Never been convinced by pro graffitti arguments. Its one mans need to express himself vs one mans Sunday morning spent scrubbing it off. Ideally tags it'd be done on gment buildings a d huge life controlling cooperations, rather than doris's front wall.
Which is why I make a distinction between street art and tagging.
In New York a lot of tagging was of government owned things like the subway trains. Used to drive the authorities mad.
I notice in Brixton most of the tagging is of pretty dull buildings like above the underground station.
Street art often fails when authorities try to get in on act. As the infamous "Be Our Guest" on the railway bridge above Brixton road / Atlantic road junction.
Councils have different ways of dealing with it. In Westminster its zero tolerance. ie the Banksy one in Newman street.
Some Councils take the view of the hard line New York mayor and police. Who saw any form of "graffiti" as low level "crime" that if overlooked would bring on more major crimes. A contentious position I disagree with.
Over in Shoreditch "graffiti" or street art has been tolerated. But Shoreditch is now being transformed with expensive flats so wonder how long that will last.
One of the issues that street art/ tagging brings up is who the city is for.One view is that Cities were regarded as places that were anarchic and creative unlike being out in the sticks. The problem is that this can be incorporated in capitalism. ie this "creativity" is what makes Capitalism a dynamic system that leads to economic growth which trickles down to benefit all. "Doris" however ends up with her Council flat being regenerated and her moved on, her local service being cut.
In Shoreditch this is is ending up with hip entrepreneurs. Like the guy who writes for Evening Standard, Rohan Silva, and owns
"Second Home"- off Brick Lane in Hanbury street. The new trendy Capitalism of networking. Socially liberal but when one sees Second Home I think its not for me or people I know. Its my problem with Pop. Its not the answer and it leaves the bread and butter issues of "Doris" sidelined. Even though they are in the end the real issues for the working class now and for Doris children.
So I am in mixed minds about this.