A photo of what? Different subjects can require difference approaches.What it says on the tin. Wondered if any of you could pass on a tip or two for how you take a good photograph?
Well, just knowing that fact is useful when you know nothing. Say you wanted to take photos of the world around you. The people in the city.A photo of what? Different subjects can require difference approaches.
Thanks for this I googled it.Composition. Rule of thirds is a good guide but like all rules...
Cos I’ve not taken any. (Any that aren’t just snaps of my kids iyswim). But maybe I’ll go and take a photo this weekend and do that. I’ll have to be Harehills by Jimmies mind cos I’m working. It will be clueless, although I will try the rule of thirds.Danski is right. But this works much better on an applied basis. Why don't you post up some photos and we can tell you why they're shit?
Not sure I agree with this. Lots of practice is fine, but you need to giving it some thought. You won’t learn much by randomly shooting loads and hoping for the best.The best advice I ever got from a professional photographer was to just take shitloads of photos and choose the best one.
There is the preexisting 'critique' thread too, which had a lot more going on back in the day than in recent times:Cos I’ve not taken any. (Any that aren’t just snaps of my kids iyswim). But maybe I’ll go and take a photo this weekend and do that. I’ll have to be Harehills by Jimmies mind cos I’m working. It will be clueless, although I will try the rule of thirds.
Not sure I agree with this. Lots of practice is fine, but you need to giving it some thought. You won’t learn much by randomly shooting loads and hoping for the best.
OK. So, pictures of people as part of the landscape around them? Or closeups, portraits of individuals? Will they be candid, without the subject realising? Or more formally posed, allowing you time to compose the shot?Well, just knowing that fact is useful when you know nothing. Say you wanted to take photos of the world around you. The people in the city.
Yeh that is an eye openerComposition and many other elements are important, of course, but as somebody who was used to getting disappointing results in the days when you had to bring film to a shop and wait a few days before seeing the results, it was encouraging to hear that there are dozens or even hundreds of duds behind every really good photo.
This is an intriguing bit of advice. Shame Leeds is like living in a Tupperware box all winter.Look at light, you are going to capture that light. Is it unusual? is it shining on a detail? is it shining through something?
I guess I was thinking of photos like Chris Killip took. I mean not that you are ever gonna be a Chris Killip. But how do you go about even starting to capture what it feels like say to be on Harehills Lane on a grey October day in the middle of a pandemic.OK. So, pictures of people as part of the landscape around them? Or closeups, portraits of individuals? Will they be candid, without the subject realising? Or more formally posed, allowing you time to compose the shot?
Knowing what you want and the style that appeals to you will help you decide how to approach this, and then may influence things like the actual camera used, the lens, any flash and so on.
Yeah, being selective about which photos you share is also a good tip but you can’t rely on that alone.Composition and many other elements are important, of course, but as somebody who was used to getting disappointing results in the days when you had to bring film to a shop and wait a few days before seeing the results, it was encouraging to hear that there are dozens or even hundreds of duds behind every really good photo.
That’s an excellent metaphor!This is an intriguing bit of advice. Shame Leeds is like living in a Tupperware box all winter.
I think this might be they way you are looking at it. Every day, and every hour, the light will change intensity and colour. This will affect everything you look at. Try sitting in the same place at the same time for a few days and look at how everything is both the same and different. You’ll be surprised.This is an intriguing bit of advice. Shame Leeds is like living in a Tupperware box all winter.
When the light is changing, low broken cloud in the 30 mins before the sun is gone in evening in winter. Sun at a very low angle, bright. Fleetingly can give a pic that would be unusual and striking. Or just as the mist is clearing and sun is going to shine. Or a view that only gets sun at a certain time of the day. You gotta be there though!This is an intriguing bit of advice. Shame Leeds is like living in a Tupperware box all winter.
If the photographer sees beauty in Tupperware it is their job to communicate said beauty to an audience.This is an intriguing bit of advice. Shame Leeds is like living in a Tupperware box all winter.
The common theme here is sun, when Leeds ain’t blessed. But you have to work with what you have! And I liked dessiato ’s suggestion about watching how the light changes at the same spot.When the light is changing, low broken cloud in the 30 mins before the sun is gone in evening in winter. Sun at a very low angle, bright. Fleetingly can give a pic that would be unusual and striking. Or just as the mist is clearing and sun is going to shine. Or a view that only gets sun at a certain time of the day. You gotta be there though!
Would you say Killik’s photographs were beautiful? Not a trick question, I was wondering that myself.If the photographer sees beauty in Tupperware it is their job to communicate said beauty to an audience.