Finished up Rossellini's war trilogy with Paisà (1946) and Germany Year Zero (1948).
Broadening out the scope from Rome, Open City, Paisà tracks the progress of the campaign across Italy in a series of episodes each in a different location and with new characters focussing on the interactions and especially the miscommunications between Italian civilians and American soldiers. Often these kind of episodic films can end up a bit disjointed, in this case I thought it kept a strong cohesion and carried its themes well enough through each segment to maintain its narrative drive.
Germany Year Zero is the bleakest of the trilogy, a relentless punishing depiction of the human and material wreckage of a defeated Germany. I was surprised at how gruelling a watch this is, there's no sense of liberation. Despite being the last to me this felt the roughest production wise and was hampered by some pretty wooden performances but it still creates a powerful sense of desolation.
Although I still think Rome, Open City is the most effective out of the three films for its intensity and deftness, I got a lot out of these other two and overall it's a really impressive and unique trilogy.
Broadening out the scope from Rome, Open City, Paisà tracks the progress of the campaign across Italy in a series of episodes each in a different location and with new characters focussing on the interactions and especially the miscommunications between Italian civilians and American soldiers. Often these kind of episodic films can end up a bit disjointed, in this case I thought it kept a strong cohesion and carried its themes well enough through each segment to maintain its narrative drive.
Germany Year Zero is the bleakest of the trilogy, a relentless punishing depiction of the human and material wreckage of a defeated Germany. I was surprised at how gruelling a watch this is, there's no sense of liberation. Despite being the last to me this felt the roughest production wise and was hampered by some pretty wooden performances but it still creates a powerful sense of desolation.
Although I still think Rome, Open City is the most effective out of the three films for its intensity and deftness, I got a lot out of these other two and overall it's a really impressive and unique trilogy.