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*Poem of the day thread

Boris Bike sonnet by me

There’s only one bike at the bike stand,
She said,
As she stood there and looked up at me.
Yes, there’s only one bike at this bike stand,
I said.
I could only nod and agree.
If there’s only one bike at this bike stand,
I thought,
Then I could be late for my work.
But if I take this bike from the bike stand,
I thought.
Then she’ll think that I’m some kind of berk.

We looked at the bike, then each other.
She smiled and my heart skipped a beat.
Who cares about bikes at the bike stand,
I thought?
I could easily just use my feet.
Why not stand aside like a true gent,
And then ask her out for a date?
Yet no words from my lips were forthcoming,
My thoughts were happening too late.

She smiled again, then she bolted she did.
She took the bars of the bike.
She smiled sweetly again, for the third time she did,
As she rode away on my bike.
And I never found out her number, you know,
I never have knew what she’s like,
Cos we never rode out on my bike made for two,
Cos she rode away on my bike.
 
Thirst is angry with water. Hunger
bitter with bread. The cave wants nothing to do

with the sun. This is dumb, the self-
defeating way we've been. A gold mine is

calling us into its temple. Instead, we
bend and keep picking up rocks from the

ground. Every thing has a shine like gold,
but we should turn to the source! The

origin is what we truly are. I add a little
vinegar to the honey I give. The bite of

scolding makes ecstasy more familiar. But
look, fish, you're already in the ocean:

just swimming there makes you friends with
glory. What are these grudges about? You

are Benjamin. Joseph has put a gold cup
in your grain sack and accused you of being

a thief. Now he draws you aside and says,
"You are my brother. I am a prayer. You're

the amen." We move in eternal regions, yet
worry about property here. This is the

prayer of each: You are the source of my
life. You separate essence from mud. You

honor my soul. You bring rivers from the
mountain springs. You brighten my eyes. The

wine you offer takes me out of myself into
the self we share. Doing that is religion.

Rumi
 
My Atlas

There is a kind of love called maintenance,
Which stores the WD40 and knows when to use it;

Which checks the insurance, and doesn’t forget
The milkman; which remembers to plant bulbs;

Which answers letters; which knows the way
The money goes, which deals with dentists

And Road Fund Tax and meeting trains,
And postcards to the lonely; which upholds

The permanently rickety elaborate
Structures of living; He is my Atlas.

And maintenance is the sensible side of love,
Which knows what time and weather are doing
To my brickwork; insulates my faulty wiring;
Laughs at my dry rotten jokes; remembers
My need for gloss and grouting; which keeps
My suspect edifice upright in the air,
As my Atlas does to me. and the sky.

UA Fanthorpe
 
Life, Life by Arseny Tarkovsky

1

I don't believe in omens or fear
Forebodings. I flee from neither slander
Nor from poison. Death does not exist.
Everyone's immortal. Everything is too.
No point in fearing death at seventeen,
Or seventy. There's only here and now, and light;
Neither death, nor darkness, exists.
We're all already on the seashore;
I'm one of those who'll be hauling in the nets
When a shoal of immortality swims by.


2

If you live in a house - the house will not fall.
I'll summon any of the centuries,
Then enter one and build a house in it.
That's why your children and your wives
Sit with me at one table, -
The same for ancestor and grandson:
The future is being accomplished now,
If I raise my hand a little,
All five beams of light will stay with you.
Each day I used my collar bones
For shoring up the past, as though with timber,
I measured time with geodetic chains
And marched across it, as though it were the Urals.


3

I tailored the age to fit me.
We walked to the south, raising dust above the steppe;
The tall weeds fumed; the grasshopper danced,
Touching its antenna to the horse-shoes - and it prophesied,
Threatening me with destruction, like a monk.
I strapped my fate to the saddle;
And even now, in these coming times,
I stand up in the stirrups like a child.

I'm satisfied with deathlessness,
For my blood to flow from age to age.
Yet for a corner whose warmth I could rely on
I'd willingly have given all my life,
Whenever her flying needle
Tugged me, like a thread, around the globe.
 
Welsh Incident by Robert Graves

'But that was nothing to what things came out
From the sea-caves of Criccieth yonder.'
'What were they? Mermaids? dragons? ghosts?'
'Nothing at all of any things like that.'
'What were they, then?'
'All sorts of queer things,
Things never seen or heard or written about,
Very strange, un-Welsh, utterly peculiar
Things. Oh, solid enough they seemed to touch,
Had anyone dared it. Marvellous creation,
All various shapes and sizes, and no sizes,
All new, each perfectly unlike his neighbour,
Though all came moving slowly out together.'
'Describe just one of them.'
'I am unable.'
'What were their colours?'
'Mostly nameless colours,
Colours you'd like to see; but one was puce
Or perhaps more like crimson, but not purplish.
Some had no colour.'
'Tell me, had they legs?'
'Not a leg or foot among them that I saw.'
'But did these things come out in any order?'
What o'clock was it? What was the day of the week?
Who else was present? How was the weather?'
'I was coming to that. It was half-past three
On Easter Tuesday last. The sun was shining.
The Harlech Silver Band played Marchog Jesu
On thrity-seven shimmering instruments
Collecting for Caernarvon's (Fever) Hospital Fund.
The populations of Pwllheli, Criccieth,
Portmadoc, Borth, Tremadoc, Penrhyndeudraeth,
Were all assembled. Criccieth's mayor addressed them
First in good Welsh and then in fluent English,
Twisting his fingers in his chain of office,
Welcoming the things. They came out on the sand,
Not keeping time to the band, moving seaward
Silently at a snail's pace. But at last
The most odd, indescribable thing of all
Which hardly one man there could see for wonder
Did something recognizably a something.'
'Well, what?'
'It made a noise.'
'A frightening noise?'
'No, no.'
'A musical noise? A noise of scuffling?'
'No, but a very loud, respectable noise ---
Like groaning to oneself on Sunday morning
In Chapel, close before the second psalm.'
'What did the mayor do?'
'I was coming to that.'
 
I've had a rubbish week around rubbish people, grappling with stupidness... feeling in need of something to wash it all away.

Say not the struggle naught availeth by Arthur Hugh Clough

Say not the struggle naught availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been, things remain.

If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e'en now the fliers,
And, but for you, possess the field.

For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back through creeks and inlets making
Comes silent, flooding in, the main.

And not by eastern windows only,
When daylight comes, comes in the light,
In front the sun climbs slow, how slowly,
But westward, look, the land is bright.
 
Wearing the collar by Charles Bukowski

I live with a lady and four cats
and some days we all get
along.

some days I have trouble with
one of the
cats.

other days I have trouble with
two of the
cats.

other days,
three.

some days I have trouble with
all four of the
cats

and the
lady:

ten eyes looking at me
as if I was a dog.
 
Happiness ~ Raymond Carver

So early it's still almost dark out.
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.

When I see the boy and his friend
walking up the road
to deliver the newspaper.

They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.

I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.

They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.

Such beauty that for a minute
death and ambition, even love,
doesn't enter into this.

Happiness. It comes on
unexpectedly. And goes beyond, really,
any early morning talk about it.
 
In bails of fish and shoals of hay,
By waxing moon they mourned the day,
For wish of bone till crack of dawn,
The darksome creature spread its spawn,
To every place that was alive,
Life fell away as death arrived.
 
I've read some beautiful poems lately but I've had some classics running through my head insistently, like ear worms.
"I wondered lonely as a cloud..." obviously because of the beautiful nodding daffodils around and this one which has been haunting my walks, my tooth brushing, tea stirring and bus rides:

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.—Great God! I'd rather be
A Pagan, suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

Wordsworth innit :cool:
 
Clever, gentle stuff by the Bard of Bolton, Richard MacFarlane aka Hovis Presley.

I RELY ON YOU

I rely on you
like a Skoda needs suspension
like the aged need a pension
like a trampoline needs tension
like a bungee jump needs apprehension

I rely on you
like a camera needs a shutter
like a gambler needs a flutter
like a golfer needs a putter
like a buttered scone involves some butter

I rely on you
like an acrobat needs ice cool nerve
like a hairpin needs a drastic curve
like an HGV needs endless derv
like an outside left needs a body swerve

I rely on you
like a handyman needs pliers
like an auctioneer needs buyers
like a laundromat needs driers
like The Good Life needed Richard Briers

I rely on you
like a water vole needs water
like a brick outhouse needs mortar
like a lemming to the slaughter
Ryan's just Ryan without his daughter

I rely on you.
 
Oh, when I was in love with you,
Then I was clean and brave,
And miles around the wonder grew
How well did I behave.

And now the fancy passes by,
And nothing will remain,
And miles around they'll say that I
Am quite myself again.


-AE Houseman
 
On With The Play / Robert E. Howard

Up with the curtain, lo, the stage is set;
The mimes come trooping for their destin'd parts,
The Devil swings his hand, the music starts;
But the main star has not arrived as yet,
And all the players wait and swear and fret.
He comes! The tambourine with empty clack
Greets the proud brow, the eye, the unbent back;
On with the play of broken dreams and sweat!

Aye, play their game if you would wish to rise,
Conform yourself to standard rote and rule,
But when you've reached the pinnacle of pelf
Some day take down an old book from the shelf,
And scanning pages, years, with curious eyes,
Remember one who signed himself -- A Fool.
 
Oh, when I was in love with you,
Then I was clean and brave,
And miles around the wonder grew
How well did I behave.

And now the fancy passes by,
And nothing will remain,
And miles around they'll say that I
Am quite myself again.


-AE Houseman

Nice! :D
 
^makes me want to cry, that one :oops:


Comfort

Comfort the sorrowful with watchful eyes
In silence, for the tongue cannot avail.
Vex not his wounds with rhetoric, nor the stale
Worn truths, that are but maddening mockeries
To him whose grief outmasters all replies.
Only watch near him gently; do but bring
The piteous help of silent ministering.
Watchful and tender. This alone is wise.

So shall thy presence and thine every motion,
The grateful knowledge of thy sad devotion
Melt out the passionate hardness of his grief,
And break the flood-gates of thy pent-up soul.
He shall bow down beneath thy mute control,
And take thine hands, and weep, and find relief.

Archibald Lampman
 
And in similar vein to ShiftyBagLady's choice;


Symptom Recital by Dorothy Parker

I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again.
 
somewhere i have never travelled, gladly beyond
by e. e. cummings

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look will easily unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
 
I've always liked this one, it's not terribly spohistaced or anything but I think I like it because I can picture myself on a train watching a woman walking along and I quite like that whoosig past people on a train and imagining their whole life in a few seconds.

To a Fat Lady Seen From the Train
– Frances Cornwell (1886-1960)

O why do you walk through the fields in gloves,
Missing so much and so much?
O fat white woman whom nobody loves,
Why do you walk through the fields in gloves,
When the grass is soft as the breast of doves
And shivering sweet to the touch?
O why do you walk through the fields in gloves,
Missing so much and so much?


And this one is great

The Fat White Woman Speaks
-G.K. Chesterton

Why do you rush through the field in trains,
Guessing so much and so much?
Why do you flash through the flowery meads,
Fat-head poet that nobody reads;
And why do you know such a frightful lot
About people in gloves as such?
And how the devil can you be sure,
Guessing so much and so much,
How do you know but what someone who loves
Always to see me in nice white gloves
At the end of the field you are rushing by,
Is waiting for his Old Dutch?
 
And I don't care about rules, I'm posting another, it's probably been posted on here before too but I just don't care. So there

Evolution

When you were a tadpole and I was a fish
In the Paleozoic time,
And side by side on the ebbing tide
We sprawled through the ooze and slime,
Or skittered with many a caudal flip
Through the depths of the Cambrian fen,
My heart was rife with the joy of life,
For I loved you even then.

Mindless we lived and mindless we loved
And mindless at last we died;
And deep in the rift of the Caradoc drift
We slumbered side by side.
The world turned on in the lathe of time,
The hot lands heaved amain,
Till we caught our breath from the womb of death
And crept into light again.

We were amphibians, scaled and tailed,
And drab as a dead man's hand;
We coiled at ease 'neath the dripping trees
Or trailed through the mud and sand.
Croaking and blind, with our three-clawed feet
Writing a language dumb,
With never a spark in the empty dark
To hint at a life to come.

Yet happy we lived and happy we loved,
And happy we died once more;
Our forms were rolled in the clinging mold
Of a Neocomian shore.
The eons came and the eons fled
And the sleep that wrapped us fast
Was riven away in a newer day
And the night of death was past.

Then light and swift through the jungle trees
We swung in our airy flights,
Or breathed in the balms of the fronded palms
In the hush of the moonless nights;
And, oh! what beautiful years were there
When our hearts clung each to each;
When life was filled and our senses thrilled
In the first faint dawn of speech.

Thus life by life and love by love
We passed through the cycles strange,
And breath by breath and death by death
We followed the chain of change.
Till there came a time in the law of life
When over the nursing side
The shadows broke and soul awoke
In a strange, dim dream of God.

I was thewed like an Auruch bull
And tusked like the great cave bear;
And you, my sweet, from head to feet
Were gowned in your glorious hair.
Deep in the gloom of a fireless cave,
When the night fell o'er the plain
And the moon hung red o'er the river bed
We mumbled the bones of the slain.

I flaked a flint to a cutting edge
And shaped it with brutish craft;
I broke a shank from the woodland lank
And fitted it, head and haft;
Then I hid me close to the reedy tarn,
Where the mammoth came to drink;
Through the brawn and bone I drove the stone
And slew him upon the brink.

Loud I howled through the moonlit wastes,
Loud answered our kith and kin;
From west and east to the crimson feast
The clan came tramping in.
O'er joint and gristle and padded hoof
We fought and clawed and tore,
And check by jowl with many a growl
We talked the marvel o'er.

I carved that fight on a reindeer bone
With rude and hairy hand;
I pictured his fall on the cavern wall
That men might understand.
For we lived by blood and the right of might
Ere human laws were drawn,
And the age of sin did not begin
Till our brutal tush were gone.

And that was a million years ago
In a time that no man knows;
Yet here tonight in the mellow light
We sit at Delmonico's.
Your eyes are deep as the Devon springs,
Your hair is dark as jet,
Your years are few, your life is new,
Your soul untried, and yet -

Our trail is on the Kimmeridge clay
And the scarp of the Purbeck flags;
We have left our bones in the Bagshot stones
And deep in the Coralline crags;
Our love is old, our lives are old,
And death shall come amain;
Should it come today, what man may say
We shall not live again?

God wrought our souls from the Tremadoc beds
And furnished them wings to fly;
We sowed our spawn in the world's dim dawn,
And I know that it shall not die,
Though cities have sprung above the graves
Where the crook-bone men make war
And the oxwain creaks o'er the buried caves
Where the mummied mammoths are.

Then as we linger at luncheon here
O'er many a dainty dish,
Let us drink anew to the time when you
Were a tadpole and I was a fish.

Langdon Smith
 
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