Short instrumental on here, called Something Else.
http://www.soundclick.com/deltav
http://www.soundclick.com/deltav
Open D!What tuning you in dude? Very nice btw
I thought so. Really nice tune mateOpen D!
This one's called Sanctus. I may have wet the bed.
Short instrumental on here, called Something Else.
http://www.soundclick.com/deltav
Dropped D crazy experiment, a strange noise comes out at 1.16
http://soundcloud.com/southside-rocks/biohazard
I'm always just too jealous of your guitar skill to even comment on the songs. Anyway this was good.
Weird, it's gone. Yes, I suppose you must have. It was a music video by a band I hadn't heard of, but clearly professionally produced.What? Did I just miss some glorious spam?
Rather than bump my recording methods thread, can I ask a question here?
That previous recording was sounding pretty clean until I added the vocal. Because I wanted to do a whispery type vocal over it, obviously that part records really quietly and has to be placed really high in the mix - which also boosts all the hissing etc. How the hell can I avoid this and have whispery lyrics at the top of the mic without all the noise pollution? Would using a dynamic mic be better, because I can put my mouth right up to it?
What mic are you using now? a dynamic mic wont really have the sensitivity of a studio condenser mic in terms of volume so it may make things worse because the SPL is lower. Every device has a nose floor and finding the correct balance between a device like a microphone when in use and it's noise floor can be quite tricky but you are doing the right sorts of things by experimenting, you could try using a noise gate or silence removal on the vocal track from within cubase. you can find stuff on the web showing what other people have done in the past. The problem I have had is understanding how equipment works and finding optimum operating levels for recording, it's a huge learning curve, I spent weeks when I first started recording just getting my head around how to record a basic track and I was spending more time on that and didn't get to do much playing lol. Sound on Sound have a few good articles that help cover some of the basics and Record-Producer is another good source of information for recording.
http://www.record-producer.com/
http://www.soundonsound.com/sos/jun01/articles/vocalsfaq.asp
Do you think getting a separate condenser mic would make much difference?
Yes mate, I've been where you are if not in a worse position, I've used headphones to record with in the past because i didn't have a mic.
It worked but sounded crap
I've got a pair of red 5 audio RV6's you can get them for about £70 on ebay may be less for a used one. These mics are pretty good for the money. Years ago you'd pay a small fortune for a decent studio mic, there are cheaper ones on the market like behringer but their stuff is a bit naff IMO. I know £70 is quite a lot of money but it will be worth it, you'll also need an XLR cable. Condenser mics use 48v phantom power, the R8 has this capability so adding a studio mic wont be a problem and you'll be wondering how you got by without one when you start using it.
http://www.musictechmag.co.uk/mtm/reviews/rv6
some studios use vocal booths to isolate the mic because every room has it's own sound. VP has spoken about this kind of thing in the past using cardboard boxes and pillows etc to minimise the room sound by trying to create an isolated environment, I know it sounds crazy but you could try recording the voice under a quilt I know people who do stuff like this and although it sounds nuts it actually is pretty effective for getting a decent vocal down with minimal background noise, you should at least give this sort of thing a go as it may solve a lot of the background noise problems.
I've recorded my amp and I've surrounded the mic with pillows to get the room sound out of the equation. This may be all you need to do, deffo worth a try.