Orang Utan
Psychick Worrier Ov Geyoor
Shallow is a terrible dirge. Kendrick shoulda wonBest film should have been Roma, Green Book was just too light.
At least Black Panther got a few and Shallow won.
Shallow is a terrible dirge. Kendrick shoulda wonBest film should have been Roma, Green Book was just too light.
At least Black Panther got a few and Shallow won.
Oh fuck off. It's a widely held opinion that Green Book was a terrible choice, I didn't need to plagiarise the LA Times.I was being a bit crudely facetious for the night that was in it but Cleo is meant to be the film's protagonist yet she is given nothing to say and we learn nothing about her life, family or wider community. She's an infantilised stereotype who's there to mirror the innocence of Cuaron's childhood rather than being say the embodiment of a layer of social hierarchy. We're supposed to believe that she's disinterested in her grandmother's land conflict and entirely ignorant of the political background of the massacre. At worst she's a loveable ignoramus and there's no suggestion that she can be anything else. Two hours of paternalistic middle class conscience salving that tbf is still miles better than A Star Is Born. Ultimately Cuaron is more interested in displaying era appropriate brands of biscuits and milk and stylistic boxticking than people. I didn't like Children Of Men for some of the same reasons.
Yes Reno. Obviously. This illustrates perfectly why I don't care what you think about fillums or what you find useful. On top of giveaways like this and your usual 'I have a projector you know' 10th rate guff, you claimed that Revenge was top 10 material. It was an exploitative rapey dreckfest fantasy for teenage boys and claphappy liberals who believe that supermodel teenagers running about in their smalls is #metoo vanguardism. It's ok to disagree and like shit fillums for particular details but this exposed you as a laughably pretentious eejit I'm afraid.
As plagiarised from the LA Times.
Oscars 2019: ‘Green Book’ is the worst best picture winner since ‘Crash’
I thought the performance spoke more of alienation and trauma than some sort of wide-eyed innocence tbh.I was being a bit crudely facetious for the night that was in it but Cleo is meant to be the film's protagonist yet she is given nothing to say and we learn nothing about her life, family or wider community. She's an infantilised stereotype who's there to mirror the innocence of Cuaron's childhood rather than being say the embodiment of a layer of social hierarchy. We're supposed to believe that she's disinterested in her grandmother's land conflict and entirely ignorant of the political background of the massacre. At worst she's a loveable ignoramus and there's no suggestion that she can be anything else.
Me too.I thought the performance spoke more of alienation and trauma than some sort of wide-eyed innocence tbh.
I think in the case of Leave No Trace it was mostly improvised.Beale Street is like that too. I would like to see how these scripts read.
I read that there was a longer script but Foster and Granik worked to cut out about 40% of it, removing much of the expositionI think in the case of Leave No Trace it was mostly improvised.
I've always wondered what kind of twat takes neckbeard central Rotten Tomatoes seriously. Its 'top 100 fillums of all time' features a total of 6 non English language titles. Baby Driver is at number 30. I'm not sure how citing scores from there supports your argument. It does however confirm my view that you're a spoofer.You are also in a distinct minority in your opinion on Revenge, so don’t try use me liking the film from disqualifying my opinions on film in general.
Revenge (2018)
lol.Where's Shawshank Redemption? Ridiculous.
I've always wondered what kind of twat takes neckbeard central Rotten Tomatoes seriously. Its 'top 100 fillums of all time' features a total of 6 non English language titles. Baby Driver is at number 30. I'm not sure how citing scores from there supports your argument. It does however confirm my view that you're a spoofer.
Top 100 Movies of All Time - Rotten Tomatoes
Where's Shawshank Redemption? Ridiculous.
Here's the script for If Beale Street Could Talk:Beale Street is like that too. I would like to see how these scripts read.
That's number one on imdb, thus proving they don't know shit eitherI've always wondered what kind of twat takes neckbeard central Rotten Tomatoes seriously. Its 'top 100 fillums of all time' features a total of 6 non English language titles. Baby Driver is at number 30. I'm not sure how citing scores from there supports your argument. It does however confirm my view that you're a spoofer.
Top 100 Movies of All Time - Rotten Tomatoes
Where's Shawshank Redemption? Ridiculous.
That's number one on imdb, thus proving they don't know shit either
Where's anything last century? Few and far between...WHERE'S SHAWSHANK REDEMPTION??
It's a review aggregator, so it mostly features films which have been released since the site was launched - old films don't get reviewed so much. Presume the films which feature in the top 100 from before 2009 must have had theatrical re-issues in the last decade.Where's anything last century? Few and far between...
WHERE'S SHAWSHANK REDEMPTION??
Rotten tomatoes is interesting to look at to note the disparity between the reviewers and the paying cinema goers on certain films;It's a review aggregator, so it mostly features films which have been released since the site was launched - old films don't get reviewed so much. Presume the films which feature in the top 100 from before 2009 must have had theatrical re-issues in the last decade.
I find rotten tomatoes pretty useful for hollywood films, less so for british films which all get a high score because they only get reviewed by the british press and the british press review british films... generously.
That's right, I only like edgy things.Let me guess, not edgy enough for you?
Nah...it's more about existence being a shared experience of loneliness.I was being a bit crudely facetious for the night that was in it but Cleo is meant to be the film's protagonist yet she is given nothing to say and we learn nothing about her life, family or wider community. She's an infantilised stereotype who's there to mirror the innocence of Cuaron's childhood rather than being say the embodiment of a layer of social hierarchy....
Hard to begrudge Olivia Coleman winning anything really.