Urban75 Home About Offline BrixtonBuzz Contact

*Poem of the day thread

"Jesu"

Jesu is in my heart, his sacred name
Is deeply carved there: but th’other week
A great affliction broke the little frame,
Ev’n all to pieces: which I went to seek:
And first I found the corner, where was J,
After, where ES, and next where U was graved,
When I had got these parcels, instantly
I sat me down to spell them, and perceived
That to my broken heart he was I ease you,
And to the whole is J E S U.

-- George Herbert
 
What if this present were the worlds last night?
Marke in my heart, O Soule, where thou dost dwell,
The picture of Christ crucified, and tell
Whether that countenance can thee affright,
Teares in his eyes quench the amasing light,
Blood fills his frownes, which from his pierc'd head fell.
And can that tongue adjudge thee unto hell,
Which pray'd forgivenesse for his foes fierce spight?
No, no; but as in my idolatrie
I said to all my profane mistresses,
Beauty, of pitty, foulnesse onely is
A signe of rigour: so I say to thee,
To wicked spirits are horrid shapes assign'd,
This beauteous forme assures a pitious minde.

-- John Donne
 
THE FATAL SISTERS - AN ODE
Thos. Gray, Esq.

Now the storm begins to lower,
(Haste, the loom of Hell prepare.)
Iron-sleet of arrowy shower
Hurtles in the darken'd air.

Glitt'ring lances are the loom,
Where the dusky warp we strain,
Weaving many a soldier's doom,
Orkney's woe, and Randver's bane.

See the grisly texture grow,
('Tis of human entrails made,)
And the weights, that play below,
Each a gasping warrior's head.

Shafts for shuttles, dipt in gore,
Shoot the trembling cords along.
Sword, that once a monarch bore,
Keep the tissue close and strong.

Mista black, terrific maid,
Sangrida, and Hilda see,
Join the wayward work to aid:
Tis the woof of victory.

Ere the ruddy sun be set,
Pikes must shiver, javelins sing,
Blade with clatt'ring buckler meet,
Hauberk crash, and helmet ring.

(Weave the crimson web of war)
Let us go, and let us fly,
Where our friends the conflict share,
Where they triumph, where they die.

As the paths of fate we tread,
Wading thro' th' ensanguin'd field:
Gondula, and Geira, spread
O'er the youthful king your shield.

We the reins to slaughter give,
Ours to kill, and ours to spare:
Spite of danger he shall live.
(Weave the crimson web of war.)

They, whom once the desert-beach
Pent within its bleak domain,
Soon their ample sway shall stretch
O'er the plenty of the plain.

Low the dauntless earl is laid
Gor'd with many a gaping wound:
Fate demands a nobler head;
Soon a king shall bite the ground.

Long his loss shall Erin weep,
Ne'er again his likeness see;
Long her strains in sorrow steep,
Strains of immortality.

Horror covers all the heath,
Clouds of carnage blot the sun.
Sisters, weave the web of death;
Sisters, cease, the work is done.

Hail the task, and hail the hands!
Songs of joy and triumph sing!
Joy to the victorious bands;
Triumph to the younger king.

Mortal, thou that hear'st the tale,
Learn the tenor of our song.
Scotland thro' each winding vale
Far and wide the notes prolong.

Sisters, hence with spurs of speed:
Each her thund'ring falchion wield;
Each bestride her sable steed.
Hurry, hurry to the field.
 
I like Marvell

To his Coy Mistress

Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down and think which way
To walk, and pass our long love's day;
Thou by the Indian Ganges' side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood;
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv'd virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave's a fine and private place,
But none I think do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may;
And now, like am'rous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapp'd power.
Let us roll all our strength, and all
Our sweetness, up into one ball;
And tear our pleasures with rough strife
Thorough the iron gates of life.
Thus, though we cannot make our sun
Stand still, yet we will make him run.
 
Ode on the Death of a Favorite Cat Drowned in a Tub of Goldfishes
Thomas Gray


'Twas on a lofty vase's side,
Where China's gayest art had dyed
The azure flowers that blow;
Demurest of the tabby kind,
The pensive Selima, reclined,
Gazed on the lake below.

Her conscious tail her joy declared;
The fair round face, the snowy beard,
The velvet of her paws,
Her coat, that with the tortoise vies,
Her ears of jet, and emerald eyes,
She saw: and purred applause.

Still had she gazed; but 'midst the tide
Two angel forms were seen to glide,
The Genii of the stream;
Their scaly armour's Tyrian hue
Thro' richest purple to the view
Betrayed a golden gleam.

The hapless nymph with wonder saw:
A whisker first and then a claw,
With many an ardent wish,
She stretched in vain to reach the prize.
What female heart can gold despise?
What cat's averse to fish?

Presumptuous maid! with looks intent
Again she stretched, again she bent,
Nor knew the gulf between.
(Malignant Fate sat by, and smiled)
The slippery verge her feet beguiled,
She tumbled headlong in.

Eight times emerging from the flood
She mewed to every watery god,
Some speedy aid to send.
No Dolphin came, no Nereid stirred;
Nor cruel Tom, nor Susan heard.
A favorite has no friend!

From hence, ye beauties, undeceived,
Know, one false step is ne'er retrieved,
And be with caution bold.
Not all that tempts your wandering eyes
And heedless hearts is lawful prize,
Nor all, that glisters, gold.
 
Turn-coat :mad:
Actually, if you look closely Pickman'sModel you will see that my poem was posted on the 19th making it the true poem of the day. Yours was too late my friend. nah nah nah na na :p
bloody computers :mad: when i posted earlier the computer i was using *then* had you down as putting up your message at fucking 2358, ie on 18/6 :mad:
 
THE POOL PLAYERS: SEVEN AT THE GOLDEN SHOVEL.

We real cool. We
Left school. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.

-- Gwendolyn Brooks
 
THE POOL PLAYERS: SEVEN AT THE GOLDEN SHOVEL.

We real cool. We
Left school. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.

-- Gwendolyn Brooks

I like. Simple, powerful.

I'll post something of Swift's cos I like his work and it is a complete opposite to the sparse simplicity of Gwendolyn.








Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
"Those secrets of the hoary deep"!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
 
To his Coy Mistress

Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv'd virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave's a fine and private place,
But none I think do there embrace.

I remember doing this at school. Bit of a charmer, ain't 'e?

Put out love, or you'll get old and no one will want you and the worms'll get your cherry.



And have I mentioned blue balls?
 
very GCSE, probably bindun many times, but I love this. By god the old man could handle a spade:cool:



Between my finger and my thumb
The squat pen rests; as snug as a gun.

Under my window a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked
Loving their cool hardness in our hands.

By God, the old man could handle a spade,
Just like his old man.

My grandfather could cut more turf in a day
Than any other man on Toner's bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, digging down and down
For the good turf. Digging.

The cold smell of potato mold, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I've no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I'll dig with it.
 
It seems that the "one poem a day" rule is more honored in the breach than the observance. I wonder if we should change it? I ask out purely out of altruism, because I have the time-zone advantage and am thus positioned to dominate this thread on my own. But I wouldn't want to do that, naturally.
 
Like a Night Club in the morning, you’re the bitter end.
Like a recently disinfected shit-house, you’re clean round the bend.
You give me the horrors
too bad to be true
All of my tomorrow’s
are lousy coz of you.
You put the Shat in Shatter
Put the Pain in Spain
Your germs are splattered about
Your face is just a stain

You’re certainly no raver, commonly known as a drag.
Do us all a favour, here... wear this polythene bag.

You’re like a dose of scabies,
I’ve got you under my skin.
You make life a fairy tale... Grimm!

People mention murder, the moment you arrive.
I’d consider killing you if I thought you were alive.
You’ve got this slippery quality,
it makes me think of phlegm,
and a dual personality
I hate both of them.

Your bad breath, vamps disease, destruction, and decay.
Please, please, please, please, take yourself away.
Like a death a birthday party,
you ruin all the fun.
Like a sucked and spat our smartie,
you’re no use to anyone.
Like the shadow of the guillotine
on a dead consumptive’s face.
Speaking as an outsider,
what do you think of the human race

You went to a progressive psychiatrist.
He recommended suicide...
before scratching your bad name off his list,
and pointing the way outside.

You hear laughter breaking through, it makes you want to fart.
You’re heading for a breakdown,
better pull yourself apart.

Your dirty name gets passed about when something goes amiss.
Your attitudes are platitudes,
just make me wanna piss.

What kind of creature bore you
Was is some kind of bat
They can’t find a good word for you,
but I can...
Twat.

:cool::cool:
 

i like that one :cool:

one from me then seen as we're flouting the one a day rule

After so long an absence
At last we meet agin:
Does the meeting give us pleasure,
Or does it give us pain?

The tree of life has been shaken,
And but few of us linger now,
Like the prophets two or three berries
In the top of the uppermost bough.

We cordially greet each other
In the old, familiar tone;
And we think, though we do not say it,
How old and gray he is grown!

We speak of a Merry Christmas
And many a Happy New Year;
But each in his heart is thinking
Of those that are not here.

We speak of friends and their fortunes,
And of what they did and said,
Till the dead alone seem living,
And the living alone seem dead.

And at last we hardly distinguish
Between the ghosts and the guests;
And a mist and shadow of sadness
Steals over our merriest jests
 
THE ONE BLACK STAIN - Robert E Howard
(Sir Thomas Doughty, executed at St. Julian's Bay, 1578)

They carried him out on the barren sand
where the rebel captains died;
Where the grim gray rotting gibbets stand
as Magellan reared them on the strand,
And the gulls that haunt the lonesome land
wail to the lonely tide.

Drake faced them all like a lion at bay,
with his lion head upflung:
"Dare ye my word of law defy,
to say this traitor shall not die?"
And his captains dared not meet his eye
but each man held his tongue.

Solomon Kane stood forth alone,
grim man of sober face:
"Worthy of death he may well be,
but the trial ye held was mockery,
"Ye hid your spite in a travesty
where justice hid her face.

"More of the man had ye been, on deck
your sword to cleanly draw
"In forthright fury from its sheath
and openly cleave him to the teeth --
"Rather than slink and hide beneath
a hollow word of the law."

Hell rose in the eyes of Francis Drake.
"Puritan knave!" swore he.
"Headsman! Give him the axe instead!
He shall strike off yon traitor's head!"
Solomon folded his arms and said,
darkly and somberly:

"I am no slave for your butcher's work."
"Bind him with triple strands!"
Drake roared and the men obeyed,
Hesitantly, as if afraid,
But Kane moved not as they took his blade
and pinioned his iron hands.

They bent the doomed man over to his knees,
the man who was to die;
They saw his lips in a strange smile bend,
one last long look they saw him send,
At Drake his judge and his one time friend
who dared not meet his eye.

The axe flashed silver in the sun,
a red arch slashed the sand;
A voice cried out as the head fell clear,
and the watchers flinched in sudden fear,
Though 'twas but a sea bird wheeling near
above the lonely strand.

"This be every traitor's end!"
Drake cried, and yet again.
Slowly his captains turned and went
and the admiral's stare was elsewhere bent
Than where the cold scorn with anger blent
in the eyes of Solomon Kane.

Night fell on the crawling waves;
the admiral's door was closed;
Solomon lay in the stenching hold;
his irons clashed as the ship rolled.
And his guard, grown weary and overbold,
lay down his pipe and dozed.

He woke with a hand at his corded throat
that gripped him like a vise;
Trembling he yielded up the key,
and the somber Puritan stood free,
His cold eyes gleaming murderously
with the wrath that is slow to rise.

Unseen, to the admiral's door,
went Solomon Kane from the guard,
Through the night and silence of the ship,
the guard's keen dagger in his grip;
No man of the dull crew saw him slip
through the door unbarred.

Drake at the table sat alone,
his face sunk in his hands;
He looked up, as from sleeping --
but his eyes were blank with weeping
As if he saw not, creeping,
death's swiftly flowing sands.

He reached no hand for gun or blade
to halt the hand of Kane,
Nor even seemed to hear or see,
lost in black mists of memory,
Love turned to hate and treachery,
and bitter, cankering pain.

A moment Solomon Kane stood there,
the dagger poised before,
As a condor stoops above a bird,
and Francis Drake spoke not nor stirred
And Kane went forth without a word
and closed the cabin door.
 
THE RAVEN
Edgar Allen Poe

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'

Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!'
This I whispered, and an echo murmured back the word, `Lenore!'
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,' said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, `Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning - little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptured bust above his chamber door,
With such name as `Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered - not a feather then he fluttered -
Till I scarcely more than muttered `Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, `Nevermore.'

Startled at the stillness broken by reply so aptly spoken,
`Doubtless,' said I, `what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of "Never-nevermore."'

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking `Nevermore.'

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
`Wretch,' I cried, `thy God hath lent thee - by these angels he has sent thee
Respite - respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil! -
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted - tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!'
Quoth the raven, `Nevermore.'

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore -
Clasp a rare and radiant maiden, whom the angels named Lenore?'
Quoth the raven, `Nevermore.'

`Be that word our sign of parting, bird or fiend!' I shrieked upstarting -
`Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! - quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!'
Quoth the raven, `Nevermore.'

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!
 
"The Vulture"

Once upon a midnight chilling, as I held my feet unwilling
O'er a tub of scalding water, at a heat of ninety-four;
Nervously a toe in dipping, dripping, slipping, then out-skipping,
Suddenly there came a ripping whipping, at my chamber's door.
"'Tis the second-floor," I muttered, "flipping at my chamber's door--
Wants a light--and nothing more!"

Ah! distinctly I remember, it was in the chill November,
And each cuticle and member was with influenza sore;
Falt'ringly I stirred the gruel, steaming, creaming o'er the fuel,
And anon removed the jewel that each frosted nostril bore,
Wiped away the trembling jewel that each reddened nostril bore,
Nameless here for evermore!

And I recollect a certain draught that fanned the window curtain
Chilled me, filled me with a horror of two steps across the floor,
And, besides, I'd got my feet in, and a most refreshing heat in,
To myself I sat repeating--"If I answer to the door--
Rise to let the ruffian in who seems to want to burst the door,
I'll be [damned]" that and something more.

Presently the row grew stronger; hesitating then no longer,
"Really, Mr. Johnson, blow it!--your forgiveness I implore
Such an observation letting slip, but when a man's just getting
Into bed, you come upsetting nerves and posts of chambers' door,
Making such a row, forgetting"--Spoke a voice beyond the door:
'It isn't Johnson"--nothing more!

Quick a perspiration clammy bathed me, and I uttered "Dammy!"
(Observation wrested from me, like the one I made before)
Back upon the cushions sinking, hopelessly my eyes, like winking,
On some stout for private drinking, ranged in rows upon the floor,
Fixed--and on an oyster barrel (full) beside them on the floor,
Looked and groaned, and nothing more.

Open then was flung the portal, and in stepped a hated mortal,
By the moderns called a VULTURE (known as Sponge in days of yore),
Well I knew his reputation! cause of all my agitation-
Scarce a nod or salutation changed, he pounced upon the floor;
Coolly lifted up the oysters and some stout from off the floor,
Helped himself, and took some more!

Then this hungry beast untiring fixed his gaze with fond admiring
On a piece of cold boiled beef I meant to last a week or more,
Quick he set to work devouring--plates, in quick succession, scouring--
Stout with every mouthful showering--made me ask, to see it pour,
'If he quite enjoyed his supper, as I watched the liquid pour;
Said the Vulture, "Never more."

Much disgusted at the spacious vacuum by this brute voracious
Excavated in the beef--(he'd eaten quite enough for four)--
Still I felt relief surprising when at length I saw him rising,
That he meant to go surmising, said I, glancing at the door--
"Going? well, I won't detain you--mind the stairs and shut the door--"
--"Leave you, Tompkins! never more."

Startled by an answer dropping hints that he intended stopping
All his life--I knew him equal to it if he liked, or more--
Half in dismal earnest, half in joke, with an attempt at laughing,
I remarked that he was chaffing, and demanded of the bore,
Asked what this disgusting, nasty, greedy, vile intrusive bore,
Meant in cloaking "Never more."

But the Vulture not replying, took my bunch of keys and trying
Sev'ral, found at length the one to fit my private cupboard door;
Took the gin out, filled the kettle; and with a sang froid to nettle
Any saint, began to settle calmly down the grate before,
Really as he meant departing at the date I named before,
Of never, never more!

Then I sat engaged in guessing what this circumstance distressing
Would be likely to result in, for I knew that long before
Once (it served me right for drinking) I had told him that if sinking
In the world, my fortunes linking to his own, he'd find my door
Always open to receive him, and it struck me now that door
He would pass, perhaps never more!

Suddenly the air was clouded, all the furniture enshrouded
With the smoke of vile tobacco--this was worse than all before;
"Smith!" I cried (in not offensive tones, it might have been expensive,
For he knew the art defensive, and could coster-mongers floor);
"Recollect it's after midnight, are you going?--mind the floor."
Quoth the Vulture, "Never more."

"Smith!" I cried (the gin was going down his throat in rivers flowing),
"If you want a bed, you know there's quite a nice
hotel next door,
Very cheap--I'm ill--and, joking set apart, your horrid smoking
Irritates my cough to choking. Having mentioned it before,
Really, you should not compel me--Will you mizzle--as before?"
Quoth the Vulture, "Never more."

Smith!" I cried, "that joke repeating merits little better treating
For you than a condemnation as a nuisance and a bore;
Drop it, pray, it isn't funny; I've to mix some rum and honey--
If you want a little money, take some and be off next door;
Run a bill up for me if you like, but do be off next door."
Quoth the Vulture, "Never more."

"Smith!" I shrieked--the accent humbler dropping, as another tumbler
I beheld him mix, "be off! you drive me mad--it's striking four.
Leave the house and something in it; if you go on at the gin, it
Won't hold out another minute. Leave the house and shut the door--
Take your beak from out my gin, and take your body through the door!
Quoth the Vulture, "Never more!"

And the Vulture never flitting, still is sitting, still is sitting,
Gulping down my stout by gallons, and my oysters by the score;
And the beast, with no more breeding than a heathen savage feeding,
The new carpet's tints unheeding, throws his shells upon the floor.
And his smoke from out my curtains, and his stains from out my floor,
Shall be sifted never more.

-- Anon
 
Can i please book a day in whicb to post my poem that i rescinded last weeK? This is getting ridiculous. (And the topicality has passed, but still...)
 
tick tock, tick tock :mad:
i tell you, some people :rolleyes:

Innit. Fuck this for a game of soldiers.

"The Ghost Of Roger Casement"

O what has made that sudden noise?
What on the threshold stands?
It never crossed the sea because
John Bull and the sea are friends;
But this is not the old sea
Nor this the old seashore.
What gave that roar of mockery,
That roar in the sea's roar?

The ghost of Roger Casement
Is beating on the door.

John Bull has stood for Parliament,
A dog must have his day,
The country thinks no end of him,
For he knows how to say,
At a beanfeast or a banquet,
That all must hang their trust
Upon the British Empire,
Upon the Church of Christ.

The ghost of Roger Casement
Is beating on the door.

John Bull has gone to India
And all must pay him heed,
For histories are there to prove
That none of another breed
Has had a like inheritance,
Or sucked such milk as he,
And there's no luck about a house
If it lack honesty.

The ghost of Roger Casement
Is beating on the door.

I poked about a village church
And found his family tomb
And copied out what I could read
In that religious gloom;
Found many a famous man there;
But fame and virtue rot.
Draw round, beloved and bitter men,
Draw round and raise a shout;

The ghost of Roger Casement
Is beating on the door.


-- WB Yeats
 
Nuns of the Perpetual Adoration
~Ernest Dowson~

Calm, sad, secure; behind high convent walls,
These watch the sacred lamp, these watch and pray:
And it is one with them when evening falls,
And one with them the cold return of day.

These heed not time; their nights and days they make
Into a long, returning rosary,
Whereon their lives are threaded for Christ's sake;
Meekness and vigilance and chastity.

A vowed patrol, in silent companies,
Life-long they keep before the living Christ.
In the dim church, their prayers and penances
Are fragrant incense to the Sacrificed.

Outside, the world is wild and passionate;
Man's weary laughter and his sick despair
Entreat at their impenetrable gate:
They heed no voices in their dream of prayer.

They saw the glory of the world displayed;
They saw the bitter of it, and the sweet;
They knew the roses of the world should fade,
And be trod under by the hurrying feet.

Therefore they rather put away desire,
And crossed their hands and came to sanctuary
And veiled their heads and put on coarse attire:
Because their comeliness was vanity.

And there they rest; they have serene insight
Of the illuminating dawn to be:
Mary's sweet Star dispels for them the night,
The proper darkness of humanity.

Calm, sad, secure; with faces worn and mild:
Surely their choice of vigil is the best?
Yea! for our roses fade, the world is wild;
But there, beside the altar, there, is rest.​
 
THE HARLOT'S HOUSE
O. Wilde

We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.

Inside, above the din and fray,
We heard the loud musicians play
The 'Treues Liebes Herz' of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,

Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
'The dead are dancing with the dead,
The dust is whirling with the dust.'

But she--she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
 
The Windhover: To Christ Our Lord

I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird -- the achieve of; the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.

Gerard Manley Hopkins
 
Back
Top Bottom