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yeah, i guess that while he preserves in aspic a particular era of jazz, it's the particular era of jazz that i love the most, so all good. :D
 
i liked it just then when they were in close on marsalis and the sax player (walter blanding?), and you could see blanding deciding whether to come in or not on with the occasional lick. in fact, i love the interplay of musicians almost more than anything else at a good jazz gig - the tension, the humour, the occasional fuck ups, the occasional pulling back from the brink. love it. :cool:
 
wow that was great - much more modern than i was expecting (you missed that bit kb ;)) - loved the mellow number midset (aural oasis? cheesey name, great tune, did anyone catch what he mumbled about it on the intro?) - that pianist was amazing i thought, really unusual technique no? - in fact when the horns went off i wouldve hapilly just had the trio...blah blah blah, great set, feeling very nice and mellow after all that - good night :)
 
loved the mellow number midset (aural oasis? cheesey name, great tune, did anyone catch what he mumbled about it on the intro?)
Crap chord changes he wishes he hadn't written. Doesn't know what he was thinking 30 years ago when he wrote it. But he's got into them over the years. Something like that.
 
Crap chord changes he wishes he hadn't written. Doesn't know what he was thinking 30 years ago when he wrote it. But he's got into them over the years. Something like that.
i liked it - was simple but hit the spot on a tired week day night - killer bass solo at the end. What would you call this kind of jazz, post-bop?
 
i liked it - was simple but hit the spot on a tired week day night - killer bass solo at the end. What would you call this kind of jazz, post-bop?
Yes, I liked it too.

I think the term for it is "straight ahead jazz". It was pretty much a hard bop tune, with maybe some post bop nods. Reminded me of an early Wayne Shorter composition.
 
I don't go along with the harsh criticism of Marsalis. He may be backward-looking, but he can play what he likes if it sounds that good.

I do agree that sometimes it can sound like pastiche. Someone like Mingus could sound convincingly rooted in tradition, playing old styles as well as looking forward. At times Marsalis can sound like a great trumpet player playing someone else's repertoire.

But not last night; that was pretty convincing.
 
have a good one rory! im at work so cant listen atm
Have a listen to Wayne Shorter Speak no Evil.
thats a classic 60s swinging modal cut though - i know lots of the elements from the 60s era remain, but a lot of the stuff last night sounded like that more 'post-bop' contemporary sound from around the 80s onwards (and you still get lots of that written and played today)... I mistakenly thought he only did the preservationist thing, and although he definitely does do a lot of standards in a standard way (especially all the Lincoln Center Jazz Orchestra stuff) i never realised there was a more contemporary part of his catalogue... seems like theres a fair bit of it too.

maybe we should save this for the jazz history thread when we get to the 80s in 2015 :D
 
have a good one rory! im at work so cant listen atm

thats a classic 60s swinging modal cut though - i know lots of the elements from the 60s era remain, but a lot of the stuff last night sounded like that more 'post-bop' contemporary sound from around the 80s onwards (and you still get lots of that written and played today)... I mistakenly thought he only did the preservationist thing, and although he definitely does do a lot of standards in a standard way (especially all the Lincoln Center Jazz Orchestra stuff) i never realised there was a more contemporary part of his catalogue... seems like theres a fair bit of it too.

maybe we should save this for the jazz history thread when we get to the 80s in 2015 :D
My favourite WM albums are Black Codes (From the Underground), J Mood, which are post bop, and Marsalis Standard Time, Vol.1, which is a collection of standards, less boppy, but with odd time signatures superimposed.
 
A big one streaming this Friday and Saturday night - Zulu Nation 40th Anniversary - Here: http://howtolivestream.info/uzn40/

Not sure what time that will be with the time difference - late night/early morning i guess
Check the line up

Friday, November 8th: Afrika Bambaataa & Family


Featuring:
Ice Cube
Public Enemy
Ice T
Naughty Nation and UltraMagnetic MC’s

DJ’s:
Afrika Bambaataa
Kool DJ Red Alert
Afrika Islam
Jazzy Jay
Easy LG
Mark Luv
Luvbug Starski

Opening: Quadeer “M.C. Spice” Shakur

Host: Mick Benzo

Special Invited Guest: DJ Kool Herc

Saturday, November 9th: THROW DOWN!


Featuring:
DITC: (OC, AG, Showbiz, Lord Finesse, DiamonD, Buckwild)
MVP
Junior Demus
Joe Ski Love
Methuzulah Gem
Blahzay
Billy Ray
Jasiri X
Rebel Diaz
Sa Roc
Black UN
K-Swift
Balla Belly
L.A.W.

DJ’s:
Jazzy Jay
Q Tip
9th Wonder
GrandWizard Theodore
Mell Starr
Mark Luv
DJ Kool D
DJ Tyrone the Mixologist



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