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Classical music...

Still watching the Proms from earlier, I absolutely adore this cellist - rather than wearing the usual orchestral formal black tie he's sat there in this gorgeous embroidered shirt and bright yellow socks and playing his cello so beautifully that it almost makes you fucking cry and it's fantastic.

(Just to add, there is a bit of history for me in terms of involvement in stuff like choral societies, orchestras etc. in terms of dress code - which if you grow up in a working class background where people don't typically have a formal gown or dinner suits, it can exclude you from participating - we had a fight on our hands to be able to be included in local competitions when I was growing up, purely due to exclusionary dress codes - we did get those dress codes changed, but it was a difficult fight - and just to put it into context, we are talking about village choral societies here - so seeing someone just busting all that wide open and performing like a god in a classical orchestral/choral setting and not dressed like a penguin still fucking thrills me to the core of my being. Just to give a little bit of context to why his shirt and socks gave me so much pleasure).
 
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It's not better than Satie, I fucking love Satie. Also Satie is only classical if you define classical music as something instrumental that happened before the pop charts, it's modern. As is Eno.
Yes, Satie saw his music exactly as ambient composers do. Eno is the perfect example: “Music For Airports” is what Satie would have called his music if there had been airport lounges at the time.
 
Better late than never - I was busy having some sort of breakdown/meltdown earlier so missed it live, but just catching up on last night of the proms on iplayer.
This cellist, Sheku Kanneh-Mason, is fucking divine.
I don't always watch the whole way through because I can't stand the patriotic flag waving shite of the late evening bit, but they do often have some brilliant musicians on and this one is worth watching/listening to.
He was promming in the arena at the Chineke prom with some mates.

Haven't seen the Last Night on TV yet.
I couldn't work out why Sheku had to start the 2nd half on a platform in the middle of the audience - for a mere 2 or 3 minutes.
Seemed to make Marin Alsop's job rather more difficult - she had to keep looking round.
Then of course Sheku had to get up and make his way to the main stage.
Maybe this is explained on TV - must watch and see.
I thought the Villa Lobos Bachianas Brasilieras was fantastic by the way.

Made everyone wear light bands round their wrist for the last night this year - then had the job of trying to collect them back at the end.
Waving lights must in a darkened auditorium must de rigueur for 2023.
It happened in the Portuguese Fado concert and Anna Lapwood's plus Lata Mangeshka of course. (I mentioned this before)
Anna Lapwood (organ)

Organist Anna Lapwood
 
I've been enjoying this series of performances with written commentary of the first three gnossiennes. Love them to bits but I do find most of Satie's music disappointing on a deep dive.






 
I mean I don't make these definitions up, and I certainly can't be arsed to have a debate about it, so that's my last word on it - take it or leave it. I have more important stuff to worry about today 🤷‍♂️
 
I wasn't wanting a debate and was pulling your leg. I mentioned Sartie in the spirit of the the thread but you decided to argue with me about it and are now unhappy about arguing about it.
 
If you don't like arguing you could have just left it? IDK.

I actually don't understand what is going on here or what the point of this dig is :confused:
You're bringing up a post I made a day ago and claiming that I wanted to continue arguing about it? OK, you loon :D
 
I actually don't understand what is going on here or what the point of this dig is :confused:
You're bringing up a post I made a day ago and claiming that I wanted to continue arguing about it? OK. you loon :D
You wanted to pull me up on a pedantic point about classical music and then said you don't like arguing? :D
I think Sartie belongs here. So what?
 
Fuckit, you're going on ignore again, can't be doing with this.
I think it's clear I am not the one being argumentative here, but whatever :rolleyes:
 
I've been enjoying this series of performances with written commentary of the first three gnossiennes. Love them to bits but I do find most of Satie's music disappointing on a deep dive.







Have you come across this? I like Satie's piano music very much - and I once saw the ballet music for Parade at the QEH conducted by Marin Alsop (who did last night of the Proms this year).
"Satie's score for the surrealist ballet Parade, with its percussion section of typewriter and pistol, came over vividly" LPO/Alsop, Queen Elizabeth Hall, London
Parade is here in a student performance from Ukraine 7 years ago. The typewriter is visibly being played - but not too loud.

There is a 1971 LP recording which has the QE2's fog horn in it (which I have)
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I wasn't sure what you meant by Satie's music being disappointing for you on a "deep dive".
Like Dr Johnson I would say that a man who is tired of London is tired of life! [other sexes are available].
 
Ignore the clickbait title of this video...

This....Alexey Mikhailov and Glinka choir-piece: Sviridov: Pushkin's Garland, No. 7: Reveille...is beautiful. I got such a surprise when the soloist started to sing. It actually affected me...brought me to tears





Eta..person with camera should have been towed away...
 
My choir's 50th anniversary concert, with some real crackers. Plus me singing the aria 'Tecum Principium' in the Dixit Dominus - in the middle of That London this time,

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My choir's 50th anniversary concert, with some real crackers. Plus me singing the aria 'Tecum Principium' in the Dixit Dominus - in the middle of That London this time,

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That souunds good. In Streatham there is a rival econo offering (though possibly longer concert)
That will be with piano and harmonium - the original version.
 
I got notification of this event, but didn't attend for reasons kenny g might undertand
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However the idea of a Mahler symphony in a small Unitarian chapel intrigued me. Turns out this was a chamber version produced by Klaus Simon, a German arranger and pianist. He seems to have lots of these reductions: Mahler symphonies 1, 9, Das Lied von der Erde.
Here is the 4th symphony as it may have been as Brixton Unitarian Church last Sunday
 
Super nostalgic programming tonight on BBC Four TV.
Neville Marriner and the Academy of St Martins in the Field doing Mendelssohn's Italian Symphony Proms 1983 - audience looking unusually well behaved

Next up - Schubert's 10th Symphony (never heard of that one)
 
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