Don't encourage them FFSI wish they'd do a prequel to Bladerunner
Don't encourage them FFSI wish they'd do a prequel to Bladerunner
I wish they'd do a prequel to Bladerunner - I reckon the story about how the replicants made it back to earth would make a great story. Trouble is how could you replace Rutger Hauer as Batty?
There isI wish they'd do a prequel to Bladerunner - I reckon the story about how the replicants made it back to earth would make a great story. Trouble is how could you replace Rutger Hauer as Batty?
There is
Kinda. Soldier starring Kurt Russel. Check it out.
It's worth a watch. No-one's forcing you thoughWhoa! that says sequel, I said prequel...
The whole film is suffused with the alienation, dislocation and loss of identity in a megacity. At the time perhaps playing on fears of over population, now it may pull more to fears of multiculturalism. The crowds, masses of languages and alieness of it all while the white, clean upper layers were riddled with nostalgia for the 50s, in part set by the film noir lighting and tone. Deckards journey from a alienated soul in the swarm of humanity to a plot resolution of him finding a place where he belonged even if it was one soon to be dead android worked. Well in my daft opinion.
I watched it first on the big screen then again on a flight last week. I think I'm beginning to understand it now. Possibly due to being focused on a tiny screen, listening with earplugs. I've probably got half of it wrong though.I watched the film for the first time last night and this was exactly what it might made feel. You've actually captured it beautifully and your point about the nostalgia for the 1950's didn't occur to me at the time but is spot on.
The endless rain/snow/winter, the grey murk, the empty commodification of sex and love, the sense of anomie was overwhelming and very very sad. It was like Mark Fisher's idea of an endless nostalgia for lost futures set to film and music. I thought it was absolutely breathtaking. I've never seen aything quite like it on the TV.
I'm not sure I understand loads of the film - is so and so a human etc - and I'm not too interested either because the post industrial city is haunting me and makes me want to the film again and again. The lingering shots of cars flying over LA are unforgettable. The broken rements of Las Vegas, the development of San Diego into a tip/wasteland superbly realised.
The Mockingbird in Brum shows this on the big screen periodically and I am going the next time becuase I want to see it in the dark on a massive screen.
Its is very long , dont know if it would stand by itself if it wasnt a sequel tbh. I half liked it half tolerated it but was glad i watched it otherwise it would have been on an endless to do list.Just watched tonight. Can't remember the last film I saw that was so overlong and uninvolving, but I always thought the original was overrated too.
Its is very long , dont know if it would stand by itself if it wasnt a sequel tbh. I half liked it half tolerated it but was glad i watched it otherwise it would have been on an endless to do list.
I liked it a lot better on a second watch. First time round my expectations may have been too high as I love the original. It’s not as good as Blade Runner. Unlike that film, which felt rooted in the central question of what makes us human, 2049 feels like it’s just telling another story in that universe. There are dystopian cliches which aren’t properly explored, like the replicant resistance. Rachael gets brought back only to immediately be discarded, no more than a callback. But with my expectations adjusted I found a lot to enjoy in what is an unusually ambitious film for a big, modern blockbuster. Certainly a more worthwhile extension of that universe than the mess Ridley Scott made with his return to the Alien universe.
I liked it a lot better on a second watch. First time round my expectations may have been too high as I love the original. It’s not as good as Blade Runner. Unlike that film, which felt rooted in the central question of what makes us human, 2049 feels like it’s just telling another story in that universe. There are dystopian cliches which aren’t properly explored, like the replicant resistance. Rachael gets brought back only to immediately be discarded, no more than a callback. But with my expectations adjusted I found a lot to enjoy in what is an unusually ambitious film for a big, modern blockbuster. Certainly a more worthwhile extension of that universe than the mess Ridley Scott made with his return to the Alien universe.
It's a relief to get a good Bladerunner one, that's for sure.I watched it just now. gutted I didn't see it on a big screen. It's a really good movie, great plot, good acting - they're meant to be stilted, they're robots. Proper sci-fi. It's a good exploration of virtualisation and the realities we construct. Re-makes or Re-boots are often shit, it's a relief to get one that's good.
I liked it a lot better on a second watch. First time round my expectations may have been too high as I love the original. It’s not as good as Blade Runner. Unlike that film, which felt rooted in the central question of what makes us human, 2049 feels like it’s just telling another story in that universe. There are dystopian cliches which aren’t properly explored, like the replicant resistance. Rachael gets brought back only to immediately be discarded, no more than a callback. But with my expectations adjusted I found a lot to enjoy in what is an unusually ambitious film for a big, modern blockbuster. Certainly a more worthwhile extension of that universe than the mess Ridley Scott made with his return to the Alien universe.
The misogyny and commodification of women is still there but (along with the environmental ruin) it kind of fits into the world we live in right now.
Surely the exploitation angle is completely conscious choice though...? Men, women, children, the entire biosphere it seems, have already been sold and fucked thrice over in this universe - I figured, just like the Vegas sex-scape, that wholesale capitalisation of absolutely anything and everything was just de rigeur here.. humans are drowning in the waste of their own excesses, and everyday misogyny was a very convenient and socially relevant short-cut to that.
In itself it just seems like a logical extrapolation of the first film to me, rather than merely a topical thing. But on a similar note I'd liked to have seen more on what made Mackenzie Davis' prostitute engage with the resistance than I would see Gosling's fake girlfriend not really engage with anything.