Urban75 Home About Offline BrixtonBuzz Contact

Megalopolis - Francis Ford Coppola

I think the second film shows this as well. He murders his own brother, he's estranged from his wife. He's already taking medication of some kind. He's destroyed the very family he was supposed to be doing it all for.
Sure, it’s a downward trajectory
 
I think the second film shows this as well. He murders his own brother, he's estranged from his wife. He's already taking medication of some kind. He's destroyed the very family he was supposed to be doing it all for.
Iirc, there were critics at the time saying that the films were a metaphor for the rise and fall of the US.
 
Iirc, there were critics at the time saying that the films were a metaphor for the rise and fall of the US.
Bunch of crooks takes over ownership of things and exploits everyone else. Bunch of crooks fall out with one another, kill each other for a bit (while continuing to exploit everyone else). And um, not sure I've even seen 3, but I presume it involves a bunch of crooks taking ownership of shit and exploiting everyone else while killing each other.

?

Maybe the critics are right. Probably not in the way they think they are right, though. And probably not at all tbh.
 
Seriously underrated film, perhaps because it shows the end of it all, which is not as exciting as the all the murders and scheming and other gangsta movie tropes established in the first two films. The Corleones are a miserable family and it was all for nothing.

Haven't seen it (or any of them) in at least 15 years. I hate GFII, it's long and miserable as fuck. At least when Joey Zasa shows up in III he livens things up.
 
On its own Godfather 3 is pretty much how everyone says it is, I think.

But if you're watching it as part of the whole trilogy it makes more sense though. I did the lot on consecutive evenings once when I was ill and I thought it rounded it all off well. The death scene is particularly bleak. On his own, hated by everyone, in contrast to Marlon Brando who literally carks it playing hide and seek with his grandson.
 
Seriously underrated film, perhaps because it shows the end of it all, which is not as exciting as the all the murders and scheming and other gangsta movie tropes established in the first two films. The Corleones are a miserable family and it was all for nothing.

Yes, it highlights all the boring, yet most destructive, elements of patriarchal toxicity. That it was never meant for Michael and yet he adapted to it so quickly is the tragic line through the story I guess. He lost himself, and so he lost everyone else too.
 
Last edited:
Looping back to the thread subject; reviews are in and it seems to be polarising critics who either love it or are meh about it.
 
An article here


Coppola doesn’t come out of it this well from the reports of his behaviour on set
It's worth reading this if you haven’t already (lots of the big 70's directors don't come out of it well but AFAIA none if them have sued him so...)

 
Haven't seen it (or any of them) in at least 15 years. I hate GFII, it's long and miserable as fuck. At least when Joey Zasa shows up in III he livens things up.

Never made it to the end of Godfather 2. I didn't know what was going on and I didn't give a shit. The first one is well made and nice to look at but completely hollow.
 
Reviews seem split around 50//50 between positive and negative. From Rolling Stone:

It’s a conceptual dream project that the filmmaker has been chasing for close to half of his life, and had he made and released this at any point in the early 21st century, it would have felt singular. In 2024, this personal, profound, perversely optimistic movie about slouching toward Utopia Now on a self-financed $120 million budget feels like a fucking unicorn.

It’s also the sort of movie that Cannes was made to premiere, showcase and give the red carpet treatment to, in that it’s the work of a genuine artist who is shooting for the moon in the most extravagant way possible. Say what you will about this grand gesture at filtering Edward Gibbon’s history lessons through a lens darkly, it is exactly the movie that Coppola set out to make — uncompromising, uniquely intellectual, unabashedly romantic (upper-case and lower-case R), broadly satirical yet remarkably sincere about wanting not just brave new worlds but better ones. Does it sometimes feel as if it’s distilling decades’ worth of book-club readings and coffee-klatch conversations into a tightly packed two hours? Yes. Was it worth the wait? Dear god, yes.


 
Trailer at the cinema tonight. Hard to know what the film will actually be like, but the world created by Coppola that we glimpse into looks immense and interesting and different. Think I am curious enough to see it.

Said it was going to be available in IMAX too. Might have to pop on a train to the nearest one.
 
This doesn’t sound good, there were earlier stories about but some more detail in the link.


Reportedly after multiple takes, Coppola announced on a microphone: “Sorry, if I come up to you and kiss you. Just know it’s solely for my pleasure.”
 
Out on Friday... seems to have a fairly wide release.... not in any of my local cinemas though, all full of star wars reruns and shaun of the dead and mean girls wtf
 
Cinemas may not have loaded their schedules just yet - maybe check again tomorrow?

I have booked for a showing on Friday night as my local place opened it for bookings a week early
 
Cinemas may not have loaded their schedules just yet - maybe check again tomorrow?

I have booked for a showing on Friday night as my local place opened it for bookings a week early
its on just not near me...well not that far away but thing is ive got a voucher for vue and that means croydon or north london... <<<too much information!
 
I’ve booked for the IMAX in Plymouth.

So I can be extra disappointed on a super big screen.
 
Kermode destroys it here
I'm sensing he want to be so brutal on it because Coppola is so esteemed.

I don't think Kermode does that generally. I think once he's got it in for someone then he's got it in for them forever, but I don't think he goes looking to bring down directors just because of big reputations.
 
Back
Top Bottom