*Poem of the day thread

[butchersapron]

Mean to post something on tuesday in memory of this (and no, i've not read 100 years of solitude):

On the Late Massacre in Piedmont


Avenge, O Lord, thy slaughter'd saints, whose bones
Lie scatter'd on the Alpine mountains cold,
Ev'n them who kept thy truth so pure of old,
When all our fathers worshipp'd stocks and stones;
Forget not: in thy book record their groans
Who were thy sheep and in their ancient fold
Slain by the bloody Piemontese that roll'd
Mother with infant down the rocks. Their moans
The vales redoubl'd to the hills, and they
To Heav'n. Their martyr'd blood and ashes sow
O'er all th' Italian fields where still doth sway
The triple tyrant; that from these may grow
A hundred-fold, who having learnt thy way
Early may fly the Babylonian woe.


John Milton

 

[Pickman's model]

 

[Dillinger4]

But ’tis strange.
And oftentimes, to win us to our harm,
The instruments of darkness tell us truths…

 

[bubblesmcgrath]

"Late Lament"

Breathe deep the gathering gloom,
Watch lights fade from every room.
Bedsitter people look back and lament,
Another day's useless energy spent.

Impassioned lovers wrestle as one,
Lonely man cries for love and has none.
New mother picks up and suckles her son,
Senior citizens wish they were young.

Cold hearted orb that rules the night,
Removes the colours from our sight.
Red is grey and yellow white.
But we decide which is right.
And which is an illusion?

 

[Dillinger4]

I have not in fact been alone:
there have always been strangers
some in scattered parts of this land
or in countries unvisited

others though the great chain
of the centuries
who without ever meeting
it is possible to trust

in the truth of yin
that is always gentle
like water flowing
to the lowest places Tao Te Ching viii

the Tao where the soft and gentle
overcome the hard and strong
because truth being that which is
can never be destroyed

and reminds us that America
the land of nonviolence violence
snake handlers peace workers baseball movies
sweat lodges genealogists and stock car races

is undefinable
from the jazz of Ledbelly
and concerts of the Grateful Dead
to the Wiffenpoof song

from Whitman’s hopes for the unwritten
to the New Yorker poets
with a toad in their lawn mower
or snake in their burning brush pile

the land which Reiko aged eighteen
refused to leave
when her parents returned
to tradition-bound Japan.

Uncertain as always
whether this republic is past saving
or whether some of us still tread
the perilous path of the future

part of me just meditates
on the new and more flourishing wildlife
that is improving Point Reyes
ten years after the Mount Vision fire.

From the glories of the Tang Dynasty
I recall only one date: the year
the usurper An Lushan
drove both Wang Wei and Du Fu

far from the corrupt court
into the mountains
where for the first time they were free
to write the only poems we remember

 

[Sirena]

 

[butchersapron]

1869 -- England: "Extraordinary meteor" seen in the sky, Weston-super-Mare, near Bristol; five hours later three shocks felt said to have been earthquakes [Chudleigh Weekly Express] Source: Charles Fort, The Book of the Damned.

Year of meteors! brooding year!
I would bind in words retrospective, some of your deeds and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair, mounted the
scaffold in Virginia;
(I was at hand--silent I stood, with teeth shut close--I watch'd;
I stood very near you, old man, when cool and indifferent, but
trembling with age and your unheal'd wounds, you mounted the
scaffold
--I would sing in my copious song your census returns of The States,
The tables of population and products--I would sing of your ships and
their cargoes,
The proud black ships of Manhattan, arriving, some fill'd with
immigrants, some from the isthmus with cargoes of gold;
Songs thereof would I sing--to all that hitherward comes would I
welcome give; 10
And you would I sing, fair stripling! welcome to you from me, sweet
boy of England!
Remember you surging Manhattan's crowds, as you pass'd with your
cortege of nobles?
There in the crowds stood I, and singled you out with attachment;
I know not why, but I loved you... (and so go forth little song,
Far over sea speed like an arrow, carrying my love all folded,
And find in his palace the youth I love, and drop these lines at his
feet
--Nor forget I to sing of the wonder, the ship as she swam up my bay,
Well-shaped and stately the Great Eastern swam up my bay, she was 600
feet long,
Her, moving swiftly, surrounded by myriads of small craft, I forget
not to sing;
--Nor the comet that came unannounced out of the north, flaring in
heaven; 20
Nor the strange huge meteor procession, dazzling and clear, shooting
over our heads,
(A moment, a moment long, it sail'd its balls of unearthly light over
our heads,
Then departed, dropt in the night, and was gone
--Of such, and fitful as they, I sing--with gleams from them would I
gleam and patch these chants;
Your chants, O year all mottled with evil and good! year of
forebodings! year of the youth I love!
Year of comets and meteors transient and strange!--lo! even here, one
equally transient and strange!
As I flit through you hastily, soon to fall and be gone, what is this
book,
What am I myself but one of your meteors?

Walt Whitman. 1859

It was John Brown on the scaffold btw. History's Greatest Meteor.​

 

[Santino]

I have not in fact been alone:
there have always been strangers
some in scattered parts of this land
or in countries unvisited

others though the great chain
of the centuries
who without ever meeting
it is possible to trust

in the truth of yin
that is always gentle
like water flowing
to the lowest places Tao Te Ching viii

the Tao where the soft and gentle
overcome the hard and strong
because truth being that which is
can never be destroyed

and reminds us that America
the land of nonviolence violence
snake handlers peace workers baseball movies
sweat lodges genealogists and stock car races

is undefinable
from the jazz of Ledbelly
and concerts of the Grateful Dead
to the Wiffenpoof song

from Whitman’s hopes for the unwritten
to the New Yorker poets
with a toad in their lawn mower
or snake in their burning brush pile

the land which Reiko aged eighteen
refused to leave
when her parents returned
to tradition-bound Japan.

Uncertain as always
whether this republic is past saving
or whether some of us still tread
the perilous path of the future

part of me just meditates
on the new and more flourishing wildlife
that is improving Point Reyes
ten years after the Mount Vision fire.

From the glories of the Tang Dynasty
I recall only one date: the year
the usurper An Lushan
drove both Wang Wei and Du Fu

far from the corrupt court
into the mountains
where for the first time they were free
to write the only poems we remember

What is this?

 

[Pickman's model]

What is this?

from 'the tao of 9/11'
Jacket 34 - October 2007 - Peter Dale Scott: Five poems

 

[Pickman's model]

 

[chainsawjob]

Your pain is the breaking of the shell that encloses
your understanding.

Even as the stone of the fruit must break, that its
heart may stand in the sun, so must you know pain.

And could you keep your heart in wonder at the
daily miracles of your life, your pain would not seem
less wondrous than your joy;

And you would accept the seasons of your heart,
even as you have always accepted the seasons that
pass over your fields.

And you would watch with serenity through the
winters of your grief.

Much of your pain is self-chosen.
It is the bitter potion
by which the physician within you heals your sick self.

Therefore trust the physician,
and drink his remedy in silence and tranquillity:

For his hand, though heavy and hard,
is guided by the tender hand of the Unseen

And the cup he brings, though it burn your lips,
has been fashioned of the clay
which the Potter has moistened with His own sacred tears.

Kahlil Gibran

 

[stockwelljonny]

Hinterhof
by James Fenton

Stay near to me and I'll stay near to you —
As near as you are dear to me will do,
Near as the rainbow to the rain,
The west wind to the windowpane,
As fire to the hearth, as dawn to dew.

Stay true to me and I'll stay true to you —
As true as you are new to me will do,
New as the rainbow in the spray,
Utterly new in every way,
New in the way that what you say is true.

Stay near to me, stay true to me. I'll stay
As near, as true to you as heart could pray.
Heart never hoped that one might be
Half of the things you are to me —
The dawn, the fire, the rainbow and the day

 

[Sirena]

Sir Patrick Spens

The king sits in Dunfermline toune
drinking the blude reid wine,
"O whar can I get skeely skipper,
To sail this ship o' mine?"

Up and spak an eldern knicht,
Sat at the kings richt kne:
"Sir Patrick Spens is the best sailor
That sails upon the se."

The king has written a braid letter,
And signed it wi his hand,
And sent it to Sir Patrick Spens,
Was walking on the strand.

To Noroway! to Noroway!
to Noroway oer the faem!
The king's daughter to Noroway
'Tis thou maun bring her hame.

The first line that Sir Patrick red,
A loud lauch lauched he;
The next line that Sir Patrick red,
A teir blinded his ee.

"O wha is this has don this deid,
This ill deid don to me,
To send me out this time o' yeir,
To sail upon the sea!

"Mak haste, mak haste, my mirry men,
Our guid ship sails the morne":
"O say na sae, my master deir,
I feir a deadlie storme.

"Yestreen I saw the new moone,
Wi the auld moone in her arme,
And I feir, I feir, my master deir,
That we will cum to harme."

O loth, o loth,
The Scots lords were
To weet their cork-heild schoone;
Bot lang owre a' the play wer playd,
Thair hats they swam aboone.

O lang, lang may the ladies sit,
Wi' their fans into their hand
Or ere they see Sir Patrick Spens
Come sailing to the strand.

O lang, lang may the ladies stand,
Wi thair gold kems in their hair,
Waiting for thair ain deir lords,
For they'll se thame na mair.

Haf owre, haf owre to Aberdour,
Tis fiftie fathom deip,
And thair lies guid Sir Patrick Spens,
The Scots lords at his feit.

 

[Ceej]

Happy 98th Birthday, Lawrence Ferlinghetti, who decades ago wrote:

“Pity the nation whose people are sheep,
and whose shepherds mislead them.
Pity the nation whose leaders are liars, whose sages are silenced,
and whose bigots haunt the airwaves.
Pity the nation that raises not its voice,
except to praise conquerors and acclaim the bully as hero
and aims to rule the world with force and by torture.
Pity the nation that knows no other language but its own
and no other culture but its own.
Pity the nation whose breath is money
and sleeps the sleep of the too well fed.
Pity the nation — oh, pity the people who allow their rights to erode
and their freedoms to be washed away.
My country, tears of thee, sweet land of liberty.”

― Lawrence Ferlinghetti

 

[Dillinger4]

A New Dream of Politics by Ben Okri

They say there is only one way for politics.
That it looks with hard eyes at the hard world
And shapes it with a ruler’s edge,
Measuring what is possible against
Acclaim, support, and votes.

They say there is only one way to dream
For the people, to give them not what they need
But food for their fears.
We measure the deeds of politicians
By their time in power.

But in ancient times they had another way.
They measured greatness by the gold
Of contentment, by the enduring arts,
The laughter at the hearths,
The length of silence when the bards
Told of what was done by those who
Had the courage to make their lands
Happy, away from war, spreading justice
And fostering health,
The most precious of the arts
Of governance.

But we live in times that have lost
This tough art of dreaming
The best for its people,
Or so we are told by cynics
And doomsayers who see the end
Of time in blood-red moons.

Always when least expected an unexpected
Figure rises when dreams here have
Become like ashes. But when the light
Is woken in our hearts after the long
Sleep, they wonder if it is a fable.

Can we still seek the lost angels
Of our better natures?
Can we still wish and will
For poverty’s death and a newer way
To undo war, and find peace in the labyrinth
Of the Middle East, and prosperity
In Africa as the true way
To end the feared tide of immigration?

We dream of a new politics
That will renew the world
Under their weary suspicious gaze.
There’s always a new way,
A better way that’s not been tried before.

 

[Dillinger4]

Try to Praise the Mutilated World BY ADAM ZAGAJEWSKI

Try to praise the mutilated world.
Remember June's long days,
and wild strawberries, drops of rosé wine.
The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You've seen the refugees going nowhere,
you've heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth's scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.

 

[ShiftyBagLady]

For the Anniversary of My Death
BY W. S. MERWIN

Every year without knowing it I have passed the day
When the last fires will wave to me
And the silence will set out
Tireless traveler
Like the beam of a lightless star

Then I will no longer
Find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing and the falling cease
And bowing not knowing to what

 

[Dillinger4]

Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:
But when the blast of war blows in our ears,
Then imitate the action of the tiger;
Stiffen the sinews, summon up the blood,
Disguise fair nature with hard-favour'd rage;
Then lend the eye a terrible aspect;
Let pry through the portage of the head
Like the brass cannon; let the brow o'erwhelm it
As fearfully as doth a galled rock
O'erhang and jutty his confounded base,
Swill'd with the wild and wasteful ocean.
Now set the teeth and stretch the nostril wide,
Hold hard the breath and bend up every spirit
To his full height. On, on, you noblest English.
Whose blood is fet from fathers of war-proof!
Fathers that, like so many Alexanders,
Have in these parts from morn till even fought
And sheathed their swords for lack of argument:
Dishonour not your mothers; now attest
That those whom you call'd fathers did beget you.
Be copy now to men of grosser blood,
And teach them how to war. And you, good yeoman,
Whose limbs were made in England, show us here
The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;
For there is none of you so mean and base,
That hath not noble lustre in your eyes.
I see you stand like greyhounds in the slips,
Straining upon the start. The game's afoot:
Follow your spirit, and upon this charge
Cry 'God for Harry, England, and Saint George

 

[Santino]

Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:
But when the blast of war blows in our ears,
Then imitate the action of the tiger;
Stiffen the sinews, summon up the blood,
Disguise fair nature with hard-favour'd rage;
Then lend the eye a terrible aspect;
Let pry through the portage of the head
Like the brass cannon; let the brow o'erwhelm it
As fearfully as doth a galled rock
O'erhang and jutty his confounded base,
Swill'd with the wild and wasteful ocean.
Now set the teeth and stretch the nostril wide,
Hold hard the breath and bend up every spirit
To his full height. On, on, you noblest English.
Whose blood is fet from fathers of war-proof!
Fathers that, like so many Alexanders,
Have in these parts from morn till even fought
And sheathed their swords for lack of argument:
Dishonour not your mothers; now attest
That those whom you call'd fathers did beget you.
Be copy now to men of grosser blood,
And teach them how to war. And you, good yeoman,
Whose limbs were made in England, show us here
The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;
For there is none of you so mean and base,
That hath not noble lustre in your eyes.
I see you stand like greyhounds in the slips,
Straining upon the start. The game's afoot:
Follow your spirit, and upon this charge
Cry 'God for Harry, England, and Saint George

This nurse, this teeming womb of royal kings,
Fear'd by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry,
Of the world's ransom, blessed Mary's Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.

 

[Dillinger4]

all I want to do is
make poetry famous

all I want to do is
burn my initials into the sun

all I want do do is
read poetry from the middle of a
burning building
standing in the fast lane of the
freeway
falling from the top of the
Empire State Building

the literary world
sucks dead dog dick

I’d rather be Richard Speck
than Gary Snyder
I’d rather ride a rocketship to hell
than a Volvo to Bolinas

I’d rather
sell arms to the Martians
than wait sullenly for a
letter from some diseased clown with a
three-piece mind
telling me that I’ve won a
bullet-proof pair of rose-colored glasses
for my poem “Autumn in the Spring”

I want to be
hated
by everyone who teaches for a living

I want people to hear my poetry and
get headaches
I want people to hear my poetry and
vomit

I want people to hear my poetry and
weep, scream, disappear, start bleeding,
eat their television sets, beat each other to death with
swords and

go out and get riotously drunk on
someone else’s money

 

[Dillinger4]

The Garden By Andrew Marvell

How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.

Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.

No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.

When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.

What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.

Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.

Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.

Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.

How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs!

 

[bubblesmcgrath]

The Sea And The Hills

Who hath desired the Sea? -- the sight of salt water unbounded --
The heave and the halt and the hurl and the crash of the comber wind-hounded?
The sleek-barrelled swell before storm, grey, foamless, enormous, and growing --
Stark calm on the lap of the Line or the crazy-eyed hurricane blowing --
His Sea in no showing the same his Sea and the same 'neath each showing:
His Sea as she slackens or thrills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills!

Who hath desired the Sea? -- the immense and contemptuous surges?
The shudder, the stumble, the swerve, as the star-stabbing bow-sprit emerges?
The orderly clouds of the Trades, the ridged, roaring sapphire thereunder --
Unheralded cliff-haunting flaws and the headsail's low-volleying thunder --
His Sea in no wonder the same his Sea and the same through each wonder:
His Sea as she rages or stills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.

Who hath desired the Sea? Her menaces swift as her mercies?
The in-rolling walls of the fog and the silver-winged breeze that disperses?
The unstable mined berg going South and the calvings and groans that declare it --
White water half-guessed overside and the moon breaking timely to bare it --
His Sea as his fathers have dared -- his Sea as his children shall dare it:
His Sea as she serves him or kills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.

Who hath desired the Sea? Her excellent loneliness rather
Than forecourts of kings, and her outermost pits than the streets where men gather
Inland, among dust, under trees -- inland where the slayer may slay him --
Inland, out of reach of her arms, and the bosom whereon he must lay him
His Sea from the first that betrayed -- at the last that shall never betray him:
His Sea that his being fulfils?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.

Rudyard Kipling

 

[Dillinger4]

ON NOTHING by Jamie McKendrick

I do not think it is absurd for you to say that nothing is something,
since no one can deny that 'nothing' is a noun.
Anselm of Canterbury

If nothing is the opposite of something
then it too is something and not nothing.
Or is that just language rushing in
to fill what makes the intellect recoil?

It's us not nature that abhors a vacuum,
though in frictionless space there's still a fraction
more than nothing, if not enough of it
to slow the planets in their orbits.

But the full moon hides its emptiness
and every plenitude its opposite;
the present buckles into nowlessness

that lasts for never as a dark star draws
downward threads of light. There nothing exists,
couching like a sphinx among the rubble

 

[Dillinger4]

A ROOM WITH A VIEW by Ian Duhig

I don’t know how any civilized person can watch TV, let alone own a set - W.H. Auden

But now I see civilization through new square eyes
since buying a TV with two square metres of screen.
Better than Debord at seeing through the spectacle
to the bone beneath the bling, it focusses as fairly
on the diva’s bleached moustache as choral acne,
with equal liquid-crystal clarity from gods to stalls.
Brilliant as walls of Pre-Raphaelites, TV is wallpaper
beyond Morris, more human because it is moving,
which can inspire us all to poetry as it did Ashbery,
like the campfires our half-ape ancestors watched,
evolving so they'd be able to change the channel.

 

[ShiftyBagLady]

Dry Loaf
By Wallace Stevens

It is equal to living in a tragic land
To live in a tragic time.
Regard now the sloping, mountainous rocks
And the river that batters its way over stones,
Regard the hovels of those that live in this land.

That was what I painted behind the loaf,
The rocks not even touched by snow,
The pines along the river and the dry men blown
Brown as the bread, thinking of birds
Flying from burning countries and brown sand shores,

Birds that came like dirty water in waves
Flowing above the rocks, flowing over the sky,
As if the sky was a current that bore them along,
Spreading them as waves spread flat on the shore,
One after another washing the mountains bare.

It was the battering of drums I heard
It was hunger, it was the hungry that cried
And the waves, the waves were soldiers moving,
Marching and marching in a tragic time
Below me, on the asphalt, under the trees.

It was soldiers went marching over the rocks
And still the birds came, came in watery flocks,
Because it was spring and the birds had to come.
No doubt that soldiers had to be marching
And that drums had to be rolling, rolling, rolling.

 

[Dillinger4]

I sometimes fear that
people think that fascism arrives in fancy dress
worn by grotesques and monsters
as played out in endless re-runs of the Nazis.

Fascism arrives as your friend.
It will restore your honour,
make you feel proud,
protect your house,
give you a job,
clean up the neighbourhood,
remind you of how great you once were,
clear out the venal and the corrupt,
remove anything you feel is unlike you...

It doesn't walk in saying,
"Our programme means militias, mass imprisonments, transportations, war and persecution."

 

[bluescreen]

.

 

[ShiftyBagLady]

The Ball Poem
By John Berryman

What is the boy now, who has lost his ball.
What, what is he to do? I saw it go
Merrily bouncing, down the street, and then
Merrily over—there it is in the water!
No use to say 'O there are other balls':
An ultimate shaking grief fixes the boy
As he stands rigid, trembling, staring down
All his young days into the harbour where
His ball went. I would not intrude on him,
A dime, another ball, is worthless. Now
He senses first responsibility
In a world of possessions. People will take balls,
Balls will be lost always, little boy,
And no one buys a ball back. Money is external.
He is learning, well behind his desperate eyes,
The epistemology of loss, how to stand up
Knowing what every man must one day know
And most know many days, how to stand up
And gradually light returns to the street,
A whistle blows, the ball is out of sight.
Soon part of me will explore the deep and dark
Floor of the harbour . . I am everywhere,
I suffer and move, my mind and my heart move
With all that move me, under the water
Or whistling, I am not a little boy.

 

[Dillinger4]

Period by R.S. Thomas

It was a time when wise men
Were not silent, but stifled
By vast noise. They took refuge
in books that were not read.

Two counsellors had the ear
Of the public. One cried 'Buy'
Day and Night, and the other,
More plausibly, 'Sell your repose'.

 

[chainsawjob]

The Ruin

(translated from Old English by M. Alexander)

Well-wrought this wall: Wierds broke it.
The stronghold burst…
Snapped rooftrees, towers fallen,
the work of the Giants, the stonesmiths,
mouldereth.
Rime scoureth gatetowers
rime on mortar.
Shattered the showershields, roofs ruined,
age under-ate them.
And the wielders & wrights?
Earthgrip holds them – gone, long gone
fast in gravesgrasp while fifty fathers
and sons have passed.
Wall stood,
grey lichen, red stone, kings fell often,
stood under storms, high arch crashed –
stands yet the wallstone, hacked by weapons,
by files grim-ground…
…shone the old skilled work
…sank to loam-crust

Mood quickened mind, and man of wit,
cunning in rings, bound bravely the wallbase
with iron, a wonder.

Bright were the buildings, halls where springs ran,
high, horngabled, much throng-noise;
these many meadhalls men filled
with loud cheerfulness: Weird changed that.

Came days of pestilence, on all sides men fell dead,
death fetched off the flower of the people;
where they stood to fight, waste places
and on the acropolis, ruins.
Hosts who would build again
shrank to the earth. Therefore are these courts dreary
and that red arch twisteth tiles,
wryeth from roof-ridge, reacheth groundwards…
Broken blocks…

There once many a man
mood-glad, gold-bright, of gleams garnished,
flushed with wine-pride, flashing war-gear,
gazed on wrought gemstones, on gold, on silver,
on wealth held and hoarded, on light-filled amber,
on this bright burg of broad dominion.

Stood stone houses; wide streams welled
hot from source, and a wall all caught
in its bright bosom, and the baths were
hot at hall’s hearth; that was fitting…

………… Thence hot streams, loosed, ran over hoar stone
unto the ring-tank…
…It is a kingly thing
…city…