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*Poem of the day thread

Summer Triptych

1.
The world is water
to these bronzed boys
on their surfboards,
riding the sexual waves
of Maui
like so many fearless
cowboys, challenging
death on bucking
broncos of foam.

2.
On the beach at Santorini
we ate those tiny silverfish
grilled straight from the sea,
and when the sun went down
in the flaming west
there was applause
from all the sated diners,
as if it had done its acrobatic plunge
just for them.

3.
Swathed from head to toe
in seeming veils of muslin,
the figure in the Nantucket fog
poles along the shoreline on a flat barge.
It could be Charon transporting souls
across the River Styx, or just
another fisherman in a hoodie,
trolling for bluefish
on the outgoing tide.

Linda Pastan
 
THE world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
The Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.

William Wordsworth
 
Leisure

Leisure, thou goddess of a bygone age,
When hours were long and days sufficed to hold
Wide-eyed delights and pleasures uncontrolled
By shortening moments, when no gaunt presage
Of undone duties, modern heritage,
Haunted our happy minds; must thou withhold
Thy presence from this over-busy world,
And bearing silence with thee disengage
Our twined fortunes? Deeps of unhewn woods
Alone can cherish thee, alone possess
Thy quiet, teeming vigor. This our crime:
Not to have worshipped, marred by alien moods
That sole condition of all loveliness,
The dreaming lapse of slow, unmeasured time.

Amy Lowell
 
Woman Work

I've got the children to tend
The clothes to mend
The floor to mop
The food to shop
Then the chicken to fry
The baby to dry
I got company to feed
The garden to weed
I've got shirts to press
The tots to dress
The cane to be cut
I gotta clean up this hut
Then see about the sick
And the cotton to pick.

Shine on me, sunshine
Rain on me, rain
Fall softly, dewdrops
And cool my brow again.

Storm, blow me from here
With your fiercest wind
Let me float across the sky
'Til I can rest again.

Fall gently, snowflakes
Cover me with white
Cold icy kisses and
Let me rest tonight.

Sun, rain, curving sky
Mountain, oceans, leaf and stone
Star shine, moon glow
You're all that I can call my own.

Maya Angelou
 
Holy Cosmos

We’ve been told space
is like two dark lips colliding

like science fiction
it outlines a small cosmos

where fear hides in a glow
where negative space

becomes a place for wishing
a constellation of hazy tunes

of faint sharp vowels
a glossary of meteors

a telescope to god
a cold bright white

maybe distance damages us
maybe Jupiter

will suddenly surprise us
with a notion of holiness

but instead an old planet
takes over all the space

and we are reminded
of the traces of fire

in our gaze
defining our infidelities

Nathalie Handal
 
This Much and More

If my lover were a comet
Hung in air,
I would braid my leaping body
In his hair.

Yea, if they buried him ten leagues
Beneath the loam,
My fingers they would learn to dig
And I’d plunge home!

Djuna Barnes
 
Prayer at Sunrise

O mighty, powerful, dark-dispelling sun,
Now thou art risen, and thy day begun.
How shrink the shrouding mists before thy face,
As up thou spring’st to thy diurnal race!
How darkness chases darkness to the west,
As shades of light on light rise radiant from thy crest!
For thee, great source of strength, emblem of might,
In hours of darkest gloom there is no night.
Thou shinest on though clouds hide thee from sight,
And through each break thou sendest down thy light.

O greater Maker of this Thy great sun,
Give me the strength this one day’s race to run,
Fill me with light, fill me with sun-like strength,
Fill me with joy to rob the day its length.
Light from within, light that will outward shine,
Strength to make strong some weaker heart than mine,
Joy to make glad each soul that feels its touch;
Great Father of the sun, I ask this much.

James Weldon Johnson
 
For Jane: With All the Love I Had, Which Was Not Enough:

by Charles Bukowski


I pick up the skirt,
I pick up the sparkling beads
in black,
this thing that moved once
around flesh,
and I call God a liar,
I say anything that moved
like that
or knew
my name
could never die
in the common verity of dying,
and I pick
up her lovely
dress,
all her loveliness gone,
and I speak to all the gods,
Jewish gods, Christ-gods,
chips of blinking things,
idols, pills, bread,
fathoms, risks,
knowledgeable surrender,
rats in the gravy of two gone quite mad
without a chance,
hummingbird knowledge, hummingbird chance,
I lean upon this,
I lean on all of this
and I know
her dress upon my arm
but
they will not
give her back to me.
 
CE6VMs7WoAARDPT.jpg:large
 
Happy Family

Under the sun the dog with a stick
under the dog the woman with thick hair.
Daddy's there with junior,
both have hats and glasses - junior's are small
that's about all
oh, and Father is fond
beyond
the call of beauty.

John Hegley
 
The Roman teacher

In the Greek lesson
it is summertime
and this morning is the last time
for two cycles of the moon
that he will commune with his pupils.
Earlier this morning was the last time ever
he would commune with his beloved
for she has fooled around with another
and his jealousy is stronger than his love.
On his arrival some of the pupils are winking at each other
thinking that they will be schooled
without the usual iron glove,
allowed along to the beach
to have a smashing splashing time
swimming and skimming flattish pebbles
discus-like across the sea
but they are wrong.
It is his curriculum, his anger
and this morning they will share his pain,
they will each take out their tablets
and have a stab at giving six good reasons
why they shouldn't get a thorough thrashing with his cane.

John Hegley
 
fuck's sake greebo :D I never get here before you

sod it, gonna post a poem anyway and boo to the rules

"The best time of the day" - Raymond Carver

Cool summer nights.
Windows open.
Lamps burning.
Fruit in the bowl.
And your head on my shoulder.
These the happiest moments in the day.

Next to the early morning hours,
of course. And the time
just before lunch.
And the afternoon, and
early evening hours.
But I do love

these summer nights.
Even more, I think,
than those other times.
The work finished for the day.
And no one who can reach us now.
Or ever.
 
The Isles of Greece


The isles of Greece ! the isles of Greece
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phœbus sprung !
Eternal summer gilds them yet,
But all, except their sun, is set.

The Scian and the Teian muse,
The hero’s harp, the lover’s lute,
Have found the fame your shores refuse :
Their place of birth alone is mute
To sounds which echo further west
Than your sires’ ‘Islands of the Blest.’

The mountains look on Marathon—
And Marathon looks on the sea ;
And musing there an hour alone,
I dreamed that Greece might still be free ;
For standing on the Persians’ grave,
I could not deem myself a slave.

A king sate on the rocky brow
Which looks o’er sea-born Salamis ;
And ships, by thousands, lay below,
And men in nations;—all were his !
He counted them at break of day—
And when the sun set, where were they ?

And where are they ? and where art thou,
My country ? On thy voiceless shore
The heroic lay is tuneless now—
The heroic bosom beats no more !
And must thy lyre, so long divine,
Degenerate into hands like mine ?

’Tis something in the dearth of fame,
Though linked among a fettered race,
To feel at least a patriot’s shame,
Even as I sing, suffuse my face ;
For what is left the poet here ?
For Greeks a blush—for Greece a tear.

Must we but weep o’er days more blest ?
Must we but blush ?—Our fathers bled.
Earth ! render back from out thy breast
A remnant of our Spartan dead !
Of the three hundred grant but three,
To make a new Thermopylæ !

What, silent still ? and silent all ?
Ah ! no ;—the voices of the dead
Sound like a distant torrent’s fall,
And answer, ‘Let one living head,
But one, arise,—we come, we come !’
’Tis but the living who are dumb.

In vain—in vain : strike other chords ;
Fill high the cup with Samian wine !
Leave battles to the Turkish hordes,
And shed the blood of Scio’s vine !
Hark ! rising to the ignoble call—
How answers each bold Bacchanal !

You have the Pyrrhic dance as yet ;
Where is the Pyrrhic phalanx gone ?
Of two such lessons, why forget
The nobler and the manlier one ?
You have the letters Cadmus gave—
Think ye he meant them for a slave ?

Fill high the bowl with Samian wine !
We will not think of themes like these !
It made Anacreon’s song divine :
He served—but served Polycrates—
A tyrant ; but our masters then
Were still, at least, our countrymen.

The tyrant of the Chersonese
Was freedom’s best and bravest friend ;
That tyrant was Miltiades !
O that the present hour would lend
Another despot of the kind !
Such chains as his were sure to bind.

Fill high the bowl with Samian wine !
On Suli’s rock, and Parga’s shore,
Exists the remnant of a line
Such as the Doric mothers bore ;
And there, perhaps, some seed is sown,
The Heracleidan blood might own.

Trust not for freedom to the Franks—
They have a king who buys and sells ;
In native swords and native ranks
The only hope of courage dwells :
But Turkish force and Latin fraud
Would break your shield, however broad.

Fill high the bowl with Samian wine !
Our virgins dance beneath the shade—
I see their glorious black eyes shine ;
But gazing on each glowing maid,
My own the burning tear-drop laves,
To think such breasts must suckle slaves.

Place me on Sunium’s marbled steep,
Where nothing, save the waves and I,
May hear our mutual murmurs sweep ;
There, swan-like, let me sing and die :
A land of slaves shall ne’er be mine—
Dash down yon cup of Samian wine!

George Gordon Byron.
 
Stridulation Sonnet

Tiger beetles, crickets, velvet ants, all
know the useful friction of part on part,
how rub of wing to leg, plectrum to file,
marks territories, summons mates. How

a lip rasped over finely tined ridges can
play sweet as a needle on vinyl. But
sometimes a lone body is insufficient.
So the sapsucker drums chimney flashing

for our amped-up morning reveille. Or,
later, home again, the wind’s papery
come hither through the locust leaves. The roof
arcing its tin back to meet the rain.

The bed’s soft creak as I roll to my side.
What sounds will your body make against mine?

Jessica Jacobs
 
Hymn to the Bankers by Erich Kastner tr. By Anna Tindall

He may rejoice and be content
Who does not know these men.
They borrow gold at five per cent
And lend it out at ten.

They're never shocked by what they see.
Their heart is never still.
Their product is discrepancy
(Interpret as you will.)

Their appetite is fathoms deep.
They feed and dominate.
They never sow, they only reap
And let their gold gestate.

Sorcerers in human form
They charm from empty hands.
They make their fortunes on the phone
And petrol from the sands.

Whether gold is scarce or sure
They still make what they need
And slit the throats of others; for
The paper makes them bleed.

They swear by the rule of three
So have no need to pray.
For God they have some sympathy
Though they love gold more easily.
(But they all go bust one day.)
 
I'm posting lyrics, just this once, live with it. :p

"A Change Is Gonna Come"

I was born by the river in a little tent
Oh, and just like the river I've been running ever since

It's been a long, a long time coming
But I know a change gon' come, oh yes it will

It's been too hard living, but I'm afraid to die
Cause I don't know what's up there beyond the sky

It's been a long, a long time coming
But I know a change gon' come, oh yes it will

I go to the movie and I go down town
Somebody keep telling me don't hang around

Its been a long, a long time coming
But I know a change gon' come, oh yes it will

Then I go to my brother
And I say, "Brother, help me please."
But he winds up knockin' me
Back down on my knees

There been times when I thought I couldn't last for long
But now I think I'm able to carry on

It's been a long, a long time coming
But I know a change gon' come, oh yes it will

Sam Cooke
 
Living Room

God sees me. I see you. You’re just like me.
This is the cul-de-sac I’ve longed to live on.
Pure-white and dormered houses sit handsomely

along the slate-roofed, yew-lined neighborhood.
Past there is where my daughters walk to school,
across the common rounded by a wood.

And in my great room, a modest TV
informs me how the earth is grown so small,
ringed in spice routes of connectivity.

My father lived and died in his same chair
and kept it to one beer. There’s good in that.
Who could look down upon, or even dare

to question, what he managed out of life?
Age makes us foolish. Still, he had a house,
a patch of grass and room to breathe, a wife.

It’s my house now, and I do as I please.
I bless his name. I edge the yard, plant greens.
Our girls swing on the porch in a coming breeze.

David Yezzi
 
Of Love: A Sonnet

How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part ’tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.

Robert Herrick
 
September 1, 1939

I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.

Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.

Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.

Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism’s face
And the international wrong.

Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.

The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.

From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
“I will be true to the wife,
I’ll concentrate more on my work,"
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the deaf,
Who can speak for the dumb?

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

W.H. Auden
 
From 1915

TO A PATRIOT
Who told the writer "Socialists won't fight because they are cowards."

Not that we fear to die, for why should we,
Who face a living death from day to day.
Fear what we know "eternal rest" to be—
A speedy end rather than slow decay?
No, what we fear is that we should be brought
To suffer wounds, disease and lingering pain
In aiding those of brute-like cunning wrought,
Who maim the body, crush and starve the brain.
Maybe the time is nearer than we know
When we the disinherited, the spurned,
Shall face our masters in the last great fight;
Shall wade through waste and desolating woe
Toward the splendour of a death well earned
If only life be won in death's despite.
F. J. Webb
 
The Sun in Bemidji, Minnesota

The sun isn’t even a pearl today—
its light diffused, strained gray
by winter haze—this the grayest
day so far, so when I enter the Wells
Fargo parking lot the last thing I expect
is to see the sun in the car next to mine.
I watch a woman make out with the sun,
and I’m jealous of the sun. Beautiful
beyond her desire—wanting the sun
so—she almost glows as she tugs
sweetness from his whiskers with
her teeth, and his drool runs down
her chin. I think the sun is a man,
but it’s hard to tell in this light. No,
it’s a mango, and I’m jealous of her.

Sean Hill
 
In Tongues
for Auntie Jeanette

1.
Because you haven’t spoken
in so long, the tongue stumbles and stutters,
sticks to the roof and floor as if the mouth were just
a house in which it could stagger like a body unto itself.

You once loved a man so tall
sometimes you stood on a chair to kiss him.

2.
What to say when one says,
“You’re sooo musical,” takes your stuttering for scatting,
takes your stagger for strutting,
takes your try and tried again for willful/playful deviation?

It makes you wanna not holla
silence to miss perception’s face.

3.
It ain’t even morning or early,
though the sun-up says “day,” and you been
staggering lange Zeit gegen a certain
breathless stillness that we can’t but call death.

Though stillness suggests a possibility
of less than dead, of move, of still be.

4.
How that one calling your tryin’
music, calling you sayin’ entertaining, thinks
there’s no then that we, (who den dat we?), remember/
trace in our permutations of say?

What mastadonic presumptions precede and
follow each word, each be, each bitter being?

5.
These yawns into which we enter as into a harbor—
Come. Go. Don’t. says the vocal oceans which usher
each us, so unlike any ship steered or steering into.
A habit of place and placing a body.

Which choruses of limbs and wanting, of limp
linger in each syllabic foot tapping its chronic codes?

Tonya M. Foster
 
Amergin's Final Charm (with no apologies whatsoever to the shade of Robert Graves)

I am the pill: used as poison,
I am the cure: mutated to sickness,
I am the tool: that becomes a weapon,
I am the road: cut through a forest,
I am the river: diverted & dammed,
I am the panacea: for the new placebo,
Paragon of Animals: who but I
can tilt the whole of the world on its head?


I am the ocean: unable to breathe,
I am the child: who lives in tomorrow,
I am the earth: rapaciously squandered,
I am the stranger: shot at the border,
I am the city: watching the horizon,
I am the rifle: trained on the starving,
embryo god: who but I
am responsible for the slighest in everything?


I am the freeman: rotting in prison,
I am the confession: invented by torture,
I am the drunk: content at the wheel,
I am the god: created by man,
I am the lies: presented as truth,
I am the wound: in the flank of the world,
I am what I am: who but I
can unleash Hell for six minutes on Earth?


Andrew Paul Wood
 
Haiku 3
By Thomas Herr


The promise of touch and kiss

And the prospect of healing us through fingertips

Means the answer is yes.
 
Ghosts and Fashion

Although it no longer has a body
to cover out of a sense of decorum,

the ghost must still consider fashion—

must clothe its invisibility in something
if it is to “appear” in public.

Some traditional specters favor
the simple shroud—

a toga of ectoplasm
worn Isadora-Duncan-style
swirling around them.

While others opt for lightweight versions
of once familiar tee shirts and jeans.

Perhaps being thought-forms,
they can change their outfits instantly—

or if they were loved ones,
it is we who clothe them
like dolls from memory.

Elaine Equi
 
Mercy Beach

Stony trails of jagged beauty rise
like stretch marks streaking sand-hips.
All the Earth has borne beguiles us
& battered bodies build our acres.

Babes that sleep in hewn rock cradles
learn to bear the hardness coming.
Tough grace forged in tender bones—
may this serve & bless them well.

They grow & break grief into islands
of sun-baked stone submerged in salt
kisses, worn down by the ocean’s ardor
relentless as any strong loving.

May they find caresses that abolish pain.
Like Earth, they brandish wounds of gold!

Kamilah Aisha Moon
 
This Is Just To Say
William Carlos Willaims (1883-1963)

I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

Has enough time passed for me to get away with reposting this?
 
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