littlebabyjesus
one of Maxwell's demons
This has been done before, of course, but not for a while I think.
Not necessarily your top 10 films, but films you'd recommend perhaps to a younger person who may not have seen them. Maybe a bit obscure, maybe just old. Maybe not even 10.
Mine:
Werckmeister Harmonies
Bela Tarr's best film imo, and probably his most accessible. Bleak and poetic. You'll be hooked by the end of the opening scene.
Memories of Underdevelopment
Tomás Gutiérrez Alea was always given some leeway to criticise the Cuban Revolution from within, but this is still quite startlingly honest as we follow a well-to-do man whose family have left but who doesn't quite belong in the new society either.
Seconds
Rock Hudson (yes, Rock Hudson!) stars in John Frankenheimer's story of a man who gets a new body and a new life. The. Best. Ending. Ever.
Touch of Evil
Orson Welles at his best. Menacing and sleazy. Charlton Heston as the most unlikely Mexican detective ever. Not a casting that would happen today.
Army of Shadows
Jean-Pierre Melville's film about the French resistance pulls no punches. Brutal stuff. Possibly underrated because they are De Gaullists? Deserves a better reputation.
Onibaba
The Samurai weren't all that.
Night of the Hunter
A more obvious one. The best use of b/w film ever. (Third Man fans may disagree.) Charles Laughton's sole venture into directing.
Harold and Maud
Comparative light relief from most of the above, and my first film in colour.
M
Back to the grimstone for Fritz Lang's classic. The trial scene has never been bettered.
O Lucky Man!
Lindsay Anderson's film is long and uneven and has aged badly. It features a blacked-up Arthur Lowe, which is shall we say a misjudgement, even if you can see the logic. But it's a glorious ride.
Looking at that, it's all male directors and two inappropriate castings! Hey ho.
Not necessarily your top 10 films, but films you'd recommend perhaps to a younger person who may not have seen them. Maybe a bit obscure, maybe just old. Maybe not even 10.
Mine:
Werckmeister Harmonies
Bela Tarr's best film imo, and probably his most accessible. Bleak and poetic. You'll be hooked by the end of the opening scene.
Memories of Underdevelopment
Tomás Gutiérrez Alea was always given some leeway to criticise the Cuban Revolution from within, but this is still quite startlingly honest as we follow a well-to-do man whose family have left but who doesn't quite belong in the new society either.
Seconds
Rock Hudson (yes, Rock Hudson!) stars in John Frankenheimer's story of a man who gets a new body and a new life. The. Best. Ending. Ever.
Touch of Evil
Orson Welles at his best. Menacing and sleazy. Charlton Heston as the most unlikely Mexican detective ever. Not a casting that would happen today.
Army of Shadows
Jean-Pierre Melville's film about the French resistance pulls no punches. Brutal stuff. Possibly underrated because they are De Gaullists? Deserves a better reputation.
Onibaba
The Samurai weren't all that.
Night of the Hunter
A more obvious one. The best use of b/w film ever. (Third Man fans may disagree.) Charles Laughton's sole venture into directing.
Harold and Maud
Comparative light relief from most of the above, and my first film in colour.
M
Back to the grimstone for Fritz Lang's classic. The trial scene has never been bettered.
O Lucky Man!
Lindsay Anderson's film is long and uneven and has aged badly. It features a blacked-up Arthur Lowe, which is shall we say a misjudgement, even if you can see the logic. But it's a glorious ride.
Looking at that, it's all male directors and two inappropriate castings! Hey ho.