linerider said:make me smile(come up and see me)-steve harley
a great song about his band splitting up
Lies. That's a cracking song.belboid said:most of the examples given just dont cut it for me - They Might Be Giants? naah man, no way!
it might well be. but it simply doesnt have the caustic nastiness or bitternes that is required for vitriol.fishfingerer said:Lies. That's a cracking song.
I believe it was actually about a stand off between Etonian toffs and comprehensive kids, with the former brandishing weapons. Although really the subject matter's immaterial - the sheer rage expounded by Weller would be enough if he was singing about forgotting to set the video for 'Desperate Housewives'.Chorlton said:eton rifles?
eton fucken rifles?
a song about losing a rugby match or something??
Yes, very vitriolic. Dylan must have been so jealous.fishfingerer said:Love Me I'm A Liberal pisses over anything Dylan ever did
Once I was young and impulsive
I wore every conceivable pin
Even went to the socialist meetings
Learned all the old union hymns
But I've grown older and wiser
And that's why I'm turning you in
So love me, love me, love me, I'm a liberal
He was actually.Donna Ferentes said:Yes, very vitriolic. Dylan must have been so jealous.
Bloodhound Gang said:...
I hope your cellmate thinks he's God,
But C.N.N. refer to him as "Bowling Ball Bag Bob",
Serving time again for abuse of a corpse,
Only this time the victim's a Clydesdale horse,
While he masturbates to photos of livestock,
He does the "Silence of the Lambs" dance to Christian Rock,
Eats feces and quotes from "Deliverance",
And fights with his imaginary playmate Vince,
...Die Die Die Die Die Die Die!,
...Die Die Die Die Die Die Die!,
I hope he grins like Jack Nicholson,
And forces you to play a game called Balls On Chin,
And whatever happens next is all a blur,
But you remember "fist" can be a verb,
And when you finally regain consciousness,
You're bound and gagged in a wedding dress,
...
yes its a very fine song. The Jello Biafra version is great.fishfingerer said:Love Me I'm A Liberal pisses over anything Dylan ever did
Once I was young and impulsive
I wore every conceivable pin
Even went to the socialist meetings
Learned all the old union hymns
But I've grown older and wiser
And that's why I'm turning you in
So love me, love me, love me, I'm a liberal
acid priest said:the sheer rage expounded by Weller
perplexis said:Despite being a fairly pants band, I always thought that The Bloodhound Gang's "I hope you die" was fairly ruthless. This portion never fails to make me go "ewww":
Quote:
Originally Posted by Bloodhound Gang
...
I hope your cellmate thinks he's God,
But C.N.N. refer to him as "Bowling Ball Bag Bob",
Serving time again for abuse of a corpse,
Only this time the victim's a Clydesdale horse,
While he masturbates to photos of livestock,
He does the "Silence of the Lambs" dance to Christian Rock,
Eats feces and quotes from "Deliverance",
And fights with his imaginary playmate Vince,
...Die Die Die Die Die Die Die!,
...Die Die Die Die Die Die Die!,
I hope he grins like Jack Nicholson,
And forces you to play a game called Balls On Chin,
And whatever happens next is all a blur,
But you remember "fist" can be a verb,
And when you finally regain consciousness,
You're bound and gagged in a wedding dress,
...
But not vitriolic.....acid priest said:And on the subject of Jello Biafra, 'Let's Lynch The Landlord' is a particularly damning indictment.
Hell yes - I was trying to remember that one.Pilgrim said:I'll go for 'Bodies' by the Sex Pistols.
Still as nasty as when I first heard it.
Why'd ya do it, she said, why'd you let that trash
Get a hold of your cock, get stoned on my hash ?
Why'd ya do it she said, why'd you let her suck your cock ?
Oh, do me a favour, don't put me in the dock.
Why'd ya do it, she said, they're mine all your tools,
You just tied me to the mast of the ship of fools.
Why'd ya do it, she said, when you know it makes me sore,
'Cause she had cobwebs up her fanny and I believe in giving to the
poor.
I don't know I mean yeah it's vitriolic but there's still I whole lot of caring and love behind it. Whereas positively 4th street is just sheer malice.Roadkill said:So far as Dylan songs go, I reckon 'Idiot Wind' is about as vitriolic as His Bobness gets - which is pretty damn vitriolic!
good calldynamicbaddog said:Without a doubt - there's no contest, the most vitriolic song ever has to be Marianne Faithful's Why D Ya Do It, the B -side of her single The Ballad Of Lucy Jordon and on the Broken English album, the most angriest song I've ever heard!
Dubversion said:They're puerile twats...
Another cruel candidate from the Dylan vaults is the officially unreleased (last time I looked) and recorded while bitter, angry and drunkRoadkill said:So far as Dylan songs go, I reckon 'Idiot Wind' is about as vitriolic as His Bobness gets - which is pretty damn vitriolic!<snip>
The pawnbroker roared
Also, so, so did the landlord
The scene was so crazy, wasn't it?
Both were so glad
To watch me destroy what I had
Pain sure brings out the best in people, doesn't it?
Why didn't you just leave me if you didn't want to stay?
Why'd you have to treat me so bad?
Did it have to be that way?
Now you stand here expectin' me to remember somethin' you forgot to say
Yes, and you, I see you're still with her, well
That's fine 'cause she's comin' on so strange, can't you tell?
Somebody had better explain
She's got her iron chain
I'd do it, but I, I just can't remember how
You talk to her
She's your lover now.
I already assumed
That we're in the felony room
But I ain't a judge, you don't have to be nice to me
But please tell that
To your friend in the cowboy hat
You know he keeps on sayin' ev'rythin' twice to me
You know I was straight with you
You know I've never tried to change you in any way
You know if you didn't want to be with me
That you could . . . didn't have to stay.
Now you stand here sayin' you forgive and forget. Honey, what can I say?
Yes, you, you just sit around and ask for ashtrays, can't you reach?
I see you kiss her on the cheek ev'rytime she gives a speech
With her picture books of the pyramid
And her postcards of Billy the Kid
(Why must everybody bow?)
You better talk to her 'bout it
You're her lover now.
Oh, ev'rybody that cares
Is goin' up the castle stairs
But I'm not up in your castle, honey
It's true, I just can't recall
San Francisco at all
I can't even remember El Paso, uh, honey
You never had to be faithful
I didn't want you to grieve
Oh, why was it so hard for you
If you didn't want to be with me, just to leave?
Now you stand here while your finger's goin' up my sleeve
An' you, just what do you do anyway? Ain't there nothin' you can say?
She'll be standin' on the bar soon
With a fish head an' a harpoon
An' a fake beard plastered on her brow
You'd better do somethin' quick
She's your lover now.
Dubversion said:what's to explain? a pair of sad bastards who rely on ever more tedious 'shock tactics' to compensate for the fact that their 'power electronics' are more than a little dated.
"ooh - i called you a cunt! let's have a stage invasion".
twats
Bloodhound Gang way underrated as far as I'm concerned, particularly in the UK.perplexis said:Despite being a fairly pants band, I always thought that The Bloodhound Gang's "I hope you die" was fairly ruthless. This portion never fails to make me go "ewww":
spartacus mills said:They've long grown out of the 'serial-killer/s&m' themed 'shock' stuff. The last two or three albums have had much more depth to the music and certainly to the lyrics.
There's alot of deliberate camp humour in their live performances too.