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Martin Scorsese’s The Irishman to premiere at New York film festival

Watched about an hour of it so far. Can't get my head around the constant switching backward and forward in time but with really fucking old actors, de niro sat with his young wife and children when he looks about 75, people calling him kid, it's just weird.

Probably will watch rest but so far it's not looking like a classic. It's a bit like a film made by AI that has only every been shown Scorsese films
Doesn't really work, does it, the de-aging. In particular with de Niro as we know exactly what he looked like at that age, which was nothing like that.

I didn't mind it though, really - it gives the thing the quality of being the story as told by the very old man, putting himself in the story but still from his old man's perspective - and the whole film is very much from his perspective, nobody else's, so the incongruity does accentuate that aspect. That's my rationalisation of it anyway.

tbh it's the least of the film's problems. Your last sentence is spot on.
 
I saw it on the big screen, but it turned out to be a Diddy screen with 30 seats. :mad:
It's still on Curzon screens in London this week, so I'm going again.

It was impressive in so many ways. I didn't notice the faces and bodies not quite synching, didn't focus on the editing or dreadful costumes - de Niro's shirts were classics. It was a very short 3 hours. There's loads to take in. The JFK stuff ... ... to them it's a fact.

Al Pacino's opening scenes were dazzling. :eek:
 
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third bit:
- the meeting in east harlem is at the clubhouse of "fat" tony salerno, cigar-masticating front boss for vincent "the chin" gigante, "the oddfather"
- movie still dragging, which is weird to say, as the performances are excellent
- big ears's ears really aren't that big. (i can attest)
- that clip of john dean's wife is hilarious
 
Finished it.

I started thinking it was beautiful, very well acted yada yada.

It is far, far too long. Probably, as has been said, the last gangster film (of this type/era), and there is almost no depth of character...the under-used Anna Paquin out-facial-expressioned everyone. I only say she's under-used because I was just looking for something compelling....beauty is only skin deep and this film is only beautiful.
 
Treated myself to a sofa in an Everyman cinema for this and I'm so glad I did. I thought it was a superb film on so many levels, sure it outstayed its welcome by about 15 minutes or so but the style of the film and the performances, particularly by Pesci and Pacino, were fantastic. Just a great example of a compelling story really well told on the big screen. I'm glad I saw it at the cinema and those three actors together on the silver screen for the last time. It should've had a longer run in cinemas but I guess we should get used to this in future with the way these sorts of films are being funded now.
 
Haven’t finished it yet (good so far). One thing I’ve noticed is what an over actor Pacino is compared to the other two. And I’m thinking Scorsese probably had to get him to dial it back in a bit also. Great actor don’t get me wrong but he’s definitely a bit Brian Blessed at times.
 
I think I didn't enjoy it because I'm fed up of films that are all about of bunch of men being "tough guys". I'm bored of those specific gangster characters and that specific group of actors playing those characters.

Goodfellas was for many years my favourite film and is still up there with my favourites. It's superb. I've just seen it quite a few times now.
 
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^ kinda this, somewhat for this movie (I don't feel any great particular urge to see it now) but it's also mainly why I haven't bothered to watch The Wolf of Wall Street either, seen my fill of those type of movies too… though I will say with the caveat that I'm the laziest person who, on the rare moment I have the time to veg out and watch something on the telly, if either of these two came on, I wouldn't change the channel and would most likely see them out until the bitter end even on a school night! :eek:
 
Are you not entertained?

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Anyway, this is the young De Niro, in Taxi Driver (a film I still haven't seen the whole way through):

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Surely at this point the technology would exist to use his face as it is in this sort of thing?
 
I'm not sure the message of The Irishman is wouldn't you want to be him lads. In the end, it's surely about how self destructive such a life is?
 
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