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Dune - dir. Denis Villeneuve

Been reading around the novel and film.

This article is harsh but asks question why make a film of this novel now.


I'd say I will have to wait until Villeneuve gets second part out.

Villeneuve has made some good Liberal but dark films in the past around contemporary issues.

This article shows what a problematic novel Dune is.

As I've said previously Frank Herbert was a Republican / Hippy. His novel was success amongst "alternative" society. His politics were all over the place. This doesn't surprise me.

Take the Fremen. On one level sympathetic portrayal of oppressed group. They are also portrayed by Herbert as warrior caste. Their hard life had meant the weak were weeded out. Tribal leaders (men) kept position by fights to the death with those who challenged them. Women were strong but know their place. It can be read as right wing fantasy.

The insidious elitist aspect of the plot that does not feature in film is that the myths the Fremen live by have been implanted in them centuries ago by Bene Gesserit. Which partly explains why Paul's mother survives capture by Fremen. Likewise her son Paul.

One aspect of story that comes across more in Dune Messiah is that religion is way elites can manipulate the masses.

Fremen are being manipulated. Bene Gesserit then Paul.

Its a depressing scenerio.
 
A colleague was talking about this film today and i misheard them and thought they were talking about Junior, the Schwarzenegger film where he gets pregnant. It took me way longer than it should’ve to work it out :facepalm:
 
Been reading around the novel and film.

This article is harsh but asks question why make a film of this novel now.


I'd say I will have to wait until Villeneuve gets second part out.

Villeneuve has made some good Liberal but dark films in the past around contemporary issues.

This article shows what a problematic novel Dune is.

As I've said previously Frank Herbert was a Republican / Hippy. His novel was success amongst "alternative" society. His politics were all over the place. This doesn't surprise me.

Take the Fremen. On one level sympathetic portrayal of oppressed group. They are also portrayed by Herbert as warrior caste. Their hard life had meant the weak were weeded out. Tribal leaders (men) kept position by fights to the death with those who challenged them. Women were strong but know their place. It can be read as right wing fantasy.

The insidious elitist aspect of the plot that does not feature in film is that the myths the Fremen live by have been implanted in them centuries ago by Bene Gesserit. Which partly explains why Paul's mother survives capture by Fremen. Likewise her son Paul.

One aspect of story that comes across more in Dune Messiah is that religion is way elites can manipulate the masses.

Fremen are being manipulated. Bene Gesserit then Paul.

Its a depressing scenerio.
I suppose, with a user name like gramsci, you would couch everything into tribal political groupings and see all actions as an extension of those affiliations.

World views in people are vague and shifting things. They might support X over Y for all kinds of reasons. It's a fun story about magic space people. Reductionist analysis based on some political bestiary is just stupid and pointless.
 
I suppose, with a user name like gramsci, you would couch everything into tribal political groupings and see all actions as an extension of those affiliations.

World views in people are vague and shifting things. They might support X over Y for all kinds of reasons. It's a fun story about magic space people. Reductionist analysis based on some political bestiary is just stupid and pointless.
This is kind of arguing that nothing means anything, or that culture floats free of politics. No one is telling you to stop enjoying Dune. You can both enjoy Harry Potter books and talk about their particularly terrible version of liberalism.
 
This is kind of arguing that nothing means anything, or that culture floats free of politics. No one is telling you to stop enjoying Dune. You can both enjoy Harry Potter books and talk about their particularly terrible version of liberalism.
I find Marxist analysis useful and entertaining when looking at politics, but utterly drab when used on literature.
 
I don't think you need Marxian analysis to spot that a lot of the politics of Dune is about powerful people manipulating the wider population or imposing themselves with violence. The question then is who Herbert is sympathetic to among his own creations.
 
Saw it. Liked it. But then I always did like Lawrence of Arabia, so I would, wouldn’t I?

There’s not really much more to it than LoA, is there?
 
I don't think you need Marxian analysis to spot that a lot of the politics of Dune is about powerful people manipulating the wider population or imposing themselves with violence. The question then is who Herbert is sympathetic to among his own creations.
The point he's making is that megalomaniacs are attracted to positions of power and people are ever willing to cede their power to charismatic leaders with simple answers.

But oh, the perils of leadership in a species so anxious to be told what to do. How little they knew of what they created by their demands. Leaders made mistakes. And those mistakes, amplified by the numbers who followed without questioning, moved inevitably toward great disasters.
 
Sandworms. No sandworms in LoA.
The camel trains. Their ability to come together in an unstoppable mass to drive through the Turkish ranks and then almost immediately scatter and disappear into the desert was an (explicit, iirr) inspiration.
 
I suppose, with a user name like gramsci, you would couch everything into tribal political groupings and see all actions as an extension of those affiliations.

World views in people are vague and shifting things. They might support X over Y for all kinds of reasons. It's a fun story about magic space people. Reductionist analysis based on some political bestiary is just stupid and pointless.

It's how Villeneuve sees the Dune the novel. Why he decided to make it into a film.


He says its

portrait of the reality of the oil and the capitalism and the exploitation—the overexploitation—of Earth
 
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Sandworms. No sandworms in LoA.

There are in the original 6-hour version that was butchered by the studio, before David Lean changed his surname and moved to the US to do more experimental work.

You can see the remnants of one of the scenes where, walking across the desert, one of Lawrence's companions is swallowed by "quicksand".
 
That's making completely different points to the ones you made :D


What you objected to was me making a political comment on the film which you said was:

It's a fun story about magic space people. Reductionist analysis based on some political bestiary is just stupid and pointless.

I posted up what Villeneuve said as he thinks the novel is political with something to say to the present.

Btw I don't think my comment on the film was particularly "Marxist". Or even that controversial. You may or may not agree with it. But its not reductionist nor is it going against why Villeneuve decided to make a film of this novel.

I enjoyed the film as a spectacle. Its made me think more about the novel. I felt it was accurate visualisation of how the novel felt to me.

It's possible to enjoy something and think critically of it.
 
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What you objected to was me making a political comment on the film which you said was:



I posted up what Villeneuve said as he thinks the novel is political with something to say to the present.

Btw I don't think my comment on the film was particularly "Marxist". Or even that controversial. You may or may not agree with it. But its not reductionist nor is it going against why Villeneuve decided to make a film of this novel.

I enjoyed the film as a spectacle. Its made me think more about the novel. I felt it was accurate visualisation of how the novel felt to me.

It's possible to enjoy something and think critically of it.
Yes there are political messages that are interesting. What I find tiresome and without much value was characterising Herbert as a hippy republican and drawing a wealth of significance from it.
 
This might be just me, but when it comes to stories based on battles between feudal oppressors, I do have problems giving a fuck who wins.

Just being on the side with the leader who has fewer weeping sores isn’t quite enough.

And before anyone asks, no, I haven’t read the books.

I did really enjoy the film - it was mahoosive. It’s just that I wasn’t that much on either side. Especially because Drax was on the other one and I like Drax.
 
Yes there are political messages that are interesting. What I find tiresome and without much value was characterising Herbert as a hippy republican and drawing a wealth of significance from it.

Not what you posted. Your moving the goalposts. First you complain about "Marxist" criticism of "fun" story. How you assume I'm making Marxist analysis. How much you dislike Marxist analysis of culture.

Now you've moved the goalposts to argue against looking at biographical history of the writer. And the writers politics. Which you find "tiresome".

Which BTW isn't particularly "Marxist" way of looking at culture.

BTW my background is "hippy". I grew up in that. Good and bad sides to it imo. Frank Herbert is typical example. In real life I would have got on with him. But having grown up in that I see the drawbacks.
 
Just caught this at the Ritzy Brixton, great to see it on a big screen. Villeneuve confesses to his life changing moment seeing Lawrence of Arabia 70mm and this is certainly very much present in the film as is Star Wars/Blade Runner. By the end I felt well and truly "Zimmered" by Hans Zimmer's music which almost never lets up. There are some great bits when the music stops :D I don't really get all the knife fighting, is that in the book?
 
Just caught this at the Ritzy Brixton, great to see it on a big screen. Villeneuve confesses to his life changing moment seeing Lawrence of Arabia 70mm and this is certainly very much present in the film as is Star Wars/Blade Runner. By the end I felt well and truly "Zimmered" by Hans Zimmer's music which almost never lets up. There are some great bits when the music stops :D I don't really get all the knife fighting, is that in the book?
Shield technology means that projectile weapons (especially laser guns*) became obsolete. So knife fighting became the only practical method of combat.

Fremen however do still use a traditional projectile weapon because shields aren’t advisable on Dune (they attract worms) and so haven’t learnt the same aversion to projectile weapons. Fremen are still very handy at hand to hand combat too obviously.

* They cause small nuclear explosions when they hit a shield.
 
Just caught this at the Ritzy Brixton, great to see it on a big screen. Villeneuve confesses to his life changing moment seeing Lawrence of Arabia 70mm and this is certainly very much present in the film as is Star Wars/Blade Runner. By the end I felt well and truly "Zimmered" by Hans Zimmer's music which almost never lets up. There are some great bits when the music stops :D I don't really get all the knife fighting, is that in the book?

In the book the knife fighting scenes demonstrate mind over matter. The more psychological aspects of the novel. It's not purely fighting in the book. Its part and parcel of how these people over centuries have heightened their responses. Use same techniques in interactions with others. It's one of the more interesting things in the novel. Not easy to get it across in film. The early scenes using the voice in film demonstrate it.

The Mentats are specialised example. But not good at emotional side. This doesn't come across in film.

So not surprised you ask about it.
 
Just back from seeing it at the Everyman. First cinema trip for over 2 years.

I think I'm only ever going to see films at the Everyman in the day, in the week. Barely anyone there, comfortable sofas. Food and drinks delivered to our sofa.

I loved it. Loved the music, loved the costumes loved the cinematography. Loved the scale. Loved the huge space craft. Kynes was a great suprise!

Was disappointed that the guild navigator wasn't in it.
 
Saw it last night. Really enjoyed it (have read the book - twice - and am a fan of the Lynch film).

Amazing cinematography and design. Good acting. Well plotted - I liked the pacing and the way the story unspooled.

Only bit I didn’t think worked quite so well was the cutting between the Duke’s death and Paul/Jessica in the desert.
 
Still not made it to this and trying to work out where’s best to see it in London - gutted to find it’s finished at the imax… any tips for a great screen/sound venue?
 
Depends a lot where you live but like Kali above I saw mine at my local Everyman (not tiny but not huge) and wasn't disappointed. The sofa model can be a downside if you're not easily divisible by two though.

Some of the dialogue I found hard to distinguish but this is seemingly a problem with the sound mix itself and not the cinema.
 
Still not made it to this and trying to work out where’s best to see it in London - gutted to find it’s finished at the imax… any tips for a great screen/sound venue?
I saw it at Hackney Picturehouse which has a massive wide screen and excellent sound.

I've never read the book and could muster little interest in the story, but I enjoyed the cinematic experience of it.
 
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I saw it at Hackney Picturehouse which has a massive wide screen and excellent sound.

I've never read the book and could muster little interest in the story, but I enjoyed the cinematic experience of it.

Cheers, Hackney is not very convenient for me though tbh - thinking more west end/central, anyone else got any tips? I usually go to Barbican but it’s not on on their big screen, only the smaller ones
 
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