That’s where we differ. Art is a field of practice, but for a finished piece to be considered art, there’s more to it than practice.
Btw, I love a lot of conceptual art. Emin’s tent, and especially Whiteread’s concrete houses genuinely make me quite excited. Emin’s bed gets stick, and I see why - because it’s not skilful mark-making. It begins and ends with the concept. Part of which is part of this confrontational autobiographical exposure she was doing at that point, along with some challenges to patriarchal expectations, and yes, there was, with all the YBAs, a knowing audacity to do with how the art world spends money… but it’s not ALL about the £££.
To own up to my influences/show my working here, my thinking about this is very much a product of the fact that I'm reading Raymond Williams' Keywords at the moment, which is making me think a lot about how terms such as art, creativity, imagination and so on aren't just neutral terms describing a given category but pieces of language that have come into use, and shifted their meanings, at specific times in response to specific social/historical conditions. Which isn't a subject that I think that much about on most days, but here we are.
Anyway, I suppose I'm skeptical about the importance of originality, cos... if you have some teenagers in a garage playing music that sounds an awful lot like the Ramones, is that art or not? Do they get to be art because we give them the benefit of the doubt on some category like authenticity that we might deny Depp cos we dislike him? Or do we think that the term "art" is not suitable for this particular field of human activity (and would that change if they were ripping off Gang of Four or Talking Heads instead of the Ramones)?
Similarly with acting, if someone appears in a Shakespeare play, do they need to be somehow innovative about it for it to qualify as art? (One could take this argument in an absurd direction, by pointing out that someone playing Hamlet is unlikely to be doing anything that no previous Hamlet has done, whereas no previous actor has portrayed the role of Jack Sparrow, but I dunno if that makes Depp playing Sparrow a more original or creative activity?)
Also, I do tend to be a bit skeptical about some conceptual art, especially the Emin nothing-but-the-concept end of it, cos I sort of tend to think that one Duchamp had done Duchamp, I dunno how much room there is for anyone to do conceptual art that isn't just a retreading of that, to contradict myself and make an argument for originality again. Although I do also love some conceptual art, like I'm a rabid Holzer fan and that's not really because of her skill as a painter or sculptor or whatever.
Which is my point. It’s decoration.
And this gets my Willam Morris side thinking - are Morris designs art? Does the form (e.g. print vs wallpaper) affect the answer to that question?
And I don’t love Pollock either. But I’m not arrogant enough to to say it’s bad.
People slagging of the great artists of the 20th century sound like 13 year olds saying that Shakespeare’s shit. You can dislike something without imagining that your opinion on the skill and quality outweighs the consensus of informed understanding.
It’s like I personally find both “2001: A Space Odyssey”, and “Blade Runner” unwatchably dull. But they’re clearly not bad films: they’re great pieces of filmmaking art.
Again, with my Williams glasses on, I find myself wanting to question what makes a consensus informed or not - one could talk of a consensus among the film-going public that Marvel films are good, so does that mean we can't say they're shit? Or are we required to respect the opinions of Blade Runner-likers in a way that we're not required to respect the opinions of Marvel-likers?
Hopefully it should be clear, but I'm not trying to have a go at you here, and I'd struggle to give solid answers to a lot of these questions myself, I just found your posts thought-provoking/helpful in prodding me to formulate a lot of thoughts and questions into a more solid form. I suppose that if Depp is in fact a conceptual artist trying to provoke his audience into asking questions about the nature of creativity and the border between not-art and shit art, he is quite a successful one?