bubblesmcgrath
Well-Known Member
Concetto spaziale, Attese by Lucio Fontana - $1.5 Million
Blue Fool by Christopher Wool - $5 Million
Why would you ask that?Is it a con?
Why would you ask that?
Well, who is conning who?
No... but it's the same culture that breeds Apple fanboys. It's a big part of what's wrong in the world.If someone wants to pay that much for an artwork, then surely that is their choice - I doubt that they had a gun placed against their head.
I don't think it's anything like that. These are not consumer products. The prices that they fetch may well be obscene, but it's not as if it makes a difference to the likes of you or me.No... but it's the same culture that breeds Apple fanboys. It's a big part of what's wrong in the world.
It does absolutely nothing for me, but I'm aware I seem to be in a minority on that(?)Ah, a Mark Rothko. I like a lot of his work.
If someone wants to pay that much for an artwork, then surely that is their choice - I doubt that they had a gun placed against their head.
I don't think it's anything like that. These are not consumer products. The prices that they fetch may well be obscene, but it's not as if it makes a difference to the likes of you or me.
I see poverty and starvation throughout the world, then I see someone has paid enough money to feed countless starving people for a piece of shite 'art'. This does actually affect me... it sickens me.I don't think it's anything like that. These are not consumer products. The prices that they fetch may well be obscene, but it's not as if it makes a difference to the likes of you or me.
Is what great art? The 2 pieces you put in the OP? - I don't know. I quite like the Lucio Fontana piece, I'm less keen on the Christopher Wool one, although some of his other work is interesting.Sure.....but is it really great art?
Maybe that was a bad term for me to use. What I meant, is that they are not a throw-away mass produced items.Of course they're consumer products. If they were free nobody would bother with them. Their price tag is what makes them consumable to the nth degree and the fact that some art critic has represented them well and they've hung in a prestigious gallery is part and parcel of creating a consumer product for a wealthy investor.
IMO..
I didn't say that it doesn't affect you. Whether the person spent their money on "shite 'art' " or just burnt it makes no difference. The fact that they have that disposable money is another thing entirely.I see poverty and starvation throughout the world, then I see someone has paid enough money to feed countless starving people for a piece of shite 'art'. This does actually affect me... it sickens me.
Art has a long history of involvement with money. Without a patron, most famous artists would never have workedI like truth in art....I'm not so sure that the artworld of 2014 is about truth anymore. Am I wrong?
Is it too attached to money...and who you know?
Art has a long history of involvement with money. Without a patron, most famous artists would never have worked
Patronage yes .... but this?
“Balloon Dog (Orange)” by Jeff Koons. The work sold for $58.4 million, a world auction record for the artist and a world auction record for a living artist, according to Christie’s..
An asset that is sure to deflate!
Jeff Koons did not sell that work for $58.4 million. It was owned by Peter Brant, who bought it in the 1990s. The money raised by the sale was invested into The Brant Foundation Art Study Center.Patronage yes .... but this?
“Balloon Dog (Orange)” by Jeff Koons. The work sold for $58.4 million, a world auction record for the artist and a world auction record for a living artist, according to Christie’s..