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New home for Black Cultural Archives - Raleigh Hall

The BCA now has a new staff structure in place, have reviewed
their café, shop and hires offer and introduced admissions charging for key exhibitions and events.

From the Council report. Charging for admission doesn't go well with impact on equaility. Charging will exclude section of local community.
 
Unsurprising:

Black Cultural Archives Chair on Voluntary Leave of Absence

Given the litany of complaints that have emerged since Wong's appointment was revealed, which include, but are not limited to, allegations of sexual misconduct while previously employed in Brixton, his position was untenable.
You CAN NOT post up such allegations here and not provide supporting evidence when asked to do so as it puts the entire site at risk of legal action.
 
Despite its serious error of judgement in the appointment of Amsel Wong as Chairman, it it good to hear that the Black Cultural Archives has now resigned from its position on the government working party on the Windrush scandal over the farcical report of the 'Commission on Race and Ethnic Disparities'.

The Black Cultural Archives full statement on the farcical report covers several issues with the report including the minimisation of the ongoing effects of the transatlantic slave 'trade', the importance of independent research, historical context and the findings of Wendy Williams' 2020 report on the Windrush Scandal:

Black Cultural Archives: response to the March 2021 Commission on Race and Ethnic Disparities report
 
Usually, I love saying I told you so. I mean really love it. But not this time.

My prediction in 2018:
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Yes, and that's what I speculate may happen at BCA.

Here are the current opening times:

BCA
Monday Closed
Tuesday 10:00 – 18:00
Wednesday 10:00 – 18:00
Thursday 10:00 – 18:00*
Friday 10:00 – 18:00
Saturday 10:00 – 18:00
Sunday Closed
*Open until 19:00 every second Thursday of the month.

Reading Room
Monday Closed
Tuesday Closed
Wednesday 10:00 – 16:00
Thursday 10:00 – 16:00*
Friday 10:00 – 16:00
Saturday Closed
Sunday Closed


It's only too easy to imagine them adopting the Reading Room times for the whole building



And the current situation
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Monday CLOSED
Tuesday CLOSED
Wednesday CLOSED
Thursday 11:30 - 17:00
Friday 11:30 - 17:00
Saturday 11:30 - 17:00
Sunday CLOSED

Reading Room
Monday CLOSED
Tuesday CLOSED
Wednesday CLOSED
Thursday 12:30 - 16.30
Friday 12:30 - 16.30
Saturday 12:30 - 16.30
Sunday CLOSED

===========================================================================
40 hours per week down to 16. I hate to see this slow death of the BCA.
 
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I don't know. BCA was just plain closed during the worst of the pandemic. And this survey suggests that the new opening hours are perduring (BCA says "future opening hours"):

Yes but as an archive it has fixed running costs (the building, the contents etc) which they could have claimed emergency funds for from heritage lottery etc.

I guess part of the complication is that it’s an archive and not an exhibition space - the archive being harder to raise funds for esp post covid.

Most funders carried on funding organisations they were already working with -and weren’t taking applications for money from anyone else so bca had a smaller pool of options.

The change in leadership can’t be helping, but hopefully the new ones will deliver when recruited.
 
Yes but as an archive it has fixed running costs (the building, the contents etc) which they could have claimed emergency funds for from heritage lottery etc.

I guess part of the complication is that it’s an archive and not an exhibition space - the archive being harder to raise funds for esp post covid.

Most funders carried on funding organisations they were already working with -and weren’t taking applications for money from anyone else so bca had a smaller pool of options.

The change in leadership can’t be helping, but hopefully the new ones will deliver when recruited.
I know they've had problems because of Covid but the place seems to have under-performed since it opened. They're right in the heart of Brixton and they've got a large open air courtyard that is barely used for anything.
 
I know they've had problems because of Covid but the place seems to have under-performed since it opened. They're right in the heart of Brixton and they've got a large open air courtyard that is barely used for anything.
Agreed. My local secondary school would like some educational events. Nothing even in black history months.
 
Yeah, I agree with Ed and Nagapie - their business plan doesn’t seem to include events, cafe income or outreach activities, which makes it difficult to financially sustain.

The previous approach seemed to be diaspora major gifts fundraising- which seems to be shifting slowly.
 
Unsurprising:

Black Cultural Archives Chair on Voluntary Leave of Absence

Given the litany of complaints that have emerged since Wong's appointment was revealed, which include, but are not limited to, allegations of sexual misconduct while previously employed in Brixton, his position was untenable.

Arike-OkeTN.jpg


(Source: Scottish Council on Archives)

It is time that Arike Oke also goes and makes way for fresh leadership.
 
Arike Oke has resigned

Arike Oke,
Managing Director departs
Black Cultural Archives
on 30 October.​

The board of trustees of Black Cultural Archives (BCA) has today announced that Arike Oke is to step down as Managing Director at the end of BCA's Black Futures Month in October. Arike will remain in an advisory capacity as a member of BCA’s Archives Advisory Group.

Arike’s successor Lisa Anderson will join BCA as Interim Managing Director on 6 December. Lisa is the multi-talented curator, consultant, and arts facilitator and is currently the Lead in Corporate Partnerships at the Lord Mayors Appeal. In addition, Lisa established the educational platform Black British Art and runs the Lisa Anderson Arts Consultancy.
Photo of Lisa Anderson
Arike Oke led the BCA, the home of Black British history, to new heights and established the 2030 strategy with the board, which has contributed to a year-on-year growing surplus for the charity.

During her tenure as Managing Director, Arike's highlights include:
  • Building back BCA's financial reserves, even during the pandemic period
  • Premiering Black Futures Month
  • Positioning BCA as a major voice in UK heritage and culture
  • Forging new creative and strategic partnerships
  • Creating the Masterplan to reimagine BCA's 1 Windrush Square venue
Arike says, "I am proud of the achievements of the team, our partners, and friends during my time at BCA and I look forward to joining the wider network of BCA supporters to help BCA reach even higher in the future. The BCA is now in a stronger position to fulfil its mission to preserve, document, and celebrate the histories of people of African and Caribbean descent. From working on a new Black history tube map to unveiling a new statue of Claudia Jones, BCA is likkle but tallawah! The new business plan that the staff team and board have created to underpin the 2030 strategy will see BCA thrive, with a focus on developing audiences, diversifying income and putting the heritage collections front and centre."

On behalf of the board of trustees Rukayah Sarumi says, ''Arike Oke came to BCA to reinvigorate the charity. She had a strategic vision and put in place a plan that has given BCA a strong foundation on which to build. We thank Arike for her significant leadership as we look forward to the fulfilment of BCA's mission and vision."

Lisa says, “A large part of my adult life has been dedicated to celebrating, empowering and advocating for Black arts, Black histories and work of the Black Cultural Archives in a myriad of ways. I am excited and honoured to join the BCA team at this pivotal time, as the organisation continues to grow and further establish its position as the home of Black British History. I am looking forward to bringing all of my expertise and passion for this work to this leadership position as its Interim Managing Director”
 
When the archives were first touted, the suggestion was that they would bring life and a focus to Windrush Square, but most of the time I go past, it's either closed or open but bereft of life.

Surely there is something they could do with that large courtyard to attract people/custom/income?
 
BCA opened seven years ago, late and over-budget. It's now on its third CEO, following a lacklustre Lambeth apparatchik, and then a well-qualified successor who left after 15 months, soon after a new chairman and board members were advertised for, their appointment in turn triggered by the rapid and ignominious sacking of the previous chairman. And now it's reduced to opening a few hours a week.

After all this time, I think it's reasonable to take stock of progress: 1) BCA is poorly publicised - we Urbans know about it, but I doubt it's recognised across the rest of London, b) it's not been able to raise enough money to establish a sound financial footing, relying instead on emergency handouts from Lambeth, c) the site itself could be unavoidably unsuitable, just too small to put on shows that are worth visiting, d) messages in this thread suggest that outreach is lacking - little in the way of school visits (is that right ?), e) little exploitation of the asset, e.g. cafe or courtyard, f) decay of structure, graffiti is not cleaned off the walls of the building

So, after seven years, is there any reason to expect a turnaround in BCA's fortunes ? I can't really see it, although I'm happy to be proved wrong. Rather than let a slowly dying institution stagger on into the future, perhaps it would be kinder to put it out of its misery. The archives could be entrusted to the world-class archivists at the British Library, Kew National Archives, Museum of London or similar. And the building could have a second life: perhaps a community restaurant downstairs, and offices and meeting spaces upstairs, operated by Lambeth for local groups on a non-profit basis.
 
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