Today a group of enterprising twenty- and thirtysomethings unveil their ambitious proposal to develop the 10-storey Peckham Rye car park into a permanent arts centre. For the past six years, it has been the site of Hannah Barry Gallery’s annual summer sculpture exhibition Bold Tendencies, and Barry, 30, and her gallery co-founder Sven Mündner, 34, are at the forefront of the plan to transform it into a year-round creative hub...
Campaigning under the title of Bold Tendencies — the name of Barry and Mündner’s non-profit organisation set up in 2007 to commission site-specific projects across sculpture, film, dance and music — Barry and the team plan a mixed-use reinvention of the building to incorporate the existing PeckhamPlex Cinema on the ground floor. “There will be light industrial spaces, studio spaces and we’re very keen on Kunsthalle-style [independent] galleries.”
The sustainable self-initiated new model for an arts building is, Barry believes, an embodiment of the Big Society where residents, businesses and the local council come together. The local community will gain an “uplifted environment”, social benefits and stimulated activity in the high street...
Arguably, the group’s great strength is that Barry can ask for help from a fluid network of young professionals and other collaborators — chefs, architects, engineers, lawyers. Many are old schoolfriends. Barry first met architect Gormley, 26, when they ran club nights together. Yancey Strickler, co-founder of crowd-funding website Kickstarter, is a friend.
http://www.standard.co.uk/goingout/...ham-car-park-into-an-arts-centre-8615243.html
It's already got Frank’s Café and the usual supper clubs and I'm pretty sure there'll be no shortage of upmarket foodie stuff coming right along at the same time as the 'visual art hub' is created.I think I'd rather have an arts centre than a foodie village, really.
Today Boxer, now 26, runs The Brunswick House Café in Vauxhall. And Barry (one of the 15 people who will define the future of arts in Britain, according to the Independent), who now has a gallery on Bond Street, is about to move her Peckham space to a huge warehouse next to Peckham Rye station, as well as launching a new tapas joint, called the Peckham Refreshment Rooms.
I went to an electronic music event at Bold Tendencies last week. It was very good, and free. They've got a load of African cinema stuff going on at the moment, I think also free (but you have to book). http://boldtendencies.com/projects/2013/events/
It's urban's fault because I read about it on the Peckham Gentrification threadIt can't be any good. They aren't from round these parts. And you are a traitor for fraternising with them. /u75
"The embodiment of the big society"![]()
But the name makes it sound so awfully working class though, doesn't it?Yep. "Peckham Refreshment Rooms" radishes with butter, a fiver.![]()
Frank's Campari Bar is pretty good....On another note why do we associate half decent food with gentrification? In any other country it would be seen as part of the whole experience. It's the painfully high prices and exclusivity that grate but let's not start a war on food
Because it's not 'half decent' food, it's wanky food that just allows foodies to bore on about the ingredients or some shit like that. Pure wankery. In fact I'm sure it's only a matter of time before some restaurant has the waiters ejaculate over your meal as a final serving flourish.
In other news, a friend posted on fb how there is now a 'hipster hairdresser' in Peckham.
Have you considered the possibility that you are a proto-hipster yourself?my cypriot barbers on Rye lane still charge £6 and a trim yer eyebrows is included. No hipsters go there. yet.
On Peckham, and avant garde art, and gentrification and estate agents (sort of):..
http://thequietus.com/articles/13174-gentrification-art-london-contemporary-music-festival
The debate around gentrification, then, can lack nuance on both sides. Advocates of regeneration tend to be too hasty in their claims that 'cultural hubs' and arts festivals can, as the saying goes, 'breathe life' into deprived areas. Against this, the belief that avant-garde work is a purely middle-class concern brings with it its own set of assumptions, and these also need to be challenged. When all is said and done, a better way to help inner-city communities maintain their identities would be a tighter regulation of the property market – rent controls can help a working-class family keep close to their roots far better than a blanket resistance to incursions by experimental artists. In this case, the finger needs to be pointed at policy makers and councils rather than at straw men.
Smashing and violating this instrument that gave so much over its life, at an (admittedly free) event high above one of the most deprived areas in London, is indulgence bordering on immorality. Before the festival, I suggested on Twitter that LCMF ditch the performance and give the piano to a local school instead; "that's a bit Daily Mail" was their response.
Oh a friend was at this and according to him it was a decent piano.Interesting article. What seemed apparent about the festival was that the programme was very much 'Avant-garde' c1960-80 rather than now, a kind of retro avant-garde, isn't everything retro now ! The Guardian was moaning though about the fluxus piano breaking piece->
Don't quite get what is obscene about destructivist art. It was a free event that anyone could come along to. More inclusive rather exclusive. There are plenty of pianos past repair.
All the more intriguing i suppose, still, would those offended have been more upset if it was in a gallery in Mayfair?Oh a friend was at this and according to him it was a decent piano.
I think, basically, I refuse to hate art on the grounds that it fuels gentrification.