aha! i wonder if it keeps it as a recording - you can on some livestream things i think...Oooh. You can wind the player back and rewatch!
Crap chord changes he wishes he hadn't written. Doesn't know what he was thinking 30 years ago when he wrote it. But he's got into them over the years. Something like that.loved the mellow number midset (aural oasis? cheesey name, great tune, did anyone catch what he mumbled about it on the intro?)
i liked it - was simple but hit the spot on a tired week day night - killer bass solo at the end. What would you call this kind of jazz, post-bop?Crap chord changes he wishes he hadn't written. Doesn't know what he was thinking 30 years ago when he wrote it. But he's got into them over the years. Something like that.
Yes, I liked it too.i liked it - was simple but hit the spot on a tired week day night - killer bass solo at the end. What would you call this kind of jazz, post-bop?
Apart from the blues on the encore it all sounded contemporary to me, but what do i knowBut not last night; that was pretty convincing.
Have a listen to Wayne Shorter Speak no Evil.Apart from the blues on the encore it all sounded contemporary to me, but what do i know
thats a classic 60s swinging modal cut though - i know lots of the elements from the 60s era remain, but a lot of the stuff last night sounded like that more 'post-bop' contemporary sound from around the 80s onwards (and you still get lots of that written and played today)... I mistakenly thought he only did the preservationist thing, and although he definitely does do a lot of standards in a standard way (especially all the Lincoln Center Jazz Orchestra stuff) i never realised there was a more contemporary part of his catalogue... seems like theres a fair bit of it too.Have a listen to Wayne Shorter Speak no Evil.
My favourite WM albums are Black Codes (From the Underground), J Mood, which are post bop, and Marsalis Standard Time, Vol.1, which is a collection of standards, less boppy, but with odd time signatures superimposed.have a good one rory! im at work so cant listen atm
thats a classic 60s swinging modal cut though - i know lots of the elements from the 60s era remain, but a lot of the stuff last night sounded like that more 'post-bop' contemporary sound from around the 80s onwards (and you still get lots of that written and played today)... I mistakenly thought he only did the preservationist thing, and although he definitely does do a lot of standards in a standard way (especially all the Lincoln Center Jazz Orchestra stuff) i never realised there was a more contemporary part of his catalogue... seems like theres a fair bit of it too.
maybe we should save this for the jazz history thread when we get to the 80s in 2015
blackest ever black on NTS radio now. sounds like a detroit dub hybrid atm, in a good way
http://ntslive.co.uk/
Have a listen to Wayne Shorter Speak no Evil.