Just went and listened to Street-Legal for the first time in years. With its irritating hyphen n all.
Often seen as the last one worth buying, it’s got some solid stuff on there, reasonably arranged. What’s best about it though is the liveness of it. Mostly recorded in a few days (and occasional giddy night) it’s got quite a few ‘mistakes’ in it. The three female backing singers (a first for Dylan) were having to follow the band making bits up as they went along. Dylan asked them to sing stuff that was beyond them (and would have been for the vast majority of singers) but they went along with him cos he was Bob Dylan. Which worked perfectly. Probably not as smooth as Bob would have liked, but much better in reality. Who wants smooth Dylan?
I followed this up with what, I think, was the only one of Dylan’s 39 studio albums and 12 live ones that I’d never heard before - Dylan & The Dead. It has a terrible reputation and just seemed a bit pointless so I never bothered. But it cost nowt to listen, so away I went.
Slow Train wasn’t too bad. Not an absolute classic song, but it sounded okay, Bob actually sung. And then came one of his finest songs, I Want You. And never have I heard such a vile bastardisation of any song ever. Give me a drunken one armed busker singing it at 1am over this monstrosity. While the rest of the album never got worse than that, one half interesting guitar solo in All Along the Watchtower did not make up for it.
Evil, the worst thing Dylan has ever done. Including that bra advert.