Critique of Instrumental Reason - Max Horkheimer
Well, One Dimensional Man (Marcuse) is a must for wider reading, but it's not going on my daughters' capsule shelf. Adorno not so much, not because I don't like his ideas, but because I think you're better with posthumous collections of essays like "The Culture Industry". (But he's wrong about jazz).Any "must haves" from likes of Althusser, Adorno, Marcuse, Laclau etc.?
I'd be tempted to stick Bourdieu's Distinction there, but as I've not exactly read it cover to cover it'd be a bit disingenuous!
Before you read any theory stuff you need to read Thompson's The Poverty of Theory.Barthes' Mythologies was quite good. But, again, wouldn't make the shortlist.
Well, One Dimensional Man (Marcuse) is a must for wider reading, but it's not going on my daughters' capsule shelf. Adorno not so much, not because I don't like his ideas, but because I think you're better with posthumous collections of essays like "The Culture Industry". (But he's wrong about jazz).
Well, One Dimensional Man (Marcuse) is a must for wider reading, but it's not going on my daughters' capsule shelf. Adorno not so much, not because I don't like his ideas, but because I think you're better with posthumous collections of essays like "The Culture Industry". (But he's wrong about jazz).
Have you read Anti-Music: Jazz and Racial Blackness in German Thought Between the Wars by Mark Christian Thompson? There's a chapter that makes clear that Adorno's understanding of what jazz was was based on a very limited understanding centred on a few shitty german bands. Like understanding folk or country music through listening to post-adge wurzels (interesting on the nazi adoption of jazz as well - rather than the usual swing kids liked it, nazis must be against etc narrative). This, of course, throws the whole idea of culture industry into serious doubt.Well, One Dimensional Man (Marcuse) is a must for wider reading, but it's not going on my daughters' capsule shelf. Adorno not so much, not because I don't like his ideas, but because I think you're better with posthumous collections of essays like "The Culture Industry". (But he's wrong about jazz).
No, I've not read that. I didn't know of it. Although I do have Kafka's Blues on my to buy list, after reading a review that intrigued me.Have you read Anti-Music: Jazz and Racial Blackness in German Thought Between the Wars by Mark Christian Thompson? There's a chapter that makes clear that Adorno's understanding of what jazz was was based on a very limited understanding centred on a few shitty german bands. Like understanding folk or country music through listening to post-adge wurzels (interesting on the nazi adoption of jazz as well - rather than the usual swing kids liked it, nazis must be against etc narrative). This, of course, throws the whole idea of culture industry into serious doubt.
(Can do you a copy if you like.)
Is this the Miriam Hansen line? An introduction to one of my Adorno books makes reference to it.'Wrong' meaning a racist cunt?
I think it has. I lent my copy to my elder daughter, who loved it.http://waysofseeingwaysofseeing.com/ways-of-seeing-john-berger-5.7.pdf
This was quite the thing in its day. I'm not sure if it's aged well.
Have you read Anti-Music: Jazz and Racial Blackness in German Thought Between the Wars by Mark Christian Thompson? There's a chapter that makes clear that Adorno's understanding of what jazz was was based on a very limited understanding centred on a few shitty german bands. Like understanding folk or country music through listening to post-adge wurzels (interesting on the nazi adoption of jazz as well - rather than the usual swing kids liked it, nazis must be against etc narrative). This, of course, throws the whole idea of culture industry into serious doubt.
(Can do you a copy if you like.)
Kenneth Clark's Civilisation is available on DVD and was on iPlayer recently, so I don't think that can be too much of an obstacle. I think it's possible that the TV series just hasn't held up very well.I think it has. I lent my copy to my elder daughter, who loved it.
I wish they'd repeat the TV series. (I'd like to have it on DVD, although I understand the copyrights needed for all the images used makes that unlikely).
The Berger makes use of a lot of popular culture images, though: adverts and TV. Civilisation doesn't: it's all statues, cathedrals and art galleries.Kenneth Clark's Civilisation is available on DVD and was on iPlayer recently, so I don't think that can be too much of an obstacle. I think it's possible that the TV series just hasn't held up very well.
Is this the Miriam Hansen line? An introduction to one of my Adorno books makes reference to it.
Just searched for the source and [edit. was on my phone so cocked up]
Then we disagree. I find no evidence that he doesn't take jazz seriously because he sees it as a black form. (Which I presume is what you mean).No, my reading.
Then we disagree. I find no evidence that he doesn't take jazz seriously because he sees it as a black form. (Which I presume is what you mean).
You could clear up any presumption about what you mean by typing out what you mean.Your presumption is your subjective position. Post up a link to the original essay and then let folks decide.
You could clear up any presumption about what you mean by typing out what you mean.
View attachment 135164
I used to recommend this years ago, but frankly I haven't read it for decades and I seem to remember I had some historical reservations but I can't remember exactly what.
Have you read Anti-Music: Jazz and Racial Blackness in German Thought Between the Wars by Mark Christian Thompson? There's a chapter that makes clear that Adorno's understanding of what jazz was was based on a very limited understanding centred on a few shitty german bands. Like understanding folk or country music through listening to post-adge wurzels (interesting on the nazi adoption of jazz as well - rather than the usual swing kids liked it, nazis must be against etc narrative). This, of course, throws the whole idea of culture industry into serious doubt.
(Can do you a copy if you like.)
Always put it off, and still haven't finished it, but definitely feel more like I understand some deep fundamentals of how everything works since I started reading it. The effort is rewarded. Still go with the Manifesto for snappy basics though.Capital vol 1
It'd be nice to get this thread back on track now that Beats & Pieces' bizarre diversions are over.
To recap: what are the 5 or 6 essential classics (Not too dense or opaque)?