i watched the first 5-10 minutes of Orphan Black and switched it off. Load of childish crap.
Hm that's what I initially thought too (conditioning: looks to mainstream/silly in places = an instant no without giving things a chance), but it does get a lot better if you persevere once you've got past the first four or five episodes or even towards the end of season one where they've cranked up the intrigues a notch, then more and more and keep introducing new twists and layers to the story and the characters...
The pace gets a lot quicker too, and they just keep it coming, more and more clones and complications- at one point I just went ah this is completely mad, I love it haha- the clones just keep coming (Perhaps they needed the first few episodes to be a bit more simplistic than the rest to introduce the characters and start the slow unravelling kind of thing of the mystery at the core of it all, it's a lot to take in and we follow the main character's quest for truth whodunnit style, but after that they just keep speeding it up...)
Or anyway it's probably a bit of an acquired taste but what isn't... I'll forgive them the occasional mini meh 'cos it's a big(-ish) mainstream production and what else can you expect, that's what you get- but once they went completely over the top with the story twists I really liked it. Didn't think I'd say that but there you go.
I like how all the clones have their own distinct personality and manage to come across as completely different people, even voices, mannerisms and body language etc. Well done- I know she's playing against herself, but it did seem like different people onscreen, even when they're in the same room. (Alison's facade of restrained calm over complete OCD neurosis hell is spot on, but prone to unpredictable outbursts so I fear that might get her in a lot more trouble...) Paul is generic and a wooden yawn but I think that may not just be down to the standard US tv slick identikit actor but also on purpose to suggest unreliability, creepiness somehow (he's probably lying about being on their side and still working for the bad guys- who's doublecrossing whom?)
The Neolutionists are obviously a dig at Transhumanism/H+ - and their foreman's first name is Aldous, figures... And their logo is an open eye with a reset button as the pupil, haha.
(What's with his accent, is it canadian? it makes my skin crawl. no offense, canada- it's the actor
and the character, tbf.) The leader of the biblethumping cult is probably shaping up to be mr. Aldous' main rival it seems- who is the third nexus point in all this...
EDIT: oh, and it all went a bit Blade Runner there all of a sudden with Cosima's coughing sickness and the whole "race against time" thing... (plus the way Helena cradled Thomas' head in her hands before trying to finish him off)
I think Siobhan knows a lot more than she's letting on, and we'll soon find out what side she's really on (despite the fact that she did protect them, she could still be working for the corporation in some way, willingly or not but she's in deep... either the birth mother lied when she warned Sarah against Siobhan, or the other way around)
I want to know more now, more of this kind of thing please...
Those were my favourite books ever when I was 10 and the TV series upset me so much. They fucked it all up.
Yeah that was a shame... In their defence though I do think a third season was planned, but they never got the funding to make it and it all just fell apart... I guess at a stretch one could still see it as an "open ending" in a way, in the sense that even though they came back to the safe valley only to find it torn apart by the tripods, the gang of kids still made it back there and they *could* potentially start again from scratch with their own little group either there or elsewhere, and- crucially- they still had one of their own back on the "inside" in the domed city, so that alone could give them some sort of hope...
Still, it all falls flat with the last line though, "oh
no! so it was all for
nothing?"*b'doom tish*- THE END.
Only "why the fuck did we bother with all this if you won't give us an ending with a sense of closure, you bastards?" No catharsis for us! So mean. Bloody cheapskates...
Was it John Cristopher who wrote the Guardians too, must re-read that too to see if it still holds up...
(What a shame the 'capping' symbol in the series belonged to the bad guys, the way it appears in the opening sequence with the shiny circuit board-like patterns inside a triangle would make for an awesome tattoo... or maybe everything looks better with a broody synth score underneath)