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*Poem of the day thread

Describing Hitler's arrival in Hell..

Untitled

I can imagine when he came
And when his victims heard his name
They gathered round him not to miss
So good a chance to hoot and hiss

But those on earth may all agree
From torture he must not go free
That God Almighty has some plan
To punish such a naughty man


Herbert Brush, 1945

:)
 
Pablo Neruda - Flies Enter a Closed Mouth

This was actually my poem of yesterday.

Why, with these red fires, are the rubies ready to burst into flame?

Why is the heart of the topaz
yellow with honeycombs?

Why is it the rose's vagary
to change the color of its dreams?

Why did the emerald freeze
like a drowned submarine?

And why does the sky pale
in the starlight of June?

Where does the lizard buy
fresh paint for its tail?

Where is the subterranean fire
that revives the carnations?

Where does the salt get
that look of transparency?

Where did the coal sleep
before it woke to its darkness?

And where, where does the tiger buy
the stripes of its mourning, its markings of gold?

When did the honeysuckle first
sense its own perfume?

When did the pine take account
of its fragrant conclusion?

When did the lemons learn
the same creed as the sun?

When did smoke learn how to fly?

When do the roots talk with each other?

How do stars get their water?
Why is the scorpion venomous
and the elephant benign?

What are the tortoise's thoughts?
To which point do the shadows withdraw?
What is the song of the rain's repetitions?
Where do birds go to die?
And why are leaves green?

What we know comes to so little,
what we presume is so much,
what we learn, so laborious,
we can only ask questions and die.
Better save all our pride
for the city of the dead
and the day of the carrion:
there, when the wind shifts
through the hollows of your skull
it will show you all manner of
enigmatical things, whispering truths in the
void where your ears used to be.
 
I think I am in love with A.E. Housman,
Which puts me in a worse than usual fix.
No woman ever stood a chance with Housman
And he's been dead since 1936

- Wendy Cope
 
the girl we found pantiless
on the sandbox monkey bars,
she wouldn't come down.
we laughed
gawked up at her crease
but the bare-bottomed hussy
kept climbing
pantiless & proud
to the very top
her spread legs, girders
holding together
her steel mountain.
it was we who fell
tumbled into her living room
plunged into the smell of grease, rank
unwashed or barely washed
clothes, a father snoring
drunk, drawn shades
its windows, closed mouths

she looked down at us
eyes hard as sand
only then did she return
to her living room.
leave us children
to our play.
she didn't look back, we lost her
at the edge of the building
we making war among the dunes
we with panties
mothers
and lighted livingrooms.

- Yvonne A. Jackson "Underwear"
 
On Children - Khalil Gibran

On Children - Khalil Gibran - probably one of my favorites of all time

And a woman who held a babe against her bosom said, "Speak to us of Children."

And he said:

Your children are not your children.

They are the sons and daughters of Life's longing for itself.

They come through you but not from you,

And though they are with you, yet they belong not to you.

You may give them your love but not your thoughts.

For they have their own thoughts.

You may house their bodies but not their souls,

For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.

You may strive to be like them, but seek not to make them like you.

For life goes not backward nor tarries with yesterday.

You are the bows from which your children as living arrows are sent forth.

The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows may go swift and far.

Let your bending in the archer's hand be for gladness;

For even as He loves the arrow that flies, so He loves also the bow that is stable.

I'm such a muppet!

Just pretend I posted it yesterday or something! :D It's Vixen's fault for bumping up the thread :p
 
Rudyard kipling - My boy Jack

1914-18

Have you news of my boy Jack?"
Not this tide.
"When d'you think that he'll come back?"
Not with this wind blowing, and this tide.


"Has any one else had word of him?: "
Not this tide.
For what is sunk will hardly swim,
Not with this wind blowing, and this tide.


"Oh, dear, what comfort can I find?"
None this tide,
Nor any tide,
Except he did not shame his kind--
Not even with that wind blowing, and that tide.


Then hold your head up all the more,
This tide,
And every tide;
Because he was the son you bore,
And gave to that wind blowing and that tide!
 
Iemanja said:
I'm such a muppet!

Just pretend I posted it yesterday or something! :D It's Vixen's fault for bumping up the thread :p
Don't worry, I don't think you're alone in making this mistake. :D

Saying it's my fault though :D... that really is clutching at straws. :p
 
Big favourite - ee says it all. Dedicated to my beautiful boy x


i carry your heart with me. e.e.cummings

i carry your heart with me.
(i carry it in my heart)

i am never without it,
(anywhere i go you go, my dear; and whatever is done by only me is your doing, my darling)

i fear no fate (for you are my fate, my sweet)
i want no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant,
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;
which grows higher than the soul can hope or mind can hide)
and this is the wonder that is keeping the stars apart

i carry your heart. (i carry it in my heart)
 
The Boy With A Moon And Star On His Head Cat Stevens

A gardener's daughter stopped me on my way, on the day I was
to wed
It is you who I wish to share my body with she said
We'll find a dry place under the sky with a flower for a bed
And for my joy I will give you a boy with a moon and
star on his head.
Her silver hair flowed in the air laying waves across the sun
Her hands were like the white sands, and her eyes had
diamonds on.
We left the road and headed up to the top of the
Whisper Wood
And we walked 'till we came to where the holy magnolia stood.
And there we laid cool in the shade singing songs and
making love...
With the naked earth beneath us and the universe above.
The time was late my wedding wouldn't wait I was sad but
I had to go,
So while she was asleep I kissed her cheek for cheerio.
The wedding took place and people came from many
miles around
There was plenty merriment, cider and wine abound
But out of all that I recall I remembered the girl I met
'Cause she had given me something that my hear could not
forget.
A year had passed and everything was just as it was a year
before...
As if was a year before...
Until the gift that someone left, a basket by my door.
And in there lay the fairest little baby crying to be fed,
I got down on my knees and kissed the moon and star on
his head.
As years went by the boy grew high and the village looked
on in awe
They'd never seen anything like the boy with the moon and
star before.
And people would ride from far and wide just to seek the
word he spread
I'll tell you everything I've learned, and Love is all...he said.

I know its not strictly poetry, hope you'll not mind. I just love it :D
 
Chicks Up Front

Before and After,
we stand separate,
stuck to the same beer-soaked floor,
fragranced, facing the same restroom mirror.
Adjusting loose hairs-
mine brown, hers purple.
Fumbling for lipsticks-
mine pink, hers black-
a colour I couldn’t wear anyway
since that convention of lines gathered around my mouth last
year and won’t leave.
We avoid eye contact,
both of us
are afraid of being carded.

Mature, I suppose, I should speak,
but what can I say to the kind of hostility
that turns hair purple and lips black?
Excuse me, I know I never pierced my nose,
but hey, I was revolting once too?
Back. Before I joined the PTA,
when wonder bras meant, “Where’d I put that”
I rebelled against the government system,
the male-female system,
the corporate system, you name it.
I marched, I chanted, I demonstrated.
And when shit got passed around,
I was there sweetheart, and I inhaled.
Does she know that tear gas
makes your nose run worse than your eyes?
Would she believe that I was a volunteer when they called
“chicks up front”, because no matter
what kind of hand-to-hand combat
the helmeted authoritarians may have been
engaged in at home,
they were still hesitant to hit girls
with batons in the streets.
“CHICKS UP FRONT!” and we marched and
we marched and we marched right back home.

Where we bore the children we were not going to bring into this
Mad world, and we
brought them home to the houses we were never going to
wallpaper
in those Laura Ashley prints
and we took jobs with the corporate mongers,
we were not going to let supervise our lives,
where we sky rocketed to
middle-management positions
accepting less money
than we were never going to take anyway
and spending it on the Barbie dolls
we were not going to buy for our daughters.

And after each party
for our comings and goings
we whisked the leftovers into dust pans,
debriefing and talking each other down
from the drugs and the men
as if they were different,
resuscitating one another as women do,
mouth to mouth

That some of those we put up front
really did get beaten down
and others now bathe themselves daily
in Prozac to maintain former freshness.
Should I explain what tedious work it is
putting role models together,
and how strategic pieces
sometimes get sucked up by this vacuum.
And while we intended to take
one giant leap for womankind,
I wound up taking one small step, alone

What can I say at that moment
when our eyes meet in the mirror,
which they will.
What do I say to black lips and purple hair
I say

take care.

Sara Holbrook
 
The Tao of Physics

In the vast spaces of the subatomic world where
Matter has a tendency to exist
The lord of Life is breathing in and out,
Creating and destroying the universe
With each wave of his breath.

And my lord Siva dances in the city streets,
His body a fierce illusion of flesh, of energy,
The particles of light cast off from his hair
Invade the mighty night, the relative night, this dream.

Here where events have a tendency to occur
My chair and all its myriad inner worlds
Whirl around in the carousel of space, I hurl
Breathless poems against my lord
Death, send these Words, these words
Careening into the beautiful darkness.

Gwendolyn MacEwen
 
When they closed the foundries
and the mills
You could have taken
to the hills
But you stayed

Might have given up the ghost
but instead
You took a deep breath
forged ahead
straight as a blade

I like this place
my son a student here
City of space
open skies and stars
Sheffield
Twinned with Mars

Roger McGough
Winter Gardens, Sheffield
 
The Boston Evening Transcript
TS Eliot


The readers of the Boston Evening Transcript
Sway in the blind like a field of ripe corn.
When evening quickens faintly in the street,
Wakening the appetites of life in some
And to others bringing the Boston Evening Transcript,
I mount the steps and ring the bell, turning
Wearily, as one would turn to nod good-bye to Rochefoucauld
If the street were time and he at the end of the street,
And I say, "Cousin Harriet, here is the Boston Evening Transcript."
 
Spain

Yesterday all the past. The language of size
Spreading to China along the trade-routes; the diffusion
Of the counting-frame and the cromlech;
Yesterday the shadow-reckoning in the sunny climates.

Yesterday the assessment of insurance by cards,
The divination of water; yesterday the invention
Of cartwheels and clocks, the taming of
Horses. Yesterday the bustling world of the navigators.

Yesterday the abolition of fairies and giants,
The fortress like a motionless eagle eyeing the valley.
The chapel built in the forest;
Yesterday the carving of angels and alarming gargoyles.

The trial of heretics among the columns of stone;
Yesterday the theological feuds in the taverns
And the miraculous cure at the fountain;
Yesterday the Sabbath of witches; but to-day the struggle.

Yesterday the installation of dynamos and turbines,
The construction of railways in the colonial desert;
Yesterday the classic lecture
On the origin of Mankind. But to-day the struggle.

Yesterday the belief in the absolute value of Greece,
The fall of the curtain upon the death of a hero;
Yesterday the prayer to the sunset
And the adoration of madmen. But to-day the struggle.

As the poet whispers, startled among the pines,
Or where the loose waterfall sings compact, or upright
On the crag by the leaning tower:
'Oh my vision. O send me the luck of the sailor.'

And the investigator peers through his instruments
At the inhuman provinces, the virile bacillus
Or enormous Jupiter finished:
'But the lives of my friends. I inquire. I inquire.'

And the poor in their fireless lodgings, dropping the sheets
Of the evening paper: 'Our day is our loss, O show us
History the operator, the
Organiser, Time the refreshing river.'

And the nations combine each cry, invoking the life
That shapes the individual belly and orders
The private nocturnal terror;
'Did you not found the city state of the sponge,

'Raise the vast military empires of the shark
And the tiger, establish the robin's plucky canton?
Intervene. O descend as a dove or
A furious papa or a mild engineer, but descend.'

And the life, if it answers at all , replies from the heart
And the eyes and the lungs, from the shops and squares of the city:
'O no, I am not the mover;
Not to-day; not to you. To you, I'm the

'Yes-man, the bar-companion, the easily -duped;
I am whatever you do. I am your vow to be
Good, your humorous story.
I am your business voice. I am your marriage.

'What's your proposal? To build the just city? I will.
I agree. Or is it the suicide pact, the romantic
Death? Very well, I accept, for
I am your choice, your decision. Yes, I am Spain.'

Many have heard it on remote peninsulas,
On sleepy plains, in the aberrant fisherman's islands
Or in the corrupt heart of the city,
Have heard and migrated like gulls or the seeds of a flower.

They clung like burrs to the long expresses that lurch
Through the unjust lands, through the night, through the alpine tunnel;
They floated over the oceans;
They walked the passes. They came to present their lives.

On that arid square, that fragment nipped off from hot
Africa, soldered so crudely to inventive Europe;
On that tableland scored by rivers,
Our thoughts have bodies; the menacing shapes of our fever

Are precise and alive. For the fears which made us respond
To the medicine ad. And the brochure of winter cruises
Have become invading battalions;
And our faces, the institute-face, the chain -store, the ruin

Are projecting their greed as the firing squad and the bomb.
Madrid is the heart. Our moments of tenderness blossom
As the ambulance and the sandbag;
Our hours of friendship into a people's army.

To-morrow, perhaps the future. The research on fatigue
And the movements of packers; the gradual exploring of all the
Octaves of radiation;
To-morrow the enlarging of consciousness by diet and breathing.

To-morrow the rediscovery of romantic love,
The photographing of ravens; all the fun under
Liberty's masterful shadow;
To-morrow the hours of the pageant-master and the musician,

The beautiful roar of the chorus under the dome;
To-morrow the exchanging of tips on the breeding of terriers,
The eager election of chairmen
By the sudden forest of hands. But to-day the struggle.

To-morrow for the young the poets exploding like bombs,
The walks by the lake, the weeks of perfect communion;
To-morrow the bicycle races
Through the suburbs on summer evenings. But to-day the struggle.

To-day the deliberate increase in the chances of death,
The conscious acceptance of guilt in the necessary murder;
To-day the expending of powers
On the flat ephemeral pamphlet and the boring meeting.

To-day the makeshift consolations: the shared cigarette,
The cards in the candlelit barn, and the scarping concert,
The masculine jokes; to-day the
Fumbled and unsatisfactory embrace before hurting.

The stars are dead. The animals will not look.
We are left alone with our day, and the time is short, and
History to the defeated
May say Alas but cannot help nor pardon.

WH Auden


Double post, I find...
 
My favourite poem sequence is TS Eliot's Four Quartets: I heard it read aloud a couple of years ago. It's bleak – possibly the bleakest of all great works of poetry. I love the way Eliot writes – complex in meaning but, most of the time, very plain in form, almost as if he were writing prose.

It is not, in general, a poetry of metaphor or metre: the poetry is in the choice of individual words and in the meaning of the phrases. It sounds inexact and casual, as does speech: but it is precise in its selection and therefore in its meaning. Which is strange, because so much of the cycle is about struggling for the right words, about struggling to obtain meaning.

I love it. It expresses so well my mood - and my attitude to words.

The last of the four poems is Little Gidding. It ends like this:

What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter's afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.


Goodnight.
 
Here's how you’ll get your thrills
From broken stems and smashed insects
Here’s how you’ll cloud it
With mirror sheen smiles
And hollow chuckles
And a thought of maybe
Here’s your life in Technicolor
A cracked parade
Of mirrored smiles
And empty postures
A thought of what was, raising a blush of shame
And a guilt ridden memory of what you did
A garden of tears and these stupid words
To vent your weeping and bottle it for retail
Hoping for some ideal of hope
When hope is outside your ken
Dying for a change
And hating the difference
Making blood and semen with the same mindless gasps
And playing the game, and wearing the masks
Shuffling zombie with programmed responses
Desperately seeking something that’s real
Smoking and drinking
From dive to dive
And telling yourself
‘I am alive’
 
Health Fanatic by John Cooper Clarke.

Around the block, against the clock:
tick tock, tick tock, tick tock;
running out of breath, running out of socks;
rubber on the road; flippety flop;
non-skid agility; chop chop,
no time to hang about!
Work out, health fanatic, work out.

The crack of dawn, lifting weights;
a tell-tale heart reverberates;
high in polyunsaturates,
low in polysaturates;
a Duke of Edinburgh's award awaits.
It's a man's life;
he's a health fanatic; so was his wife.

A one-man war against decay.
Enjoys himself the hard way;
allows himself a Mars a day.
"How old am I? What do I weigh?
Punch me there! Does it hurt? No way!"
Running on the spot, don't get too hot;
he's a health fanatic, that's why not.

Peanut power; stay ahead,
running through the traffic jam taking in the lead.
Hyperactivity keeps him out of bed.
Deep down he'd like to kick it in the head.
They'll regret it when they're dead:
there's more to life than fun;
he's a health fanatic; he's got to run.

Beans, greens and tangerines
and low cholesterol margarines;
his limbs are loose, his teeth are clean;
he's a high octane fresh-air fiend.
You've got to admit he's keen.
What can you do but be impressed;
he's a health fanatic. Give it a rest!

Shadow-boxing; punch the wall;
One-a-side football;
"What's the score?" "One all."
Could have been a copper; too small.
Could have been a jockey; too tall.
Knees up, knees up! Head the ball!
Nervous energy makes him tick;
he's a health fanatic. He makes you sick!
 
tastebud said:
Where we bore the children we were not going to bring into this
Mad world, and we
brought them home to the houses we were never going to
wallpaper
in those Laura Ashley prints
and we took jobs with the corporate mongers,
we were not going to let supervise our lives,
where we sky rocketed to
middle-management positions
accepting less money
than we were never going to take anyway
and spending it on the Barbie dolls
we were not going to buy for our daughters...

...What can I say at that moment
when our eyes meet in the mirror,
which they will.
What do I say to black lips and purple hair
I say

take care.

Sara Holbrook

I've just realised I've whiled away hours reading this thread and never contributed. The above is beautiful... I sent it to my Mum, and she phoned me and cried (In a good way if that makes sense).

Hope that you enjoy this contribution - it seemed to describe me and my girlfriend perfectly when we discovered it last summer, and takes me back there instantly. :) Happy days!


Modern Love

It is summer, and we are in a house
That is not ours, sitting at a table
Enjoying minutes of a rented silence,
The upstairs people gone. The pigeons lull
To sleep the under-tens and invalids,
The tree shakes out its shadows to the grass,
The roses rove through the wilds of my neglect.
Our lives flap, and we have no hope of better
Happiness than this, not much to show for love
But how we are, or how this evening is,
Unpeopled, silent, and where we are alive
In a domestic love, seemingly alone,
All other lives worn down to trees and sunlight,
Looking forward to a visit from the cat.

Douglas Dunn
 
Five-Car Family

We're a five-car family
We got what it takes
Eight thousand cc
Four different makes

One each for the kids
I run two
One for the missus
When there's shopping to do

Cars are Japanese of course
Subaru and Mazda
And the Nissan that the missus takes
Nippin down to Asda

We're a load of noisy parkers
We never do it neat
Drive the neighbours crazy
When we take up half the street

Unleaded petrol?
That's gotta be a joke
Stepping on the gas we like
The smoke to make you choke

Carbon monoxide
Take a deep breath
Benzine dioxide
Automanic death

'Cos it's all about noise
And it's all about speed
And it's all about power
And it's all about greed

And it's all about fantasy
And it's all about dash
And it's all about machismo
And it's all about cash

And it's all about blood
And it's all about gore
And it's all about oil
And it's all about war

And it's all about money
And it's all about spend
And it's all about time
That it came to an end.

Roger McGough
 
The Quangle Wangle's Hat - Edward Lear

On the top of the Crumpetty Tree
The Quangle Wangle sat,
But his face you could not see,
On account of his Beaver Hat.
For his Hat was a hundred and two feet wide,
With ribbons and bibbons on every side
And bells, and buttons, and loops, and lace,
So that nobody every could see the face
Of the Quangle Wangle Quee.

The Quangle Wangle said
To himself on the Crumpetty Tree, --
"Jam; and jelly; and bread;
"Are the best of food for me!
"But the longer I live on this Crumpetty Tree
"The plainer than ever it seems to me
"That very few people come this way
"And that life on the whole is far from gay!"
Said the Quangle Wangle Quee.

But there came to the Crumpetty Tree,
Mr. and Mrs. Canary;
And they said, -- "Did every you see
"Any spot so charmingly airy?
"May we build a nest on your lovely Hat?
"Mr. Quangle Wangle, grant us that!
"O please let us come and build a nest
"Of whatever material suits you best,
"Mr. Quangle Wangle Quee!".

And besides, to the Crumpetty Tree
Came the Stork, the Duck, and the Owl;
The Snail, and the Bumble-Bee,
The Frog, and the Fimble Fowl;
(The Fimble Fowl, with a corkscrew leg;)
And all of them said, -- "We humbly beg,
"We may build out homes on your lovely Hat, --
"Mr. Quangle Wangle, grant us that!
"Mr. Quangle Wangle Quee!".

And the Golden Grouse came there,
And the Pobble who has no toes, --
And the small Olympian bear, --
And the Dong with a luminous nose.
And the Blue Baboon, who played the Flute, --
And the Orient Calf from the Land of Tute, --
And the Attery Squash, and the Bisky Bat, --
All came and built on the lovely Hat
Of the Quangle Wangle Quee.

And the Quangle Wangle said
To himself on the Crumpetty Tree, --
"When all these creatures move
"What a wonderful noise there'll be!"
And at night by the light of the Mulberry moon
They danced to the Flute of the Blue Baboon,
On the broad green leaves of the Crumpetty Tree,
And all were as happy as happy could be,
With the Quangle Wangle Quee.
 
I learned this at five, in my first year at school. The teacher was a very dramatic woman with black ringlets and hoop earings and hippy skirts. She made a huge collage with us of the hat and encouraged us to ask at home for things to bring in to stick on the hat.

She did the same with Jaberwocky.

My first inspirational school teacher, thank you Miss Treadwell. :cool:
 
madamv said:
I learned this at five, in my first year at school. The teacher was a very dramatic woman with black ringlets and hoop earings and hippy skirts. She made a huge collage with us of the hat and encouraged us to ask at home for things to bring in to stick on the hat.

She did the same with Jaberwocky.

My first inspirational school teacher, thank you Miss Treadwell. :cool:

:cool:
 
Love After Love by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
 
The unpurged images of day recede;
The Emperor's drunken soldiery are abed;
Night resonance recedes, night-walkers' song
After great cathedral gong;
A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.

Before me floats an image, man or shade,
Shade more than man, more image than a shade;
For Hades' bobbin bound in mummy-cloth
May unwind the winding path;
A mouth that has no moisture and no breath
Breathless mouths may summon;
I hail the superhuman;
I call it death-in-life and life-in-death.

Miracle, bird or golden handiwork,
More miracle than bird or handiwork,
Planted on the starlit golden bough,
Can like the cocks of Hades crow,
Or, by the moon embittered, scorn aloud
In glory of changeless metal
Common bird or petal
And all complexities of mire or blood.

At midnight on the Emperor's pavement flit
Flames that no faggot feeds, nor steel has lit,
Nor storm disturbs, flames begotten of flame,
Where blood-begotten spirits come
And all complexities of fury leave,
Dying into a dance,
An agony of trance,
An agony of flame that cannot singe a sleeve.

Astraddle on the dolphin's mire and blood,
Spirit after spirit! The smithies break the flood,
The golden smithies of the Emperor!
Marbles of the dancing floor
Break bitter furies of complexity,
Those images that yet
Fresh images beget,
That dolphin-torn, that gong-tormented sea.

Yeats - Byzantium
 
Being a Human Being

(for Mordechai Vanunu)

not to be complicit
not to accept everyone else is silent it must be alright

not to keep one’s mouth shut to hold onto one’s job
not to accept public language as cover and decoy

not to put friends and family before the rest of the world
not to say I am wrong when you know the government is wrong

not to be just a bought behaviour pattern
to accept the moment and fact of choice

I am a human being
and I exist

a human being
and a citizen of the world

responsible to that world
—and responsible for that world

Tom Leonard
 
Untitled

O paramour of New Hebrides
Beseech me not to deride thy trust.
Love's a strophe amid the bloom of lost Heavens.
Bring me the weal and the woe of scattered dreams.
My heart lusts for fin de siècle,
That vision of beleaguered days.
Want not, oh love! Look to the bastions!
Flee the scoundrel, grant mercy only to love,
And when the bounty is sated in reparation
Believe what is in my heart.

By Arturo Gabriel Bandini
 
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