London_Calling
Pleasant and unpatronising
The Guardian's film reviewer - the normally temperate and reliable Peter Bradshaw - has this morning gone berserk for this this film:
"It is the best film of the year:"
"It all looked so vividly real to my fortysomething eye that, frankly, I thought I'd died and gone to Q-magazine-reading 50-quid bloke heaven. And when John Cooper Clarke came on playing himself, a support act to Joy Division when they were called Warsaw, I pretty well levitated out of my seat with sheer happiness, and had to be tied back down with guy-ropes.
"What a fantastic film this is"
"Control is a film about England, about music, about loneliness and love; there is melancholy in it, but also a roar of energy. I thought it might depress me. Instead I left the cinema walking on air."
You don't read that very often. Anyone caught it yet?
"It is the best film of the year:"
"It all looked so vividly real to my fortysomething eye that, frankly, I thought I'd died and gone to Q-magazine-reading 50-quid bloke heaven. And when John Cooper Clarke came on playing himself, a support act to Joy Division when they were called Warsaw, I pretty well levitated out of my seat with sheer happiness, and had to be tied back down with guy-ropes.
"What a fantastic film this is"
"Control is a film about England, about music, about loneliness and love; there is melancholy in it, but also a roar of energy. I thought it might depress me. Instead I left the cinema walking on air."
You don't read that very often. Anyone caught it yet?