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Fountain pen - recommendations

Just ordered a clutch pencil, why not (it's been a passably austere weekend, petrol costs aside).

em-Sketch.jpg


No news on a vintage (1920s-30s?) Swan Mabe-Todd F / v flex nib, which was posted in the US a coupla weeks back :(
 
Just ordered a clutch pencil, why not (it's been a passably austere weekend, petrol costs aside).

em-Sketch.jpg


No news on a vintage (1920s-30s?) Swan Mabe-Todd F / v flex nib, which was posted in the US a coupla weeks back :(
Tracking no.?
 
Tracking no.?
None :D

(Though I've just emailed to ask).

tbf, it's a pen-of-interest. I won't be totally gutted if it has gone walkies.

(Though I will be a little bit gutted - it sounds thoroughly interesting; in great condition; and I don't have a proper FP with anything approaching a flex nib).

How's the Nakaya going? I've been annotating with mine all day :D

(Though, again, still no news from Japan re: the engagement pen + custom nib :D)
 
I've given away my Lamy 2000.

A young undergraduate with a penchant for FPs (particularly a Caran D'Ache) gave me a Curly Wurly, along with several examples of her FP collection's writing.

And I thought that the Lamy 2000 was probably fair exchange for a Curly Wurly.

I hope she doesn't feel short-changed.

I'd forgotten how nice Curly Wurlies are.
 
I've given away my Lamy 2000.

A young undergraduate with a penchant for FPs (particularly a Caran D'Ache) gave me a Curly Wurly, along with several examples of her FP collection's writing.

And I thought that the Lamy 2000 was probably fair exchange for a Curly Wurly.

I hope she doesn't feel short-changed.

I'd forgotten how nice Curly Wurlies are.

Now this is a shot in the dark, but was she an attractive young woman, by any chance?
 
Now this is a shot in the dark, but was she an attractive young woman, by any chance?
She's someone who I have no sexual interest in, and who doesn't bake my particular biscuit.

I'm really not on the pull here. But I appreciated the curly wurly (it was a genuinely nice gesture), I dislike the Lamy 2000, and it was a case of either giving it away (probably through Urban) or eBaying it. She got in there first!
2000s retail for £175 these days. They've gone up massively for some reason.
http://www.whsmith.co.uk/CatalogAndSearch/ProductDetails.aspx?productId=35315971&utm_source=Google+Product+Search&utm_medium=Feed&utm_campaign=Product+Link

They're only £175 at Cult Pens.

£81 at WH Smiths!

(Pretty damned sure they were £76 a week or two ago, too :hmm: )

e2a: or even less, even:
Well. It's got a far, far nicer ink flow than the Lamy 2000 (which is apparently £60-70 at Smiths ATM?!).

e2a2: Jesus. £175 at the Writing Desk, too.

I should've eBayed it, ay :D
 
The Mabe Todd arrived today.

And, bloody hell, it is in absolutely stunning condition for a pen that's 80 odd years old... Apart from some microscratches on the (beautifully shoddy :D) engraved initials on the cap band, it really could've come out of a blister pack yesterday.

£20 customs (£12.75 VAT, £8 delivery) on a $100ish pen...

Properly looking forward to inking it up!

e2a: I'll add, actually. It came with a bucketload of sellotape on the 1920s otherwise-pristine box ( :facepalm: ) and a leaflet asking me what I thought I needed to do to get to heaven :D
 
. . . and a leaflet asking me what I thought I needed to do to get to heaven :D

Give all your pens away???

'Tis easier for a pen to pass through the eye of a camel than a stationer to enter through the doors of Staples - or summit
 
Give all your pens away???

'Tis easier for a pen to pass through the eye of a camel than a stationer to enter through the doors of Staples - or summit
:D

The Lamy was the only one I didn't like :D

Though the body of my platinum carbon's cracked. I might replace it at some point, and farm out the old un.
 
Traditional flex nibs require a different hand angle for writing, don't they?

So, like, oblique nib holders... set the nib at the 'right' angle for writing conventionally. With fat downstrokes.

Whereas with a flex-nibbed pen... you kinda have to hold it vertical to the paper. Or write at a highly unusual angle.

Right? :hmm:
 
3.2 Is duty charged on used goods?
Used goods are still liable to the same duty and VAT charges as if they were new. However, this may vary depending on their age and condition.


Hmrc.
 
mrs quoad said:
Traditional flex nibs require a different hand angle for writing, don't they?

So, like, oblique nib holders... set the nib at the 'right' angle for writing conventionally. With fat downstrokes.

Whereas with a flex-nibbed pen... you kinda have to hold it vertical to the paper. Or write at a highly unusual angle.

Right? :hmm:

I haven't found that to be the case.
 
I haven't found that to be the case.
From what kinda angle (or point on a clock face) is your pen approaching the paper?

Mine's coming in from pretty much 3 o'clock. Which means that - no matter how much pressure I put on downstrokes - the tines of the nib only separate 'lengthways,' so to speak, and 'along' the line. Instead of widthways, across the line, making it broader.

A very quick / lazy thingy:

Photoon08-06-2012at1748.jpg


The first flex is written with considerable extra pressure on the downstrokes, with my hand in its usual writing position.

The second one is written with the pen coming in from 6 o'clock. And there's - unsurprisingly - a tonne more flex evident in there.

Just as there's a tonne more line variation in horizontal lines than in vertical lines, when my hand is - yeah - in its usual writing position.
 
mrs quoad said:
From what kinda angle (or point on a clock face) is your pen approaching the paper?

Mine's coming in from pretty much 3 o'clock. Which means that - no matter how much pressure I put on downstrokes - the tines of the nib only separate 'lengthways,' so to speak, and 'along' the line. Instead of widthways, across the line, making it broader.

A very quick / lazy thingy:

The first flex is written with considerable extra pressure on the downstrokes, with my hand in its usual writing position.

The second one is written with the pen coming in from 6 o'clock. And there's - unsurprisingly - a tonne more flex evident in there.

Just as there's a tonne more line variation in horizontal lines than in vertical lines, when my hand is - yeah - in its usual writing position.

I guess my norma angle of approach is about 4o'clock (relative to my body). But I always have the paper turned slightly, so the angle of incidence is nearer 5o'clock. Never experienced the problem you mention. I do roll the barrel slightly. Does that help?
 
I guess my norma angle of approach is about 4o'clock (relative to my body). But I always have the paper turned slightly, so the angle of incidence is nearer 5o'clock. Never experienced the problem you mention. I do roll the barrel slightly. Does that help?
tbf, a 4 o'clock pen plus rotated paper'd pretty much account for it.
 
mrs quoad said:
tbf, a 4 o'clock pen plus rotated paper'd pretty much account for it.

Maybe. You must have an odd style to be coming in from the side. But couldn't you compensate to some extent by rotating the barrel clockwise?
 
Yeah, ok, on inspection it's closer to 4. And rotating the barrel does kinda work! But it's yielding nowhere near so full a line as a flat-on tine split, iyswim.
 
Like almost all of my pens, the Nakaya stays at work. I woke up this morning and actually felt that I was missing it.
 
Like almost all of my pens, the Nakaya stays at work. I woke up this morning and actually felt that I was missing it.
How often do you feel the same about your 3yo, whilst at work?

e2a: I'll add: I'm properly loving the Swan. The nib's got a beautiful bit of growl (instead of hypersmooth buttery fluff). And I've been having some fun both using it for standard writing, and messing around (a bit) with semi-Spencerian / copperplate. For which it's nowhere near as good as a Gillott, but not 'arf bad.
 
mrs quoad said:
How often do you feel the same about your 3yo, whilst at work?

e2a: I'll add: I'm properly loving the Swan. The nib's got a beautiful bit of growl (instead of hypersmooth buttery fluff). And I've been having some fun both using it for standard writing, and messing around (a bit) with semi-Spencerian / copperplate. For which it's nowhere near as good as a Gillott, but not 'arf bad.

I miss them both all the time, notwithstanding their ability to embarrass me. The other day, we were on a flight. It was night time, so all quiet. The eldest was watching a film with the headphones on, which meant that she shouted whenever she wanted to talk. Particularly embarrassing when, on watching me play a popular arcade game, she bellowed "I don't like it when you touch your own snake"!
 
ViolentPanda said:
It's very cruel to ask Athos such...awkward...questions. :p :D

I'm glad you two exist, you make me feel ever-so-much-less of an obsessive in comparison. :D

Obsessive? Well I did find myself pricing up a portable Nakaya, just so that I need never be without.
 
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