art nigh.
But if for a while I have no word with thee,
There's something missing, someone I must see.
I wonder, yearning thus for days on end:
Art thou my love or maybe just a friend?

When thou hast gone, I cannot in my mind
Recall thy face though gentle so and kind.
However, oft I feel, yet wish it not,
That it is somewhere really near my thought.
And all these doubts of mine may never end:
Art thou my love or maybe just a friend?

I suffered much, but reckoned not, as yet,
To go and let thee know my sad regret.
With no idea where my feet should go,
How come I find thy house I do not know;
And neither at thy door my doubts may end:
Art thou my love or maybe just a friend?

To save thy health, my life I would expend;
To grant thee peace, to Hell I would descend.
Though in my heart no bold desires I nest,
Do know that I would be thy health and rest.
But still these doubts of mine may never end:
Art thou my love or maybe just a friend?

And when thy hand lies gently in my palm,
My mind grows quiet, and my soul is calm;
Meseems my life may in this sleep depart,
But wakes me up the beating of thy heart,
And thus return my doubts that know no end:
Art thou my love or maybe just a friend?

Composing this my song for thee, my mind
Was not to any bardic mood inclined;
I am amazed myself, it baffles me
How I have found the thoughts and rhymes for thee,
To finally write these doubts that may not end:
Art thou my love or maybe just a friend?

 

[maya]

The Envoy of Mr Cogito
by Zbigniew Herbert
Go where those others went to the dark boundary
for the golden fleece of nothingness your last prize
go upright among those who are on their knees
among those with their backs turned and those toppled in the dust
you were saved not in order to live
you have little time you must give testimony
be courageous when the mind deceives you be courageous
in the final account only this is important
and let your helpless Anger be like the sea
whenever your hear the voice of the insulted and beaten
let you sister Scorn not leave you
for the informers executioners cowards - they will win
they will go to your funeral with relief will throw a lump of earth
the woodborer will write your smoothed-over biography
and do not forgive truly it is not in your power
to forgive in the name of those betrayed at dawn
beware however of unnecessary pride
keep looking at your clown's face in the mirror
repeat: I was called - weren't there better ones than I
beware of dryness of heart love the morning spring
the bird with an unknown name the winter oak
light on a wall the splendour of the sky
they don't need your warm breath
they are there to say: no one will console you
be vigilant - when the light on the mountains gives the sign- arise and
go
as long as blood turns in the breast your dark star
repeat old incantations of humanity fables and legends
because this is how you will attain the good you will not attain
repeat great words repeat them stubbornly
like those crossing the desert who perished in the sand
and they will reward you with what they have at hand
with the whip of laughter with murder on a garbage heap
go because only in this way you will be admitted to the company of cold
skulls
to the company of your ancestors: Gilgamesh Hector Roland
the defenders of the kingdom without limit and the city of ashes
Be faithful Go

 

[maya]

Mr. Cogito and the Imagination
by Zbigniew Herbert
1
Mr. Cogito never trusted
tricks of the imagination
the piano at the top of the Alps
played false concerts for him
he didn't appreciate labyrinths
the Sphinx filled him with loathing
he lived in a house with no basement
without mirrors or dialectics
jungles of tangled images
were not his home
he would rarely soar
on the wings of a metaphor
and then he fell like Icarus
into the embrace of the Great Mother
he adored tautologies
explanations
idem per idem
that a bird is a bird
slavery means slavery
a knife is a knife
death remains death
he loved
the flat horizon
a straight line
the gravity of the earth
2
Mr. Cogito will be numbered
among the species minores
he will accept indifferently the verdict
of future scholars of the letter
he used the imagination
for entirely different purposes
he wanted to make it
an instrument of compassion
he wanted to understand to the very end
--Pascal's night
--the nature of a diamond
--the melancholy of the prophets
--Achilles' wrath
--the madness of those who kill
--the dreams of Mary Stuart
--Neanderthal fear
--the despair of the last Aztecs
--Nietzsche's long death throes
--the joy of the painter of Lascaux
--the rise and fall of an oak
--the rise and fall of Rome
and so to bring the dead back to life
to preserve the covenant
Mr. Cogito's imagination
has the motion of a pendulum
it crosses with precision
from suffering to suffering
there is no place in it
for the artificial fires of poetry
he would like to remain
faithful to uncertain clarity

 

[Dillinger4]

For the people of Syria

What I will by Suheir Hammad

I will not
dance to your war
drum. I will
not lend my soul nor
my bones to your war
drum. I will
not dance to your
beating. I know that beat.
It is lifeless. I know
intimately that skin
you are hitting. It
was alive once
hunted stolen
stretched. I will
not dance to your drummed
up war. I will not pop
spin beak for you. I
will not hate for you or
even hate you. I will
not kill for you. Especially
I will not die
for you. I will not mourn
the dead with murder nor
suicide. I will not side
with you nor dance to bombs
because everyone else is
dancing. Everyone can be
wrong. Life is a right not
collateral or casual. I
will not forget where
I come from. I
will craft my own drum. Gather my beloved
near and our chanting
will be dancing. Our
humming will be drumming. I
will not be played. I
will not lend my name
nor my rhythm to your
beat. I will dance
and resist and dance and
persist and dance. This heartbeat is louder than
death. Your war drum ain’t
louder than this breath.

 

[Dillinger4]

Two poems by Pier Paolo Pasolini:

Stolen Days

We who are poor have little time
for youth and beauty:
you can do well without us.

Our birth enslaves us!
butterflies shorn of all beauty,
buried in the chrysalis of time.

The wealthy don't pay for our time:
those days stolen from beauty
possessed by our fathers and us.

Will time's hunger never die?

Mystery

Daring to lift my eyes
towards the dry treetops,
I don't see God, but his light
is immensely shining.

Of all the things I know
my heart feels only this:
I'm young, alive, alone,
my body consuming itself.

I briefly rest in the tall grasses
of a river bank, under bare
trees, then move along beneath
clouds to live out my young days.

 

[butchersapron]

Requiem for the Croppies

The pockets of our greatcoats full of barley...
No kitchens on the run, no striking camp...
We moved quick and sudden in our own country.
The priest lay behind ditches with the tramp.
A people hardly marching... on the hike...
We found new tactics happening each day:
We'd cut through reins and rider with the pike
And stampede cattle into infantry,
Then retreat through hedges where cavalry must be thrown.
Until... on Vinegar Hill... the final conclave.
Terraced thousands died, shaking scythes at cannon.
The hillside blushed, soaked in our broken wave.
They buried us without shroud or coffin
And in August... the barley grew up out of our grave.

Seamus Heaney

 

[Dillinger4]

O Night by Giuseppe Ungaretti

Dall’ampia ansia dell’alba

From the deep anxiety of dawn
the grove of trees unveils.
Sad awakenings.
Leaves, sister leaves,
I hear your lament.
Autumns,
moribund sweetness.
O youth,
the hour of growth is barely past.
High skies of youth
impetuous freedom.
And I am already desert.
Caught on this melancholy arc.
But night scatters distances.
Oceanic silences,
astral nests of illusion,
O night.

 

[Dillinger4]

Godzilla in Mexico by Roberto Bolano

Listen carefully, my son: bombs were falling
over Mexico City
but no one even noticed.
The air carried poison through
the streets and open windows.
You'd just finished eating and were watching
cartoons on TV.
I was reading in the bedroom next door
when I realized we were going to die.
Despite the dizziness and nausea I dragged myself
to the kitchen and found you on the floor.
We hugged. You asked what was happening
and I didn't tell you we were on death's program
but instead that we were going on a journey,
one more, together, and that you shouldn't be afraid.
When it left, death didn't even
close our eyes.
What are we? you asked a week or year later,
ants, bees, wrong numbers
in the big rotten soup of chance?
We're human beings, my son, almost birds,
public heroes and secrets.

 

[Dillinger4]

London by Yang Lian

reality is part of my nature
spring has accepted the overflowing green of the dead again
streets accept more funerals which are blacker yet beneath the flowers
red phone boxes in the rain like a warning
time is part of the internal organs bird voices
open every rusting face on the benches
watching night’s eyes a prolonged flying accident
when yet another day is blotted out London

write out all my madness lick out all the brown beer’s froth
the bell’s toll in a little bird’s brain vibrates like a gloomy verse unemployed
city is part of the word the most terrifying part of me
showing my insignificance accepting
blue mildewed sheepskin slip-cover outside the window
sheep meat’s memory diligently binding
its own death dying in the unconvulsing lens
when between two pages of newsprint is a grave behind the grave is the ocean

 

[Dillinger4]

Get yourself a friend
come to know a foe
Get yourself a foe
come to know a friend

What kind of game is this?

 

[Dillinger4]

Himalayas by Ko Un

Recollection is short, fantasy long!
A place where I'd never been born,
must never be born—
the Himalayas.

On whose behalf
did I go there?
I went with all ten fingers trembling.

With so many kinds of foolishness left back home,
I gazed up toward a few peaks
brilliant at eight thousand meters, their golden blades piled high.
Before that, and after,
I could not help but be an orphan.

I had but one hope:
to stay as far from the Himalayas as humanly possible,
and from the world of troublesome questions.
Yes, that was it.

 

[Dillinger4]

Stories by Ko Un

There are stories.
There are people telling stories
and people listening to them.

The room is full
of the breath of the stories.

That is enough.

Eight months of winter at minus 40.
A weaned baby froze to death;
the grieving did not last long.

Soon there are stories.
Between prayers and more prayers
between one meal and the next
there are stories.
This kind of state is a perfect state.

 

[Dillinger4]

Autumn’s Gateway by Lorna Smithers

‘All that is solid melts into air’ – Karl Marx

Sun and rain and trickster wind
are dissolving summer’s certainty.
Geese fly in. Swallows abandon
the empty stables and telephone wires.
The birds know the ways between
the hot and cold places, how long to stay
and when to depart into the wind.
The world is leaving with the birds,
all that is solid is autumn’s gateway
beneath the sheltering boughs
of the gleaming oak. I stand within
redrawing the edges of my reality:
bark and beams, trembling leaves
preparing to fall. I do not know the ways
between the summer and winter places
yet must step through and walk them
blind in the sunshine, drenched in the rain
until I know the day and the secret of the gateway
and can melt like a swallow into the wind.

http://lornasmithers.wordpress.com/2013/09/08/autumns-gateway/

One of my favourite poetry blogs.

 

[Dillinger4]

Be Kind by Michael Blumenthal

Not merely because Henry James said
there were but four rules of life—
be kind be kind be kind be kind—but
because it's good for the soul, and,
what's more, for others, it may be
that kindness is our best audition
for a worthier world, and, despite
the vagueness and uncertainty of
its recompense, a bird may yet wander
into a bush before our very houses,
gratitude may not manifest itself in deeds
entirely equal to our own, still there's
weather arriving from every direction,
the feasts of famine and feasts of plenty
may yet prove to be one, so why not
allow the little sacrificial squinches and
squigulas to prevail? Why not inundate
the particular world with minute particulars?
Dust's certainly all our fate, so why not
make it the happiest possible dust,
a detritus of blessedness? Surely
the hedgehog, furling and unfurling
into its spiked little ball, knows something
that, with gentle touch and unthreatening
tone, can inure to our benefit, surely the wicked
witches of our childhood have died and,
from where they are buried, a great kindness
has eclipsed their misdeeds. Yes, of course,
in the end so much comes down to privilege
and its various penumbras, but too much
of our unruly animus has already been
wasted on reprisals, too much of the
unblessed air is filled with smoke from
undignified fires. Oh friends, take
whatever kindness you can find
and be profligate in its expenditure:
It will not drain your limited resources,
I assure you, it will not leave you vulnerable
and unfurled, with only your sweet little claws
to defend yourselves, and your wet little noses,
and your eyes to the ground, and your little feet.

 

[butchersapron]

The People's Liberation Army Captures Nanking

Over Chungshan swept a storm, headlong,
Our mighty army, a million strong, has crossed the Great River.
The City, a tiger crouching, a dragon curling, outshines its ancient glories;
In heroic triumph heaven and earth have been overturned.
With power and to spare we must pursue the tottering foe
And not ape Hsiang Yu the conqueror seeking idle fame.
Were Nature sentient, she too would pass from youth to age,
But Man's world is mutable, seas become mulberry fields.

Mr Mao

 

[maya]

Canterbury Tales, Wife of Bath's Prologue [Excerpt]
by Geoffrey Chaucer

But now, sire,—lat me se—what I shal seyn?

A ha! by God, I have my tale ageyn.

Whan that my fourthe housbonde was on beere,

I weep algate, and made sory cheere,

As wyves mooten, for it is usage,

And with my coverchief covered my visage;

But for that I was purveyed of a make,

I wepte but smal, and that I undertake!

To chirche was myn housbonde born a morwe

With neighebores, that for hym maden sorwe,

And Jankyn, oure clerk, was oon of tho.

As help me God, whan that I saugh hym go

After the beere, me thoughte he hadde a paire

Of legges and of feet so clene and faire

That al myn herte I gaf unto his hoold.

He was, I trowe, a twenty wynter oold,

And I was fourty, if I shal seye sooth;

But yet I hadde alwey a coltes tooth.

Gat-tothed I was, and that bicam me weel,

I hadde the prente of seïnte Venus seel.

As help me God, I was a lusty oon,

And faire and riche, and yong, and wel bigon,

And trewely, as myne housbondes tolde me,

I hadde the beste quonyam myghte be.

For certes, I am al Venerien

In feelynge, and myn herte is Marcien;

Venus me gaf my lust, my likerousnesse,

And Mars gaf me my sturdy hardynesse.

Myn áscendent was Taur, and Mars therinne;

Allas, allas! that evere love was synne!

I folwed ay myn inclinacioun

By vertu of my constellacioun,

That made me I koude noght withdrawe

My chambre of Venus from a good felawe.

Yet have I Martes mark upon my face,

And also in another, privee, place.

For God so wys be my savacioun,

I ne loved nevere by no discrecioun,

But evere folwede myn appetit,—

Al were he short, or long, or blak, or whit;

I took no kep, so that he liked me,

How poore he was, ne eek of what degree.

 

[ShiftyBagLady]

Be Kind by Michael Blumenthal

This is new to me and i love it

 

[Dillinger4]

Clear in September Light

A man stands under a tree, looking at a small house not far away. He flaps his arms as if he were a bird, maybe signaling someone we cannot see. He could be yelling, but since we hear nothing, he probably is not. Now the wind sends a shiver through the tree, and flattens the grass. The man falls to his knees and pounds the ground with his fists. A dog comes and sits beside him, and the man stands, once again flapping his arms. What he does has nothing to do with me. His desperation is not my desperation. I do not stand under trees and look at small houses. I have no dog.

 

[Dillinger4]

Lines for Winter by Mark Strand

Tell yourself
as it gets cold and gray falls from the air
that you will go on
walking, hearing
the same tune no matter where
you find yourself—
inside the dome of dark
or under the cracking white
of the moon's gaze in a valley of snow.
Tonight as it gets cold
tell yourself
what you know which is nothing
but the tune your bones play
as you keep going. And you will be able
for once to lie down under the small fire
of winter stars.
And if it happens that you cannot
go on or turn back
and you find yourself
where you will be at the end,
tell yourself
in that final flowing of cold through your limbs
that you love what you are.

 

[Dillinger4]

Amnesiac by Jane Griffiths

The night fog's come down.
The known edge of the world unselved,
the white-out against the window

and the radio histing the full
atmospheric scale between stations
comprehensively out of tune.

Someone's talking out there
but the night fog's come down:
a car comes and goes out of nowhere,

lighting the invisible and its afterglow.
Off, there's a town: its solids,
its muted soundings below

the sudden broadsides and dark
enormity of the nightlife,
the near miss of the eyes,

below the rough selvage of road
or cloud where you are seeing the wood
through the trees the fog has made

ragged, open-ended. Somewhere
in your house there is a forest.
Someone is talking there.

 

[Dillinger4]

loads of poems in poetry magazines here

http://www.poetrymagazines.org.uk/

 

[heinous seamus]

Philip Levine has just won a lifetime achievement award, with a prize of $100,000

The Two
When he gets off work at Packard, they meet
outside a diner on Grand Boulevard. He's tired,
a bit depressed, and smelling the exhaustion
on his own breath, he kisses her carefully
on her left cheek. Early April, and the weather
has not decided if this is spring, winter, or what.
The two gaze upwards at the sky which gives
nothing away: the low clouds break here and there
and let in tiny slices of a pure blue heaven.
The day is like us, she thinks; it hasn't decided
what to become. The traffic light at Linwood
goes from red to green and the trucks start up,
so that when he says, 'Would you like to eat?'
she hears a jumble of words that mean nothing,
though spiced with things she cannot believe,
'wooden Jew' and 'lucky meat.' He's been up
late, she thinks, he's tired of the job, perhaps tired
of their morning meetings, but when he bows
from the waist and holds the door open
for her to enter the diner, and the thick
odor of bacon frying and new potatoes
greets them both, and taking heart she enters
to peer through the thick cloud of tobacco smoke
to the see if 'their booth' is available.
F. Scott Fitzgerald wrote that there were no
second acts in America, but he knew neither
this man nor this woman and no one else
like them unless he stayed late at the office
to test his famous one liner, 'We keep you clean
Muscatine,' on the woman emptying
his waste basket. Fitzgerald never wrote
with someone present, except for this woman
in a gray uniform whose comings and goings
went unnoticed even on those December evenings
she worked late while the snow fell silently
on the window sills and the new fluorescent lights
blinked on and off. Get back to the two, you say.
Not who ordered poached eggs, who ordered
only toast and coffee, who shared the bacon
with the other, but what became of the two
when this poem ended, whose arms held whom,
who first said 'I love you' and truly meant it,
and who misunderstood the words, so longed
for, and yet still so unexpected, and began
suddenly to scream and curse until the waitress
asked them both to leave. The Packard plant closed
years before I left Detroit, the diner was burned
to the ground in '67, two years before my oldest son
fled to Sweden to escape the American dream.
'And the lovers?' you ask. I wrote nothing about lovers.
Take a look. Clouds, trucks, traffic lights, a diner, work,
a wooden shoe, East Moline, poached eggs, the perfume
of frying bacon, the chaos of language, the spices
of spent breath after eight hours of night work.
Can you hear all I feared and never dared to write?
Why the two are more real than either you or me,
why I never returned to keep them in my life,
how little I now mean to myself or anyone else,
what any of this could mean, where you found
the patience to endure these truths and confessions?

 

[Dillinger4]

 

[Greebo]

Song of the Ogres by W.H. Auden
Little fellow, you're amusing
Stop before you end by losing
Your shirt:
Run along to mother, Gus,
Those who interfere with us
Get hurt.

Honest virtue, old wives prattle,
Always wins the final battle.
Dear, Dear!
Life's exactly what it looks,
Love may triumph in the books,
Not here.

We're not joking, we assure you:
Those who rode this way before you
Died hard.
What? Still spoiling for a fight?
Well, you've asked for it all right:
On guard!

Always hopeful, aren't you? Don't be.
Night is falling and it won't be
Long now:
You will never see the dawn,
You will wish you'd not been born.
And how!

 

[Dillinger4]

Bible Study 71 BCE by Sharon Olds

After Marcus Licinius Crassus
defeated the army of Spartacus,
he crucified 6,000 men.
That is what the records say,
as if he drove in the 18,000
nails himself. I wonder how
he felt, that day, if he went outside
among them, if he walked that human
woods. I think he stayed in his tent
and drank, and maybe copulated,
hearing the singing being done for him,
the woodwind-tuning he was doing at one
remove, to the six-thousandth power.
And maybe he looked out, sometimes,
to see the rows of instruments,
his orchard, the earth bristling with it
as if a patch in his brain had itched
and this was his way of scratching it
directly. Maybe it gave him pleasure,
and a sense of balance, as if he had suffered,
and now had found redress for it,
and voice for it. I speak as a monster,
someone who today has thought at length
about Crassus, his ecstasy of feeling
nothing while so much is being
felt, his hot lightness of spirit
in being free to walk around
while other are nailed above the earth.
It may have been the happiest day
of his life. If he had suddenly cut
his hand on a wineglass, I doubt he would
have woken up to what he was doing.
It is frightening to think of him suddenly
seeing what he was, to think of him running
outside, to try to take them down,
one man to save 6,000.
If he could have lowered one,
and seen the eyes when the level of pain
dropped like a sudden soaring into pleasure,
wouldn’t that have opened in him
the wild terror of understanding
the other? But then he would have had
5,999
to go. Probably it almost never
happens, that a Marcus Crassus
wakes. I think he dozed, and was roused
to his living dream, lifted the flap
and stood and looked out, at the rustling, creaking
living field—his, like an external
organ, a heart.