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*Poem of the day thread

By Felix Dennis

Ordure on the Farm
(To the tune of Old MacDonald Had a Farm)

All our MPs had a farm - spouting all day long,
And on that farm they had some pigs - let's all sing their song:
With an oink-oink here ,
And a flip-flip there,
Here an oink,
there a flip - now I own a second-home!
We all work so jolly hard - we've done nothing wrong.
Hear hear!

Mr. Stinker ran the farm - shouting all day long,
Order! Order in the Sty - let's all sing our song:
With an oink-oink here,
And a nudge-nudge there,
Here an oink,
there a nudge - thicken up the whitewash!
We all work so jolly hard - we've done nothing wrong.
Hear hear!

Then the landlords of the farm - absent for so long,
Turfed those lazy piggies out - let's all sing their song:
With an oink-oink here,
And sob-sob there,
Here an oink, there a sob - go and get a proper job!
We don't care how hard you work - learning right from wrong.
Hear hear!
Oink-oink!
 
Sonnet on the Massacre of the Christians in Bulgaria
Oscar Wilde


CHRIST, dost thou live indeed? or are thy bones
Still straightened in their rock-hewn sepulchre?
And was thy Rising only dreamed by Her
Whose love of thee for all her sin atones?
For here the air is horrid with men’s groans,
The priests who call upon thy name are slain,
Dost thou not hear the bitter wail of pain
From those whose children lie upon the stones?
Come down, O Son of God! incestuous gloom
Curtains the land, and through the starless night
Over thy Cross the Crescent moon I see!
If thou in very truth didst burst the tomb
Come down, O Son of Man! and show thy might,
Lest Mahomet be crowned instead of Thee!
 
SPLEEN

by: Charles Baudelaire

I'M like some king in whose corrupted veins
Flows agèd blood; who rules a land of rains;
Who, young in years, is old in all distress;
Who flees good counsel to find weariness
Among his dogs and playthings, who is stirred
Neither by hunting-hound nor hunting-bird;
Whose weary face emotion moves no more
E'en when his people die before his door.
His favourite Jester's most fantastic wile
Upon that sick, cruel face can raise no smile;
The courtly dames, to whom all kings are good,
Can lighten this young skeleton's dull mood
No more with shameless toilets. In his gloom
Even his lilied bed becomes a tomb.
The sage who takes his gold essays in vain
To purge away the old corrupted strain,
His baths of blood, that in the days of old
The Romans used when their hot blood grew cold,
Will never warm this dead man's bloodless pains,
For green Lethean water fills his veins.
 
DANCE OF THE HANGED MEN
Rimbaud

On the black gallows, one-armed friend,
The paladins are dancing, dancing
The lean, the devil's paladins
The skeletons of Saladins.

Sir Beelzebub pulls by the scruff
His little black puppets who grin at the sky,
And with a backhander in the head like a kick,
Makes them dance, dance, to an old Carol-tune!

And the puppets, shaken about, entwine their thin arms:
Their breasts pierced with light, like black organ-pipes
Which once gentle ladies pressed to their own,
Jostle together protractedly in hideous love-making.

Hurray! the gay dancers, you whose bellies are gone!
You can cut capers on such a long stage!
Hop! never mind whether it's fighting or dancing!
- Beelzebub, maddened, saws on his fiddles!

Oh the hard heels, no one's pumps are wearing out!
And nearly all have taken of their shirts of skin;
The rest is not embarrassing and can be seen without shame.
On each skull the snow places a white hat:

The crow acts as a plume for these cracked brains,
A scrap of flesh clings to each lean chin:
You would say, to see them turning in their dark combats,
They were stiff knights clashing pasteboard armours.

Hurrah! the wind whistles at the skeletons' grand ball!
The black gallows moans like an organ of iron !
The wolves howl back from the violet forests:
And on the horizon the sky is hell-red...

Ho there, shake up those funereal braggarts,
Craftily telling with their great broken fingers
The beads of their loves on their pale vertebrae:
Hey the departed, this is no monastery here!

Oh! but see how from the middle of this Dance of Death
Springs into the red sky a great skeleton, mad,
Carried away by his own impetus, like a rearing horse:
And, feeling the rope tight again round his neck,

Clenches his knuckles on his thighbone with a crack
Uttering cries like mocking laughter,
And then like a mountebank into his booth,
Skips back into the dance to the music of the bones!

On the black gallows, one-armed friend,
The paladins are dancing, dancing
The lean, the devil's paladins
The skeletons of Saladins.
 
A Satyre on Charles II
John Wilmot, Earl of Rochester


I' th' isle of Britain, long since famous grown
For breeding the best cunts in Christendom,
There reigns, and oh! long may he reign and thrive,
The easiest King and best-bred man alive.
Him no ambition moves to get renown 5
Like the French fool, that wanders up and down
Starving his people, hazarding his crown.
Peace is his aim, his gentleness is such,
And love he loves, for he loves fucking much.
---Nor are his high desires above his strength:
His scepter and his prick are of a length;
And she may sway the one who plays with th' other,
And make him little wiser than his brother.
Poor prince! thy prick, like thy buffoons at Court,
Will govern thee because it makes thee sport.
'Tis sure the sauciest prick that e'er did swive,
The proudest, peremptoriest prick alive.
Though safety, law, religion, life lay on 't,
'Twould break through all to make its way to cunt.
Restless he rolls about from whore to whore,
A merry monarch, scandalous and poor.
---To Carwell, the most dear of all his dears,
The best relief of his declining years,
Oft he bewails his fortune, and her fate:
To love so well, and be beloved so late.
For though in her he settles well his tarse,
Yet his dull, graceless ballocks hang an arse.
This you'd believe, had I but time to tell ye
The pains it costs to poor, laborious Nelly,
Whilst she employs hands, fingers, mouth, and thighs,
Ere she can raise the member she enjoys.
---All monarchs I hate, and the thrones they sit on,
---From the hector of France to the cully of Britain.
 
A Smile to Remember
Charles Bukowski

We had goldfish and they circled around and around
in the bowl on the table near the heavy drapes
covering the picture window and
my mother, always smiling, wanting us all
to be happy, told me, “Be happy Henry!”
and she was right: it’s better to be happy if you
can
but my father continued to beat her and me several times a week
while
raging inside his 6-foot-two frame because he couldn’t
understand what was attacking him from within.

my mother, poor fish,
wanting to be happy, beaten two or three times a
week, telling me to be happy: “Henry, smile!
why don’t you ever smile?“

and then she would smile, to show me how, and it was the
saddest smile I ever saw

one day the goldfish died, all five of them,
they floated on the water, on their sides, their
eyes still open,
and when my father got home he threw them to the cat
there on the kitchen floor and we watched as my mother
smiled
 
CALEF IN BOSTON
John Greenleaf Whittier

In the solemn days of old,
Two men met in Boston town,
One a tradesman frank and bold,
One a preacher of renown.
Cried the last, in bitter tone:
"Poisoner of the wells of truth!
Satan's hireling, thou hast sown
With his tares the heart of youth!"
Spake the simple tradesman then,
"God be judge 'twixt thee and me;
All thou knowed of truth hath been
Once a lie to men like thee.
"Falsehoods which we spurn to-day
Were the truths of long ago;
Let the dead boughs fall away,
Fresher shall the living grow.
"God is good and God is light,
In this faith I rest secure;
Evil can but serve the right,
Over all shall love endure.
"Of your spectral puppet play
I have traced the cunning wires;
Come what will, I needs must say,
God is true, and ye are liars."
When the thought of man is free,
Error fears its lightest tones;
So the priest cried, "Sadducee!"
And the people took up stones.
In the ancient burying-ground,
Side by side the twain now lie;
One with humble grassy mound,
One with marbles pale and high,
But the Lord hath blest the seed
Which that tradesman scattered then,
And the preacher's spectral creed
Chills no more the blood of men.
Let us trust, to one is known
Perfect love which casts out fear,
While the other's joys atone
For the wrong he suffered here
 
Come Away, my Love

Come away, my love, from streets
Where unkind eyes divide,
And shop windows reflect our difference.
In the shelter of my faithful room rest.

There, safe from opinions, being behind
Myself, I can only see you;
And in my dark eyes your grey
Will dissolve.
The candlelight throws
Two dark shadows on the wall
Which merge into one as I close beside you.

When at last the lights are out,
And I feel your hand in mine,
Two human breaths join in one,
And the piano weaves
It’s unchallenged harmony.

Joseph Kariuki
 
Two Look at Two
by: Robert Frost

Love and forgetting might have carried them
A little further up the mountain side
With night so near, but not much further up.
They must have halted soon in any case
With thoughts of a path back, how rough it was
With rock and washout, and unsafe in darkness;
When they were halted by a tumbled wall
With barbed-wire binding. They stood facing this,
Spending what onward impulse they still had
In One last look the way they must not go,
On up the failing path, where, if a stone
Or earthslide moved at night, it moved itself;
No footstep moved it. 'This is all,' they sighed,
Good-night to woods.' But not so; there was more.
A doe from round a spruce stood looking at them
Across the wall, as near the wall as they.
She saw them in their field, they her in hers.
The difficulty of seeing what stood still,
Like some up-ended boulder split in two,
Was in her clouded eyes; they saw no fear there.
She seemed to think that two thus they were safe.
Then, as if they were something that, though strange,
She could not trouble her mind with too long,
She sighed and passed unscared along the wall.
'This, then, is all. What more is there to ask?'
But no, not yet. A snort to bid them wait.
A buck from round the spruce stood looking at them
Across the wall as near the wall as they.
This was an antlered buck of lusty nostril,
Not the same doe come back into her place.
He viewed them quizzically with jerks of head,
As if to ask, 'Why don't you make some motion?
Or give some sign of life? Because you can't.
I doubt if you're as living as you look."
Thus till he had them almost feeling dared
To stretch a proffering hand -- and a spell-breaking.
Then he too passed unscared along the wall.
Two had seen two, whichever side you spoke from.
'This must be all.' It was all. Still they stood,
A great wave from it going over them,
As if the earth in one unlooked-for favour
Had made them certain earth returned their love.
 
Huesca

Heart of the heartless world,
Dear heart, the thought of you
Is the pain at my side,
The shadow that chills my view.

The wind rises in the evening,
Reminds that autumn is near.
I am afraid to lose you,
I am afraid of my fear.

On the last mile to Huesca,
The last fence for our pride,
Think so kindly, dear, that I
Sense you at my side.

And if bad luck should lay my strength
Into the shallow grave,
Remember all the good you can;
Don't forget my love.

John Cornford
 
Richard Le Gallienne. 1866–

52. A Ballad of London

AH, London! London! our delight,
Great flower that opens but at night,
Great City of the midnight sun,
Whose day begins when day is done.

Lamp after lamp against the sky 5
Opens a sudden beaming eye,
Leaping alight on either hand,
The iron lilies of the Strand.

Like dragonflies, the hansoms hover,
With jeweled eyes, to catch the lover; 10
The streets are full of lights and loves,
Soft gowns, and flutter of soiled doves.

The human moths about the light
Dash and cling close in dazed delight,
And burn and laugh, the world and wife, 15
For this is London, this is life!

Upon thy petals butterflies,
But at thy root, some say, there lies,
A world of weeping trodden things,
Poor worms that have not eyes or wings. 20

From out corruption of their woe
Springs this bright flower that charms us so,
Men die and rot deep out of sight
To keep this jungle-flower bright.

Paris and London, World-Flowers twain 25
Wherewith the World-Tree blooms again,
Since Time hath gathered Babylon,
And withered Rome still withers on.

Sidon and Tyre were such as ye,
How bright they shone upon the tree! 30
But Time hath gathered, both are gone,
And no man sails to Babylon.
 
Fragmentary Blue

Why make so much of fragmentary blue
In here and there a bird, or butterfly,
Or flower, or wearing-stone, or open eye,
When heaven presents in sheets the solid hue?

Since earth is earth, perhaps, not heaven (as yet)--
Though some savants make earth include the sky;
And blue so far above us comes so high,
It only gives our wish for blue a whet.


Robert Frost
 
There is a kind of love called maintenance,
Which stores the WD40 and knows when to use it;

Which checks the insurance, and doesn’t forget
The milkman; which remembers to plant bulbs;

Which answers letters; which knows the way
The money goes, which deals with dentists

And Road Fund Tax and meeting trains,
And postcards to the lonely; which upholds

The permanently rickety elaborate
Structures of living; which is Atlas.

And maintenance is the sensible side of love,
Which knows what time and weather are doing
To my brickwork; insulates my faulty wiring;
Laughs at my dryrotten jokes; remembers
My need for gloss and grouting; which keeps
My suspect edifice upright in the air,
As Atlas did the sky.
 
The Animal & Insect Act

Finally, in order to ensure
absolute national security

they passed the Animal & Insect

Emergency Control & DisciplineAct.

Under this new Act, buffaloes

cows and goats were prohibited

from grazing in herds of

more than three.


Neither could birds flock,

nor bees swarm .....

This constituted unlawfulassembly.

As they had not obtained prior

planning permission, mud-wasp

sand swallows were issued with

summary Notices to Quit.

Theirhomes were declared subversive

extensions to private property.


Monkeys and mynahs

were warned to stop

relaying their noisy

morning orisons until an official

Broadcasting Licence was issued

by the appropriate Ministry.

Unmonitored publications &

broadcasts posed the gravestt

hreats in times of a National

Emergency.


Similarly, woodpeckers had

to stop tapping their morse-code

messages from coconut

tree-top to chempaka tree.

All messages were subject

to a thorough pre-scrutiny

by the relevant authorities.

Java sparrows were arrested in

droves for rumour-mongering.


Cats (suspected of conspiracy)

had to be indoors by 9 o'clock

Cicadas and crickets received

notification to turn their amp-lifiers down.

Ducks could not

quack nor turkeys gobble during

restricted hours.


Need I say,

all dogs -- alsatians,

dachshunds,terriers,

pointers and even

little chihuahuas -- were muzzled.

In the interests of security

penguins and zebras were

ordered to discard their

non-regulation uniforms.


The deer had to surrender

their dangerous antlers.

Tigers and all carnivores

with retracted claws were

sent directly to prison

for concealing lethal weapons.


And by virtue of ArticleFour,

paragraph 2(b)sub-Subsection sixteen,

under no circumstances

were elephants allowed

to break wind between

the hours of six and six.

Their farts could easily

be interpreted as gunshot.

Might spark off a riot .....


A month after the Act

was properly gazetted

the birds and insects

started migrating south

the animals went north

and an eerie silence

handcuffed the forests.

There was now

Total Security.

Cecil Rajendra
 
Alabanza: In Praise of Local 100
by Martín Espada


for the 43 members of Hotel Employees and Restaurant Employees Local 100, working at the Windows on the World restaurant, who lost their lives in the attack on the World Trade Center

Alabanza. Praise the cook with the shaven head
and a tattoo on his shoulder that said Oye,
a blue-eyed Puerto Rican with people from Fajardo,
the harbor of pirates centuries ago.
Praise the lighthouse in Fajardo, candle
glimmering white to worship the dark saint of the sea.
Alabanza. Praise the cook's yellow Pirates cap
worn in the name of Roberto Clemente, his plane
that flamed into the ocean loaded with cans for Nicaragua,
for all the mouths chewing the ash of earthquakes.
Alabanza. Praise the kitchen radio, dial clicked
even before the dial on the oven, so that music and Spanish
rose before bread. Praise the bread. Alabanza.

Praise Manhattan from a hundred and seven flights up,
like Atlantis glimpsed through the windows of an ancient aquarium.
Praise the great windows where immigrants from the kitchen
could squint and almost see their world, hear the chant of nations:
Ecuador, México, Republica Dominicana,
Haiti, Yemen, Ghana, Bangladesh.
Alabanza. Praise the kitchen in the morning,
where the gas burned blue on every stove
and exhaust fans fired their diminutive propellers,
hands cracked eggs with quick thumbs
or sliced open cartons to build an altar of cans.
Alabanza. Praise the busboy's music, the chime-chime
of his dishes and silverware in the tub.
Alabanza. Praise the dish-dog, the dishwasher
who worked that morning because another dishwasher
could not stop coughing, or because he needed overtime
to pile the sacks of rice and beans for a family
floating away on some Caribbean island plagued by frogs.
Alabanza. Praise the waitress who heard the radio in the kitchen
and sang to herself about a man gone. Alabanza.

After the thunder wilder than thunder,
after the booming ice storm of glass from the great windows,
after the radio stopped singing like a tree full of terrified frogs,
after night burst the dam of day and flooded the kitchen,
for a time the stoves glowed in darkness like the lighthouse in
Fajardo,
like a cook's soul. Soul I say, even if the dead cannot tell us
about the bristles of God's beard because God has no face,
soul I say, to name the smoke-beings flung in constellations
across the night sky of this city and cities to come.
Alabanza I say, even if God has no face.

Alabanza. When the war began, from Manhattan to Kabul
two constellations of smoke rose and drifted to each other,
mingling in icy air, and one said with an Afghan tongue:
Teach me to dance. We have no music here.
And the other said with a Spanish tongue:
I will teach you. Music is all we have.
 
He Tells Her



He tells her that the Earth is flat -

He knows the facts, and that is that.

In altercations fierce and long

She tries her best to prove him wrong.

But he has learned to argue well.

He calls her arguments unsound

And often asks her not to yell.

She cannot win. He stands his ground.

The planet goes on being round.
 
The poet who wrote "He Tells Her" is Wendy Cope

[but I am a bloke, and my assertions are not to be trusted!]
 
may my heart always be open to little
birds who are the secrets of living
whatever they sing is better than to know
and if men should not hear them men are old

may my mind stroll about hungry
and fearless and thirsty and supple
and even if it's sunday may i be wrong
for whenever men are right they are not young

and may myself do nothing usefully
and love yourself so more than truly
there's never been quite such a fool who could fail
pulling all the sky over him with one smile


e. e. cummings
 
saul williams

Untimely Meditations :

The fiery sun of my passions
Evaporates the love lakes of my soul
Clouds my thoughts and rains you into existence
As I take flight on bolts of lighting
Claiming chaos as my concubine and you as my me

I of the storm you of the sea
We of the moon land of the free
What have I done to deserve this? Am I happy?
Happiness is a mediocre sin set for a middle class existence

I see through smiles and smell truth in the distance
Beyond one dimensional smiles and laughter
Lies are hereafter where tears echo laughter
You'd have to do math to divide a smile

By a tear times fear equals mere truth
I simply delve in the air and if that's the case
All I have to breath and all else will follow
That's why drums are hollow, and I like drums, drums are good

But I can't think straight
I lack the attention span to meditate
My attention spans galaxies here and now are immense
Seconds are secular, moments are mine

Self is illusion, music's divine
Noosed by the strings of Jimmy's guitar
I swing Purple Hazed pendulum
Hypnotizing the part of I that never dies

Look into my eyes are the windows of the soul
It's fried chicken collies and cornbread
It's corn milk flour sour cream eggs and oil
It's the stolen blood of the earth

Used to make cars run and kill the fish
Who me? I play scales
The scales of dead fish of oil slicked seas
My sister blows wind through the hollows of fallen tress

And we are the echoes of eternity, echoes of eternity
Echoes of eternity maybe you heard of us
We do rebirths, revokes and resurrections
We threw basement parties in pyramids

I left my tag on the wall
The beats would echo of the stone
And solidify into the form of light bulbs
Destined to light of the heads of future generations

They're releasing it up in the form of OM
Maybe you heard of us
If not then you must be trying to hear us
In such cases we can't be heard

We remain in the darkness unseen
In the center of unpeeled bananas we exist uncolored by perception
Clothed to the naked eye
Five senses cannot sense the fact of our existence

And that's the only fact
In fact there are no facts, fax me a fact and I'll telegram
I'll hologram, I'll telephone the Son Of Man and tell him he is done
Leave a message on his answering machine

Telling him there are none
God and I are one
Times moon times star times sun
The factor is me, you remember me

T slung amethyst rocks on Saturn blocks?
'Til I got caught up by Earthling cops
They wanted me for their army or whatever, picture me
I swirl like the wind tempting tomorrow to be today

Tiptoing the fine line between everything and everything else
I am simply Saturn swirling sevenths through sooth
The sole living air of air and I, and, and all else follows
Reverberating the space inside of drum hollows

Package and bottles and chips
And tomorrow then sold to the highest nigga
I swing from the tallest tree
Lynched by the lowest branches of me

Praying that my physical will set me free
'Cause I'm afraid that all else is vanity
Mere language is profanity
I'd rather hum or have my soul tattooed to my tongue

And let the scriptures be sung in gibberish
As words be simple fish in my soulquarium
And intellect can't swim so I stopped combing my mind
So my thoughts could lock

I'm tired of trying to understand
Perceptions are mangled matted and knotted anyway
Life is more than what meets the eye and I
So elevate I to the third and even that s*** seems absurd

And your thoughts leave you third isolated
No man is an island but I often feel alone
So I find peace through OHM
 
Gravy

No other word will do. For that's what it was.Gravy.
Gravy, these past ten years.
Alive, sober, working, loving, and
being loved by a good woman. Eleven years
ago he was told he had six months to live
at the rate he was going. And he was going
nowhere but down. So he changed his ways
somehow. He quit drinking! And the rest?
After that it was all gravy, every minute
of it, up to and including when he was told about,
well, some things that were breaking down and
building up inside his head. "Don't weep for me,"
he said to his friends. "I'm a lucky man.
I've had ten years longer than I or anyone
expected. Pure Gravy. And don't forget it."

RAYMOND CARVER
(1938-1988)
 
ADIEU, adieu! my native shore
Fades o'er the waters blue;
The Night-winds sigh, the breakers roar,
And shrieks the wild sea-mew.
Yon Sun that sets upon the sea
We follow in his flight;
Farewell awhile to him and thee,
My native Land -- Good Night!

'A few short hours and He will rise
To give the Morrow birth;
And I shall hail the main and skies,
But not my mother Earth.
Deserted is my own good hall,
Its hearth is desolate;
Wild weeds are gathering on the wall;
My dog howls at the gate.

'Come hither, hither, my little page!
Why dost thou weep and wail?
Or dost thou dread the billows' rage,
Or tremble at the gale?
But dash the tear-drop from thine eye;
Our ship is swift and strong,
Our fleetest falcon scarce can fly
More merrily along.' --

'Let winds be shrill, let waves roll high,
I fear not wave nor wind;
Yet marvel not, Sir Childe, that I
Am sorrowful in mind;
For I have from my father gone,
A mother whom I love,
And have no friend, save these alone,
But thee -- and one above.

'My father bless'd be fervently,
Yet did not much complain;
But sorely will my mother sigh
Till I come back again.' --
'Enough, enough, my little lad!
Such tears become thine eye;
If I thy guileless bosom had,
Mine own would not be dry. --

'Come hither, hither, my staunch yeoman,
Why dost thou look so pale?
Or dost thou dread a French foeman?
Or shiver at the gale?'--
'Deem'st thou I tremble for my life?
Sir Childe, I'm not so weak;
But thinking on an absent wife
Will blanch a faithful cheek.

'My spouse and boys dwell near thy hall,
Along the bordering lake,
And when they on their father call,
What answer shall she make?'--
'Enough, enough, my yeoman good,
Thy grief let none gainsay;
But I, who am of lighter mood,
Will laugh to flee away.

'For who would trust the seeming sighs
Of wife or paramour?
Fresh feres will dry the bright blue eyes
We late saw streaming o'er.
For pleasures past I do not grieve,
Nor perils gathering near;
My greatest grief is that I leave
No thing that claims a tear.

'And now I'm in the world alone,
Upon the wide, wide sea;
But why should I for others groan,
When none will sigh for me?
Perchance my dog will whine in vain,
Till fed by stranger hands;
But long ere I come back again
He'd tear me where he stands.

'With thee, my bark, I'll swiftly go
Athwart the foaming brine;
Nor care what land thou bear'st me to,
So not again to mine.
Welcome, welcome, ye dark blue waves!
And when you fail my sight,
Welcome ye deserts, and ye caves!
My native land -- Good Night!
 
CHRISTABEL by SAMUEL COLERIDGE, junkie poet

PART I
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock ;
Tu--whit !-- -- Tu--whoo !
And hark, again ! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch ;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour ;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud ;
Some say, she sees my lady's shroud.

Is the night chilly and dark ?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full ;
And yet she looks both small and dull.
The night is chill, the cloud is gray :
'Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate ?
She had dreams all yesternight
Of her own betrothéd knight ;
And she in the midnight wood will pray
For the weal of her lover that's far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak
But moss and rarest misletoe :
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel !
It moaned as near, as near can be,
But what it is she cannot tell.--
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.

The night is chill ; the forest bare ;
Is it the wind that moaneth bleak ?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady's cheek--
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel !
Jesu, Maria, shield her well !
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there ?
There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone :
The neck that made that white robe wan,
Her stately neck, and arms were bare ;
Her blue-veined feet unsandal'd were ;
And wildly glittered here and there
The gems entangled in her hair.
I guess, 'twas frightful there to see
A lady so richly clad as she--
Beautiful exceedingly !
Mary mother, save me now !
(Said Christabel,) And who art thou ?

The lady strange made answer meet,
And her voice was faint and sweet :--
Have pity on my sore distress,
I scarce can speak for weariness :
Stretch forth thy hand, and have no fear !
Said Christabel, How camest thou here ?
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet :--

My sire is of a noble line,
And my name is Geraldine :
Five warriors seized me yestermorn,
Me, even me, a maid forlorn :
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white :
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be ;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey's back,
A weary woman, scarce alive.
Some muttered words his comrades spoke :
He placed me underneath this oak ;
He swore they would return with haste ;
Whither they went I cannot tell--
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand (thus ended she),
And help a wretched maid to flee.

Then Christabel stretched forth her hand,
And comforted fair Geraldine :
O well, bright dame ! may you command
The service of Sir Leoline ;
And gladly our stout chivalry
Will he send forth and friends withal
To guide and guard you safe and free
Home to your noble father's hall.

She rose : and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel :
All our household are at rest,
The hall is silent as the cell ;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth,
And I beseech your courtesy,
This night, to share your couch with me.

They crossed the moat, and Christabel
Took the key that fitted well ;
A little door she opened straight,
All in the middle of the gate ;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate :
Then the lady rose again,
And moved, as she were not in pain.

So free from danger, free from fear,
They crossed the court : right glad they were.
And Christabel devoutly cried
To the Lady by her side,
Praise we the Virgin all divine
Who hath rescued thee from thy distress !
Alas, alas ! said Geraldine,
I cannot speak for weariness.
So free from danger, free from fear,
They crossed the court : right glad they were.

Outside her kennel, the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make !
And what can ail the mastiff bitch ?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet's scritch :
For what can aid the mastiff bitch ?

They passed the hall, that echoes still,
Pass as lightly as you will !
The brands were flat, the brands were dying,
Amid their own white ashes lying ;
But when the lady passed, there came
A tongue of light, a fit of flame ;
And Christabel saw the lady's eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
O softly tread, said Christabel,
My father seldom sleepeth well.

Sweet Christabel her feet doth bare,
And jealous of the listening air
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron's room,
As still as death, with stifled breath !
And now have reached her chamber door ;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver's brain,
For a lady's chamber meet :
The lamp with twofold silver chain
Is fastened to an angel's feet.

The silver lamp burns dead and dim ;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.

O weary lady, Geraldine,
I pray you, drink this cordial wine !
It is a wine of virtuous powers ;
My mother made it of wild flowers.

And will your mother pity me,
Who am a maiden most forlorn ?
Christabel answered--Woe is me !
She died the hour that I was born.
I have heard the gray-haired friar tell
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear ! that thou wert here !
I would, said Geraldine, she were !

But soon with altered voice, said she--
`Off, wandering mother ! Peak and pine !
I have power to bid thee flee.'
Alas ! what ails poor Geraldine ?
Why stares she with unsettled eye ?
Can she the bodiless dead espy ?
And why with hollow voice cries she,
`Off, woman, off ! this hour is mine--
Though thou her guardian spirit be,
Off, woman. off ! 'tis given to me.'

Then Christabel knelt by the lady's side,
And raised to heaven her eyes so blue--
Alas ! said she, this ghastly ride--
Dear lady ! it hath wildered you !
The lady wiped her moist cold brow,
And faintly said, `'Tis over now !'

Again the wild-flower wine she drank :
Her fair large eyes 'gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright :
She was most beautiful to see,
Like a lady of a far countrée.

And thus the lofty lady spake--
`All they who live in the upper sky,
Do love you, holy Christabel !
And you love them, and for their sake
And for the good which me befel,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself ; for I
Must pray, ere yet in bed I lie.'

Quoth Christabel, So let it be !
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain of weal and woe
So many thoughts moved to and fro,
That vain it were her lids to close ;
So half-way from the bed she rose,
And on her elbow did recline
To look at the lady Geraldine.

Beneath the lamp the lady bowed,
And slowly rolled her eyes around ;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast :
Her silken robe, and inner vest,
Dropt to her feet, and full in view,
Behold ! her bosom, and half her side-- --
A sight to dream of, not to tell !
O shield her ! shield sweet Christabel !

Yet Geraldine nor speaks nor stirs ;
Ah ! what a stricken look was hers !
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay ;
Then suddenly as one defied
Collects herself in scorn and pride,
And lay down by the Maiden's side !--
And in her arms the maid she took,
Ah wel-a-day !
And with low voice and doleful look
These words did say :
`In the touch of this bosom there worketh a spell,
Which is lord of thy utterance, Christabel !
Thou knowest to-night, and wilt know to-morrow
This mark of my shame, this seal of my sorrow ;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard'st a low moaning,
And found'st a bright lady, surpassingly fair ;
And didst bring her home with thee in love and in charity,
To shield her and shelter her from the damp air.'
 
THE CONCLUSION TO PART I
It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jaggéd shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows ;
Her slender palms together prest,
Heaving sometimes on her breast ;
Her face resigned to bliss or bale--
Her face, oh call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me !)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is--
O sorrow and shame ! Can this be she,
The lady, who knelt at the old oak tree ?
And lo ! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine ! since arms of thine
Have been the lovely lady's prison.
O Geraldine ! one hour was thine--
Thou'st had thy will ! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu--whoo ! tu--whoo !
Tu--whoo ! tu--whoo ! from wood and fell !

And see ! the lady Christabel
Gathers herself from out her trance ;
Her limbs relax, her countenance
Grows sad and soft ; the smooth thin lids
Close o'er her eyes ; and tears she sheds--
Large tears that leave the lashes bright !
And oft the while she seems to smile
As infants at a sudden light !

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, 'tis but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit 'twere,
What if she knew her mother near ?
But this she knows, in joys and woes,
That saints will aid if men will call :
For the blue sky bends over all !

PART II
Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead :
These words Sir Leoline will say
Many a morn to his dying day !
And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke--a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.

Saith Bracy the bard, So let it knell !
And let the drowsy sacristan
Still count as slowly as he can !
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch's Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons' ghosts are pent,
Who all give back, one after t'other,
The death-note to their living brother ;
And oft too, by the knell offended,
Just as their one ! two ! three ! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still ! through mist and cloud
That merry peal comes ringing loud ;
And Geraldine shakes off her dread,
And rises lightly from the bed ;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
`Sleep you, sweet lady Christabel ?
I trust that you have rested well.'

And Christabel awoke and spied
The same who lay down by her side--
O rather say, the same whom she
Raised up beneath the old oak tree !
Nay, fairer yet ! and yet more fair !
For she belike hath drunken deep
Of all the blessedness of sleep !
And while she spake, her looks, her air
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving breasts.
`Sure I have sinn'd !' said Christabel,
`Now heaven be praised if all be well !'
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.

The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron's presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame !

But when he heard the lady's tale,
And when she told her father's name,
Why waxed Sir Leoline so pale,
Murmuring o'er the name again,
Lord Roland de Vaux of Tryermaine ?

Alas ! they had been friends in youth ;
But whispering tongues can poison truth ;
And constancy lives in realms above ;
And life is thorny ; and youth is vain ;
And to be wroth with one we love,
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart's best brother :
They parted--ne'er to meet again !
But never either found another
To free the hollow heart from paining--
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder ;
A dreary sea now flows between ;--
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.

Sir Leoline, a moment's space,
Stood gazing on the damsel's face :
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage ;
He swore by the wounds in Jesu's side,
He would proclaim it far and wide
With trump and solemn heraldry,
That they, who thus had wronged the dame,
Were base as spotted infamy !
`And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court--that there and then
I may dislodge their reptile souls
From the bodies and forms of men !'
He spake : his eye in lightning rolls !
For the lady was ruthlessly seized ; and he kenned
In the beautiful lady the child of his friend !

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine, who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain !
She shrunk and shuddered, and saw again--
(Ah, woe is me ! Was it for thee,
Thou gentle maid ! such sights to see ?)

Again she saw that bosom old,
Again she felt that bosom cold,
And drew in her breath with a hissing sound :
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comforted her after-rest.
While in the lady's arms she lay,
Had put a rapture in her breast,
And on her lips and o'er her eyes
Spread smiles like light !
With new surprise,
`What ails then my belovéd child ?'
The Baron said--His daughter mild
Made answer, `All will yet be well !'
I ween, she had no power to tell
Aught else : so mighty was the spell.
Yet he, who saw this Geraldine,
Had deemed her sure a thing divine :
Such sorrow with such grace she blended,
As if she feared she had offended
Sweet Christabel, that gentle maid !
And with such lowly tones she prayed,
She might be sent without delay
Home to her father's mansion.
 
`Nay !
Nay, by my soul !' said Leoline.
`Ho ! Bracy the bard, the charge be thine !
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov'st best
To bear thy harp, and learn thy song,
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad,
Detain you on the valley road.
`And when he has crossed the Irthing flood,
My merry bard ! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland's wastes.

`Bard Bracy ! bard Bracy ! your horses are fleet,
Ye must ride up the hall, your music so sweet,
More loud than your horses' echoing feet !
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall !
Thy beautiful daughter is safe and free--
Sir Leoline greets thee thus through me !
He bids thee come without delay
With all thy numerous array
And take thy lovely daughter home :
And he will meet thee on the way
With all his numerous array
White with their panting palfreys' foam :
And, by mine honour ! I will say,
That I repent me of the day
When I spake words of fierce disdain
To Roland de Vaux of Tryermaine !--
--For since that evil hour hath flown,
Many a summer's sun hath shone ;
Yet ne'er found I a friend again
Like Roland de Vaux of Tryermaine.'

The lady fell, and clasped his knees,
Her face upraised, her eyes o'erflowing ;
And Bracy replied, with faltering voice,
His gracious hail on all bestowing !--
`Thy words, thou sire of Christabel,
Are sweeter than my harp can tell ;
Yet might I gain a boon of thee,
This day my journey should not be,
So strange a dream hath come to me,
That I had vowed with music loud
To clear yon wood from thing unblest,
Warned by a vision in my rest !
For in my sleep I saw that dove,
That gentle bird, whom thou dost love,
And call'st by thy own daughter's name--
Sir Leoline ! I saw the same
Fluttering, and uttering fearful moan,
Among the green herbs in the forest alone.
Which when I saw and when I heard,
I wonder'd what might ail the bird ;
For nothing near it could I see,
Save the grass and herbs underneath the old tree.

`And in my dream methought I went
To search out what might there be found ;
And what the sweet bird's trouble meant,
That thus lay fluttering on the ground.
I went and peered, and could descry
No cause for her distressful cry ;
But yet for her dear lady's sake
I stooped, methought, the dove to take,
When lo ! I saw a bright green snake
Coiled around its wings and neck.
Green as the herbs on which it couched,
Close by the dove's its head it crouched ;
And with the dove it heaves and stirs,
Swelling its neck as she swelled hers !
I woke ; it was the midnight hour,
The clock was echoing in the tower ;
But though my slumber was gone by,
This dream it would not pass away--
It seems to live upon my eye !
And thence I vowed this self-same day,
With music strong and saintly song
To wander through the forest bare,
Lest aught unholy loiter there.'

Thus Bracy said : the Baron, the while,
Half-listening heard him with a smile ;
Then turned to Lady Geraldine,
His eyes made up of wonder and love ;
And said in courtly accents fine,
`Sweet maid, Lord Roland's beauteous dove,
With arms more strong than harp or song,
Thy sire and I will crush the snake !'
He kissed her forehead as he spake,
And Geraldine in maiden wise,
Casting down her large bright eyes,
With blushing cheek and courtesy fine
She turned her from Sir Leoline ;
Softly gathering up her train,
That o'er her right arm fell again ;
And folded her arms across her chest,
And couched her head upon her breast,
And looked askance at Christabel-- --
Jesu, Maria, shield her well !

A snake's small eye blinks dull and shy ;
And the lady's eyes they shrunk in her head,
Each shrunk up to a serpent's eye,
And with somewhat of malice, and more of dread,
At Christabel she looked askance !--
One moment--and the sight was fled !
But Christabel in dizzy trance
Stumbling on the unsteady ground
Shuddered aloud, with a hissing sound ;
And Geraldine again turned round,
And like a thing, that sought relief,
Full of wonder and full of grief,
She rolled her large bright eyes divine
Wildly on Sir Leoline.

The maid, alas ! her thoughts are gone,
She nothing sees--no sight but one !
The maid, devoid of guile and sin,
I know not how, in fearful wise,
So deeply had she drunken in
That look, those shrunken serpent eyes,
That all her features were resigned
To this sole image in her mind :
And passively did imitate
That look of dull and treacherous hate !
And thus she stood, in dizzy trance,
Still picturing that look askance
With forced unconscious sympathy
Full before her father's view-- --
As far as such a look could be
In eyes so innocent and blue !

And when the trance was o'er, the maid
Paused awhile, and inly prayed :
Then falling at the Baron's feet,
`By my mother's soul do I entreat
That thou this woman send away !'
She said : and more she could not say :
For what she knew she could not tell,
O'er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline ? Thy only child
Lies at thy feet, thy joy, thy pride,
So fair, so innocent, so mild ;
The same, for whom thy lady died !
O by the pangs of her dear mother
Think thou no evil of thy child !
For her, and thee, and for no other,
She prayed the moment ere she died :
Prayed that the babe for whom she died,
Might prove her dear lord's joy and pride !
That prayer her deadly pangs beguiled,
Sir Leoline !
And wouldst thou wrong thy only child,
Her child and thine ?
Within the Baron's heart and brain
If thoughts, like these, had any share,
They only swelled his rage and pain,
And did but work confusion there.
His heart was cleft with pain and rage,
His cheeks they quivered, his eyes were wild,
Dishonored thus in his old age ;
Dishonored by his only child,
And all his hospitality
To the wronged daughter of his friend
By more than woman's jealousy
Brought thus to a disgraceful end--
He rolled his eye with stern regard
Upon the gentle ministrel bard,
And said in tones abrupt, austere--
`Why, Bracy ! dost thou loiter here ?
I bade thee hence !' The bard obeyed ;
And turning from his own sweet maid,
The agéd knight, Sir Leoline,
Led forth the lady Geraldine !
THE CONCLUSION TO PART II
A little child, a limber elf,
Singing, dancing to itself,
A fairy thing with red round cheeks,
That always finds, and never seeks,
Makes such a vision to the sight
As fills a father's eyes with light ;
And pleasures flow in so thick and fast
Upon his heart, that he at last
Must needs express his love's excess
With words of unmeant bitterness.
Perhaps 'tis pretty to force together
Thoughts so all unlike each other ;
To mutter and mock a broken charm,
To dally with wrong that does no harm.
Perhaps 'tis tender too and pretty
At each wild word to feel within
A sweet recoil of love and pity.
And what, if in a world of sin
(O sorrow and shame should this be true !)
Such giddiness of heart and brain
Comes seldom save from rage and pain,
So talks as it's most used to do.
 
`Nay !
Nay, by my soul !' said Leoline.
`Ho ! Bracy the bard, the charge be thine !
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov'st best
To bear thy harp, and learn thy song,
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad,
Detain you on the valley road.
`And when he has crossed the Irthing flood,
My merry bard ! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland's wastes.

`Bard Bracy ! bard Bracy ! your horses are fleet,
Ye must ride up the hall, your music so sweet,
More loud than your horses' echoing feet !
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall !
Thy beautiful daughter is safe and free--
Sir Leoline greets thee thus through me !
He bids thee come without delay
With all thy numerous array
And take thy lovely daughter home :
And he will meet thee on the way
With all his numerous array
White with their panting palfreys' foam :
And, by mine honour ! I will say,
That I repent me of the day
When I spake words of fierce disdain
To Roland de Vaux of Tryermaine !--
--For since that evil hour hath flown,
Many a summer's sun hath shone ;
Yet ne'er found I a friend again
Like Roland de Vaux of Tryermaine.'

The lady fell, and clasped his knees,
Her face upraised, her eyes o'erflowing ;
And Bracy replied, with faltering voice,
His gracious hail on all bestowing !--
`Thy words, thou sire of Christabel,
Are sweeter than my harp can tell ;
Yet might I gain a boon of thee,
This day my journey should not be,
So strange a dream hath come to me,
That I had vowed with music loud
To clear yon wood from thing unblest,
Warned by a vision in my rest !
For in my sleep I saw that dove,
That gentle bird, whom thou dost love,
And call'st by thy own daughter's name--
Sir Leoline ! I saw the same
Fluttering, and uttering fearful moan,
Among the green herbs in the forest alone.
Which when I saw and when I heard,
I wonder'd what might ail the bird ;
For nothing near it could I see,
Save the grass and herbs underneath the old tree.

`And in my dream methought I went
To search out what might there be found ;
And what the sweet bird's trouble meant,
That thus lay fluttering on the ground.
I went and peered, and could descry
No cause for her distressful cry ;
But yet for her dear lady's sake
I stooped, methought, the dove to take,
When lo ! I saw a bright green snake
Coiled around its wings and neck.
Green as the herbs on which it couched,
Close by the dove's its head it crouched ;
And with the dove it heaves and stirs,
Swelling its neck as she swelled hers !
I woke ; it was the midnight hour,
The clock was echoing in the tower ;
But though my slumber was gone by,
This dream it would not pass away--
It seems to live upon my eye !
And thence I vowed this self-same day,
With music strong and saintly song
To wander through the forest bare,
Lest aught unholy loiter there.'

Thus Bracy said : the Baron, the while,
Half-listening heard him with a smile ;
Then turned to Lady Geraldine,
His eyes made up of wonder and love ;
And said in courtly accents fine,
`Sweet maid, Lord Roland's beauteous dove,
With arms more strong than harp or song,
Thy sire and I will crush the snake !'
He kissed her forehead as he spake,
And Geraldine in maiden wise,
Casting down her large bright eyes,
With blushing cheek and courtesy fine
She turned her from Sir Leoline ;
Softly gathering up her train,
That o'er her right arm fell again ;
And folded her arms across her chest,
And couched her head upon her breast,
And looked askance at Christabel-- --
Jesu, Maria, shield her well !

A snake's small eye blinks dull and shy ;
And the lady's eyes they shrunk in her head,
Each shrunk up to a serpent's eye,
And with somewhat of malice, and more of dread,
At Christabel she looked askance !--
One moment--and the sight was fled !
But Christabel in dizzy trance
Stumbling on the unsteady ground
Shuddered aloud, with a hissing sound ;
And Geraldine again turned round,
And like a thing, that sought relief,
Full of wonder and full of grief,
She rolled her large bright eyes divine
Wildly on Sir Leoline.

The maid, alas ! her thoughts are gone,
She nothing sees--no sight but one !
The maid, devoid of guile and sin,
I know not how, in fearful wise,
So deeply had she drunken in
That look, those shrunken serpent eyes,
That all her features were resigned
To this sole image in her mind :
And passively did imitate
That look of dull and treacherous hate !
And thus she stood, in dizzy trance,
Still picturing that look askance
With forced unconscious sympathy
Full before her father's view-- --
As far as such a look could be
In eyes so innocent and blue !

And when the trance was o'er, the maid
Paused awhile, and inly prayed :
Then falling at the Baron's feet,
`By my mother's soul do I entreat
That thou this woman send away !'
She said : and more she could not say :
For what she knew she could not tell,
O'er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline ? Thy only child
Lies at thy feet, thy joy, thy pride,
So fair, so innocent, so mild ;
The same, for whom thy lady died !
O by the pangs of her dear mother
Think thou no evil of thy child !
For her, and thee, and for no other,
She prayed the moment ere she died :
Prayed that the babe for whom she died,
Might prove her dear lord's joy and pride !
That prayer her deadly pangs beguiled,
Sir Leoline !
And wouldst thou wrong thy only child,
Her child and thine ?
Within the Baron's heart and brain
If thoughts, like these, had any share,
They only swelled his rage and pain,
And did but work confusion there.
His heart was cleft with pain and rage,
His cheeks they quivered, his eyes were wild,
Dishonored thus in his old age ;
Dishonored by his only child,
And all his hospitality
To the wronged daughter of his friend
By more than woman's jealousy
Brought thus to a disgraceful end--
He rolled his eye with stern regard
Upon the gentle ministrel bard,
And said in tones abrupt, austere--
`Why, Bracy ! dost thou loiter here ?
I bade thee hence !' The bard obeyed ;
And turning from his own sweet maid,
The agéd knight, Sir Leoline,
Led forth the lady Geraldine !
THE CONCLUSION TO PART II
A little child, a limber elf,
Singing, dancing to itself,
A fairy thing with red round cheeks,
That always finds, and never seeks,
Makes such a vision to the sight
As fills a father's eyes with light ;
And pleasures flow in so thick and fast
Upon his heart, that he at last
Must needs express his love's excess
With words of unmeant bitterness.
Perhaps 'tis pretty to force together
Thoughts so all unlike each other ;
To mutter and mock a broken charm,
To dally with wrong that does no harm.
Perhaps 'tis tender too and pretty
At each wild word to feel within
A sweet recoil of love and pity.
And what, if in a world of sin
(O sorrow and shame should this be true !)
Such giddiness of heart and brain
Comes seldom save from rage and pain,
So talks as it's most used to do.
 
A portion of "Irony Is Not Enough: Essay On My Life as Catherine Deneuve (2nd draft)"

from MEN IN THE OFF HOURS by Anne Carson


saison qui chante saison rapide
je commence
Beginnings are hard. Sappho put it simply. Speaking of a young girl Sappho said, You burn me. Deneuve usually begins with herself and a girl together in a hotel room. This is mental. Meanwhile the body persists. Sweater buttoned almost to the neck, she sits at the head of the seminar table expounding aspects of Athenian monetary reform. It was Solon who introduced into Athens a coinage which had a forced currency. Citizens had to accept issues called drachmas, didrachmas, obols, etc. although these did not contain silver of that value. Token coinages. Money that lies about itself. Seminar students are writing everything down carefully, one is asleep, Deneuve continues to talk about money and surfaces. Little blues, little whites, little hotel taffetas. This is mental. Bell rings to mark the end of class. He has a foreskin but for fear of wearing it out he uses another man's when he copulates, is what Solon's enemies liked to say of him, Deneuve concludes. Fiscal metaphor. She buttons her top button and the seminar is over.
Jours
If you asked her Deneuve would say Take these days away and pour them out on the ground in another country.

Parts
Seminar meets MonWedFri. Parts of time fall on her and snow wanders slowly through the other afternoons. Deneuve sits in her office looking at the word irony on a page. Half-burnt. You have to wonder. Sappho, Sokrates, is it all mental? These people seem bathed in goodness, yet here come the beautiful dangerous white rapids beating onto them. Knife of boy. Knife of girl. Knife of the little knower. Where is the ironic work that picks threads back from that surface into another design underneath, holding rapids in place? Evening fills the room. Deneuve buttons her coat and closes the office door behind her. Staircase is dim and filthy, small dirty deposits on each step. She heads for the Metro. What would Sokrates say. Name the parts. Define each name. Deneuve is turning names and parts over in her mind when she realizes she has ridden the train four stops in the wrong direction. Climbs back up from the platform, stairs are filthy here too, must be a punishment. Hip slams hard into the metal arm of the turnstile. Red sign pasted on it says NO EXIT. Sound is far away. All around her strange lamps burn brightly and human tongues press the night.

Weekends
Weekends are long and white. Snow drifts against the door. Distant threads from the piano downstairs. Deneuve washes her glassware. Dries it. Hours slide. In the hotel room it is dusk, a girl turns, I have to confess something. This is mental. Two parallel red lines of different lengths inch forward, not touching.
 
the Shield of Achilles: W. H. Auden.

She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,
But there on the shining metal
His hands had put instead
An artificial wilderness
And a sky like lead.

A plain without a feature, bare and brown,
No blade of grass, no sign of neighborhood,
Nothing to eat and nowhere to sit down,
Yet, congregated on its blankness, stood

An unintelligible multitude,
A million eyes, a million boots in line,
Without expression, waiting for a sign.
Out of the air a voice without a face
Proved by statistics that some cause was just
In tones as dry and level as the place:
No one was cheered and nothing was discussed;
Column by column in a cloud of dust
They marched away enduring a belief
Whose logic brought them, somewhere else, to grief.

She looked over his shoulder
For ritual pieties,
White flower-garlanded heifers,
Libation and sacrifice,
But there on the shining metal
Where the altar should have been,
She saw by his flickering forge-light
Quite another scene.

Barbed wire enclosed an arbitrary spot
Where bored officials lounged (one cracked a joke)
And sentries sweated for the day was hot:
A crowd of ordinary decent folk
Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.

The mass and majesty of this world, all
That carries weight and always weighs the same
Lay in the hands of others; they were small
And could not hope for help and no help came:
What their foes liked to do was done, their shame
Was all the worst could wish; they lost their pride
And died as men before their bodies died.

She looked over his shoulder
For athletes at their games,
Men and women in a dance
Moving their sweet limbs
Quick, quick, to music,
But there on the shining shield
His hands had set no dancing-floor
But a weed-choked field.

A ragged urchin, aimless and alone,
Loitered about that vacancy; a bird
Flew up to safety from his well-aimed stone:
That girls are raped, that two boys knife a third,
Were axioms to him, who'd never heard
Of any world where promises were kept,
Or one could weep because another wept.

The thin-lipped armorer,
Hephaestos, hobbled away,
Thetis of the shining breasts
Cried out in dismay
At what the god had wrought
To please her son, the strong
Iron-hearted man-slaying Achilles
Who would not live long.
 
For you
I will be a ghetto jew
and dance
and put white stockings
on my twisted limbs
and poison wells
across the town
For you
I will be an apostate jew
and tell the Spanish priest
of the blood vow
in the Talmud
and where the bones
of the child are hid
For you
I will be a banker jew
and bring to ruin
a proud old hunting king
and end his line
For you
I will be a Broadway jew
and cry in theatres
for my mother
and sell bargain goods
beneath the counter
For you
I will be a doctor jew
and search
in all the garbage cans for foreskins
to sew back again
For you
I will be a Dachau jew
and lie down in lime
with twisted limbs
and bloated pain
no mind can understand
 
Pennies From Heaven by Spike Milligan

I put 10p in my Piggy Bank
To save for a rainy day.
It rained the very next morning!
Three Cheers, Hip Hip Hooray!


(for all the rainy mornings out there)
 
Crow Goes Hunting by Ted Hughes


Crow
Decided to try words.


He imagined some words for the job, a lovely pack-
Clear-eyed, resounding, well-trained,
With strong teeth.
You could not find a better bred lot.


He pointed out the hare and away went the words
Resounding.
Crow was Crow without fail, but what is a hare?


It converted itself to a concrete bunker.
The words circled protesting, resounding.


Crow turned the words into bombs-they blasted the bunker.
The bits of bunker flew up-a flock of starlings.


Crow turned the words into shotguns, they shot down the starlings.
The falling starlings turned to a cloudburst.


Crow turned the words into a reservoir, collecting the water.
The water turned into an earthquake, swallowing the reservoir.


The earthquake turned into a hare and leaped for the hill
Having eaten Crow's words.


Crow gazed after the bounding hare
Speechless with admiration.
 
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